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111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Color lithograph with metallic leaf, Edition 30 Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner ha...

To see our other original vintage travel posters, many of which have skiing subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or sen...

Color lithograph with gold leaf, Edition 30 Don Ed Hardy is a painter, printmaker and tattoo artist. Fascinated by tattoos since childhood, Hardy has ...

Vintage poster made for Perrier originally in 1983 (this is a later print). Sold in excellent condition.

Original Stufe Pagliero Michele vintage Italian antique poster. Archival linen backed and ready to frame. Lithograph from 1929. Excellent condition, ready to frame. A conditio...

Bob and Roberta Smith Art Makes Children Powerful, 2022 Silkscreen print on paper hand-signed and numbered by the artist 52 x 52 cm Edition of 50...

Original; linen-backed Italian travel by train to Mantova, ENIT poster. Created for the Italian railways to advertise the travel route to Mantova. E.N.I.T....

Enrico Baj ( 1924 - 2003 ) - Sir James Scott, duke of Monnouth - Mixed media, textile and collage, 1977 Additional information: A rare edition work from “The Generals” series, dated...

Kushner completed a series of monotypes, many with collaged decorative papers. He worked from still-lives of flowers, fruits, pitchers and Betty Woodman ceramic vessels. These prints...

The complete portfolio of 4 individual pieces. Each with the Keith Haring Estate stamp verso, signed in pencil by the Executor for the Estate, Julia Gruen, and numbered 26/200. Publi...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Ed Ruscha, He Up and Went Downtown, Porcelain Plate, 2020 Porcelain plate From a limited edition of 175 10.5 × 10.5 in (26.7 × 26.7 cm) NOTES: The only edition to date from Ruscha...

Marina Abramović Unconditional Love, 2024 Hand signed COA Two colour screenprint 8 1/4 x 10 5/8 in 21 x 27 cm Published by CIRCA in 2024. Produced in a Time Limited Edition of 4,152.

This lithographic poster illustrates Aristide Bruant who was a famous performer and cabaret owner in Paris at the turn of the 20th century. Lautrec, seizing on Bruant's trademark cos...

Venus Sergio Gonzales-Tornero, Chilean (1927) Date: 1968 Etching with Aquatint, signed, numbered, dated and titled in pencil Edition of 36/100 Image Size: 24 x 15.75 inches Size: 30 ...

Original vintage Soviet aviation propaganda poster - Слава Советским Соколам! / Glory to the Soviet Falcons - featuring a dynamic military illustration of the red hammer and sickle f...

Color lithograph, Edition 25. In Man’s Ruin, a wolf is portrayed as a nurse, two iconic images often seen in tattoo flash. Below the wolf are two brigh...

'Matty Groves' by Harry Bunce is a limited edition print. This print features a fox dressed in a suit and shirt with a bright pink tie, he is holding a knife and is looking off into ...

As Goldsmith Osman designed the Crown for the Investiture of the Prince of Wales in 1969, and as architect he commissioned Jacob Epstein's chef d'oeuvre, the Madonna and Child on the...

Les Maîtres de l'Affiche n°35 PAL dit, Jean de Paleologu (Ro) 1865 † 1942 Miami Beach (U.S.) Grand Ballet Brighton. 1893-1896. H400xL290mm. Lithographie imprimée en couleurs sur pap...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

FACE OF THE NIGHT (For Octavio Paz) is a limited run lithograph exhibition poster printed in multiple colors using traditional hand lithography techniques (not a photo reproduction) ...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

Color woodcut, Edition 30 The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...

TITLE: Jing Zhiyong "A Beacon" Contemporary Art Astronauts Series YEAR 2021 CLASSIFICATION: Limited edition to 50 prints. MEDIUM TYPE: Print MEDIUM/MATERIALS: Screen Print on Fine Ar...

Takashi Murakami, Kanye West, Louis Vuitton; Los Angeles 2007 (Murakami Gala): Rare folding invitation published on the occasion of a 2007 reception honoring Takashi Murakami and fashion icon Marc Jacobs with a special performance by Kanye West; October 28th, 2007; MOCA Los Angeles; hosted by Louis Vuitton. Front side imagery features a reproduction of Murakami’s ‘Jellyfish...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

David Shrigley, This Huge Cat, 2023 Offset lithograph on 200 gsm Arctic Vol paper 31 1/2 × 23 3/5 in 80 × 60 cm David Shrigley was born in 1968 in Ma...

Andy Warhol, Flowers 1964/2022 ( red, yellow, orange on blue) Matt 250gsm conservation digital paper 90 x 90 cm Throughout Andy Warhol’s career he often returned to subjects that...

Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris & New York Signature: Hand signed by the artist Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica...

David Shrigley I am Happy, 2022 Offset lithograph on wove paper 19 7/10 × 27 3/5 in 50 × 70 cm Edition of 250

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

David Shrigley, Life Is Very Good, 2016 Off-set lithograph Open edition, unframed 60 x 80 cm (23.62 x 31.5 inches) Printed on 200g Munken Lynx paper by Narayana Press in Denmark ...

Color woodcut/lithograph with chine collé and collage Woodman returned to Shark's in 2015 to make her most recent print "The White & Black Set". The artist poses a set of white a...

Color lithograph, Edition 20. Don Ed Hardy’s lithographs “Storm Dragon” and “Sea Dragon” continue his lifelong exploration of dragon mythology and imagery. For 2000, the Year of the...

Harry Bunce Lepus Limited Edition Archival Print Edition of 468 Mount Size: H 49.5 cm x W 41.5 cm Image Size: H 31cm x W 25cm Sold Unframed Please note that in situ images are purely...

