Spaziergang III, Contemporary, 21st Century, Color, Photography

View Similar Items

Kai Schäfer - Elvis Presley, Mistery Train, Braun, Vynil, World Records

Kai Schäfer - Miles Davis, Kind of Blue, Rekokut B12G, World Records (Photography)

Kai Schäfer - Luxman, Michael Jackson, Off the wall, World Records (Photograph)

Kai Schäfer - Harman Kardon, Kraftwerk - Autobahn 2, World Records (Photograph)

Kai Schäfer - Transrotor AC, Beatles - HeyJudel, World Records (Photograph)

Kai Schäfer - Mitsubishi, Nirvana Nevermind, World Records (Photograph)

Kai Schäfer - Miles Davis, Kind of Blue, Rekokut B12G, World Records (Photography)

Kai Schäfer - B&O - Tangential - Pink Floyd - The Wall, World Records (Photograph)

Kai Schäfer - Ariston, Michael Jackson - Thriller, World Records (Photograph)

Kai Schäfer - B&O, Kate Bush - Running up that hill, World Records (Photograph)

Mario Arroyave - Timeline Underwater Rugby II

Want more images or videos?

Request additional images or videos from the seller

1 of 2

Sabine Dehnel
Spaziergang III, Contemporary, 21st Century, Color, Photography
2003

About the Item

'Spaziergang III' by Sabine Dehnel motive size 20 x 42 cm, paper size 30 x 52 cm Edition of 5 - 2003 pigment inkjet auf Hahnmühle paper ultrasmooth Signed and dated on Verso Sabine Dehnel A sensual, critical combination of painting and photography Dehnel studied fine art and philosophy at the Academy of Fine Arts at the Johannes Gutenberg University, Mainz and received her MFA at Otis College of Fine Arts and Design, Los Angeles. Her artwork has been included in numerous international group and solo exhibitions in institutions such as: Museum Wiesbaden, Kunstverein Ludwigshafen, Museum Frieder Burda, Baden Baden, Columbus Art Foundation, Ravensburg, Ulmer Museum, Kunsthalle Winterthur, Muzeul de Arta, Timisoara, and gallerys MasArt, Barcelona, Morgen Contemporary, Berlin, Martin Asbaek, Copenhagen and Esther Woerdehoff, Paris. Sabine Dehnel (*1971) is part of the up-and-coming young German painting and photography scene. Her work blends painting, photography, and installation. For her, there is no competition between painting and photography, just a mutual admiration society. Her work, often focused on a female subject, transforms at every stage, from snapshot to collage to painting to the “living picture,” a constructed, temporary installation, before coming back to a C-print. The painting is thus returned to the photographic medium from which it arose. From this reconstruction, Dehnel develops installations, another generation removed, series of cropped images that either vary her subjects against unaltered backgrounds--one woman’s skirt changes pattern over and over--or show them as frozen figures against changing environments. Layers upon Layers: the inner-worlds of Sabine Dehnel Sabine Dehnel is crafty. Her practice is born in paint and then shifts into installation, sculpture, and photography. It oscillates between so many mediums that it feels more cinematic than artistic. A single painting is realized and then used as the basis for an installation which is then hand preened, cut and formed from textiles, paper, industrial supplies, and a complete tailor’s kit of materials. The work is then carefully documented and the final result is usually a large-scale photographic work. Dehnel is often in control of whole environments. Paper is made to look like pleated tennis skirts, or carefully built flowers, or a hand-painted “set” of a sun dappled mountaintop. In terms of sweetness and tone I am reminded almost of The Sound of Music. The most recognizable aspect of her work is when she transitions painting into photography. She creates a hybrid technique by layering paint directly onto her figures and then photographing them in such a way that the viewer is led to believe that they are looking at a painting. While she succeeds here in technique, she perhaps relies too heavily on this single tool. Dehnel is the kind of maker who belongs more in the directors chair where her full capacity and reach–I see it more in her tableau works–is greater. Where she flies highest and brightest is in her total domination of an idea. She builds a world, a life-size dollhouse for her tenderest fantasies of family and kindness. They are wholesome, and while they refer to the here and now, they are also otherworldly. The clouds are made of cotton and the seagulls of papier mache. Small and delicate feathers are made from heavy, sinking wires and well worn stockings–all part of an homage to a beloved friend she has lost. Every detail has been thoughtfully tended and still the work remains open and gestural. Dehnel bridges her dream life with her lived experience. – Berlin ArtLink news: Cinema of the Mind V - Schule der Wahrnehmung präsentiert Sabine Dehnel. Eröffnung, Mittwoch, den 29. März 2017, 18h30, SKWSchwarz Kranzler Eck, Kurfürstendamm 21, Berlin, kuratiert von Dr. Alexandra v. Stosch RELOAD! Tracht - Kunst - Mode, Museum Kunst der Westküste Alkersum, Föhr, 17.9.2017 - 7.1.2018 Sara Umbreit schreibt auf sojournal über Sabine Dehnel und Andreas Berlin CUADRO - Art Magazine No 4, 7/2016, Editor: Mario Hergueta, Artists: Sabine Dehnel, Polly Penrose, Annegret Soltau, Iiu Susiraja, Jaimie Warren 40 Berliners - everything in its right place - by Michael Wickham Marc Peschke interviewt in der neuen Ausgabe von CRITICA die Berliner Künstlerin Sabine Dehnel.