Yes You Can Can (Splats Edition) by Amy Gardner [2020] limited_edition Screen Print, Watercolour Edition number 40 Image size: H:50 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Only AP works left in this edition. This print is about women supporting women. 'YES YOU CAN CAN' splats edition limited edition of 40 Archival Bread & Butter bright white paper 270gsm 50x 50cms 5 screen...

Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...

Color 3-D lithograph in Plexiglas box, Edition 50 Red Grooms revisits the rich subject matter of his New York City neighborhood in his new three-dimensional lithograph “Extra! Ext...

Bat in the meadow. 1982. Paper, linocut, 20x34 cm imprint size 10x25,5 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...

Color lithograph with pochoir, Edition25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills. In Susan's latest prints Solitary Oak and As the Moon Rises...

WILL TAYLOR Fibonacci's Rabbit Original limited edition of 50 – printed by the artist on Somerset 300gsm Cotton paper Copper-plate etching Image size W 20 cm x H 15 cm Sheet size W 3...

ICES Lilac Purple and Sherbet Yellow, bold colour blocking pop art street photography from Richard Heeps series, On-Sea. Created as an ode to childhood visits to grandparents living ...

Color lithograph, Edition 30 Last Rays is an intensely colorful image that evokes the play of light and reflections caused by the late rays of the evening sun as they rake low acr...

"Kvetch" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner. Signed and dated Bochner 2021 lower right recto. Image size: 25 1/2 x 29 3/4...

Original vintage motorsport poster for the Dessauer Motorrad-u. Autorennen unter der Losung: Sportler, vorwarts im Kampf fur Frieden, demokratischer Einheit und Umabhangigkeit! / Des...

Original vintage Soviet propaganda poster - Do you fulfill your obligations in honour of the 25th anniversary of the Kazakh SSR? - featuring an army soldier in military uniform point...

"Money" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner. Signed and dated Bochner 2023 lower right recto. Image size: 29 3/4 x 20 1/2 ...

Brightly colored "Blah, Blah, Blah" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner. Signed and dated Bochner '23 lower right recto in...

Original vintage travel advertising poster - Winter in Majorca Spain - featuring an Art Deco illustration of a lady in a red swimsuit sunbathing with a thermometer showing a warm tem...

Original vintage advertising poster for the Exposicion Internacional Barcelona International Exposition held from 20 May 1929 to 15 January 1930 featuring an illustration of people w...

Sean Delonas Untitled (sssuuuccckkkeeerrrsss), c. 21st century Screenprint (?) Sight: 9 1/2 x 12 3/4 in. Framed: 18 7/8 x 21 7/8 x 1 in. Signed and inscribed top Signed lower left in plate Best known as the cartoonist for the New York Post’s Page Six from 1990 to 2013. His cartoons are currently syndicated by CagleCartoons and appear worldwide. An award winning painter and illustrator, his work has appeared in the nation's largest newspapers, magazines, books, television and Broadway. Sean's work is in the permanent collections of the Smithsonian - National Museum of American History, the Library of Congress, Brooklyn Museum of Art, Newseum, the Cartoon Art Museum, New York Historical Society Museum and Library, the Billy Ireland Cartoon Library and Museum, appeared in shows at National Museum of Health and Medicine, the Norman Rockwell Museum, the Concord Museum and the Whitney Museum of American Art. Sean's cartoons were responsible for the New York Mets decision to boycott the press in 1992 (New York Daily News, 03/28/1993). In 2009, his cartoons led to worldwide media attention and the largest protest against the New York Post in it's 200+ yr history with many politicians calling for his arrest. Sean's cartoons linking Freddy Ferrer to Al Sharpton "helped decide the 2001 mayoral race" ( New York magazine, March 21-28, 2005) and were mentioned in the NYC Democrat mayoral candidate's concession speech (November 7, 2001). In 2018, New Mexico’s entire congressional delegation condemned Sean for an immigration cartoon based on Trump's State of the Union speech that appeared in the Albuquerque Journal. (New York Times, 02/08/18) A sold out one man art show at the Limner Gallery led to his largest commission -- creating the altar painting for the Church of St. Agnes in NYC. Many of his friends at the NY Post, were the models for this painting. Together with his son, is the author of Scuttle's Big Wish (ReganBooks/HarperCollins 2006 and Scholastic Books 2007) and, Sean Delonas: The Ones They Didn't Print, (Skyhorse Publishing, 2015). Pulitzer prize winner, Mike McAlary’s character, Scar [played by Glenn Fitzgerald], from CBS’s “New York News” was " drawn from that wacky talent, Sean Delonas." Mike McAlary, NEW YORK DAILY NEWS Wednesday, August 2, 1995. His work is in the private collections of celebrities, politicians, and other public figures, including George H.W. Bush, Secretary James Baker, Andrew Lloyd Weber, Rupert Murdoch, Howard Stern, George Steinbrenner, Spike Lee, Rush Limbaugh, Dan Rather, Wolf Blitzer, Steve Kroft, Mario Cuomo, John Cardinal O’Connor, Jackie Mason , Cindy Adams, Pete Hamill, David Blaine...

Original antique art exhibition poster - Now on view Pictures & sketches by M. Andre Sinet - held at the Goupil Gallery 5 Regent Street Pall Mall in London featuring artwork by the F...

The artwork is an original edition by Superstudio, issued by "Plura editions", Milan. The piece bears an original ink stamp by Superstudio on the lower left, and an original blind st...

Helmut Newton poster 60 x 79.5 cm printed on the occasion of the Exhibition at the Museum of Contemporary Art Castello di Rivoli from September 24 to November 20, 1994 in excellent c...

H9-4 Politeness, Giclee Print on Aluminium Composite by Damien Hirst, 2021 Hirst’s art both shocks and amazes. His works are challenging both visually and philosophically and contin...