Creator:
Sabine Dehnel (1971, German)
Creation Year:
2003
Dimensions:
Height: 7.88 in (20 cm)Width: 16.54 in (42 cm)
Medium:
Plexiglass,C Print
Movement & Style:
Contemporary
Period:
2010-
Condition:
Gallery Location:
Morongo Valley, CA
Reference Number:
Seller: Sabine Dehnel #0051stDibs: LU65233994351

Spaziergang III, Contemporary, 21st Century, Color, Photography

View Similar Items

Sabine Dehnel
Spaziergang III, Contemporary, 21st Century, Color, Photography
2003

About the Item

1990s Contemporary Color Photography

Stefanie Schneider
Palm Trees on Wilcox - Contemporary, Polaroid, mounted under Plexi, 1999

Early 2000s Contemporary Color Photography

Stefanie Schneider
Stefanie Schneider Minis - 2 Minis from the Beachshoot, 2005

Early 2000s Contemporary Color Photography

Stefanie Schneider
Stefanie Schneider Minis - Runaway (Haley and the Birds), 2013

Early 2000s Contemporary Color Photography

Stefanie Schneider
Stefanie Schneider Minis - Blue Bridge - based on a Polaroid, mounted , 1999

Early 2000s Contemporary Color Photography

Stefanie Schneider
Beachshoot Mini #08 - mounted - based on a Polaroid, 2005

Early 2000s Contemporary Color Photography

Stefanie Schneider
Stefanie Schneider Minis - Jules and Jim (29 Palms, CA), 2007

2010s Contemporary Color Photography

Kai Schäfer
Elvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

2010s Contemporary Color Photography

Kai Schäfer
Elvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

2010s Contemporary Figurative Photography

Kai Schäfer
Miles Davis, Kind of Blue, Rekokut B12G, World Records (Photography), 2013

2010s Contemporary Figurative Photography

Kai Schäfer
Luxman, Michael Jackson, Off the wall, World Records (Photograph), 2015

2010s Contemporary Figurative Photography

Kai Schäfer
Harman Kardon, Kraftwerk - Autobahn 2, World Records (Photograph), 2015

2010s Contemporary Figurative Photography

Kai Schäfer
Transrotor AC, Beatles - HeyJudel, World Records (Photograph), 2015

Recently Viewed

Spaziergang III, Contemporary, 21st Century, Color, Photography

View Similar Items

Sabine DehnelSpaziergang III, Contemporary, 21st Century, Color, Photography2003

About the Item

1990s Contemporary Color Photography

Stefanie SchneiderPalm Trees on Wilcox - Contemporary, Polaroid, mounted under Plexi, 1999

Early 2000s Contemporary Color Photography

Stefanie SchneiderStefanie Schneider Minis - 2 Minis from the Beachshoot, 2005

Early 2000s Contemporary Color Photography

Stefanie SchneiderStefanie Schneider Minis - Runaway (Haley and the Birds), 2013

Early 2000s Contemporary Color Photography

Stefanie SchneiderStefanie Schneider Minis - Blue Bridge - based on a Polaroid, mounted , 1999

Early 2000s Contemporary Color Photography

Stefanie SchneiderBeachshoot Mini #08 - mounted - based on a Polaroid, 2005

Early 2000s Contemporary Color Photography

Stefanie SchneiderStefanie Schneider Minis - Jules and Jim (29 Palms, CA), 2007

2010s Contemporary Color Photography

Kai SchäferElvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

2010s Contemporary Color Photography

Kai SchäferElvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

2010s Contemporary Figurative Photography

Kai SchäferMiles Davis, Kind of Blue, Rekokut B12G, World Records (Photography), 2013

2010s Contemporary Figurative Photography

Kai SchäferLuxman, Michael Jackson, Off the wall, World Records (Photograph), 2015

2010s Contemporary Figurative Photography

Kai SchäferHarman Kardon, Kraftwerk - Autobahn 2, World Records (Photograph), 2015

2010s Contemporary Figurative Photography

Kai SchäferTransrotor AC, Beatles - HeyJudel, World Records (Photograph), 2015

Recently Viewed

Sabine Dehnel
Spaziergang III, Contemporary, 21st Century, Color, Photography
2003

Stefanie Schneider
Palm Trees on Wilcox - Contemporary, Polaroid, mounted under Plexi, 1999

Stefanie Schneider
Stefanie Schneider Minis - 2 Minis from the Beachshoot, 2005

Stefanie Schneider
Stefanie Schneider Minis - Runaway (Haley and the Birds), 2013

Stefanie Schneider
Stefanie Schneider Minis - Blue Bridge - based on a Polaroid, mounted , 1999

Stefanie Schneider
Beachshoot Mini #08 - mounted - based on a Polaroid, 2005

Stefanie Schneider
Stefanie Schneider Minis - Jules and Jim (29 Palms, CA), 2007

Kai Schäfer
Elvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

Kai Schäfer
Elvis Presley, Mistery Train, Braun, Vynil, World Records, 2012

Kai Schäfer
Miles Davis, Kind of Blue, Rekokut B12G, World Records (Photography), 2013

Kai Schäfer
Luxman, Michael Jackson, Off the wall, World Records (Photograph), 2015

Kai Schäfer
Harman Kardon, Kraftwerk - Autobahn 2, World Records (Photograph), 2015

Kai Schäfer
Transrotor AC, Beatles - HeyJudel, World Records (Photograph), 2015