People Color Photography

Available Sizes: 11" x 14" $6,000.00 Edition of 25 + 5 AP 16" x 20" $8,000.00 Edition of 20 + 4 AP 20" x 24" $10,000.00 Edition of 20 + 4 AP 30" x 40" $16,000.00 Edition of ...

Richard Heeps became well-known for his Burlesque Photography after he spent 2003 capturing performances in Britain & America. He spent a lot on time with his subjects on a number of...

East of Eden 2019, 24x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 -...

Giclée Fine Art Print limited edition 4/10 Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is numbered and signed by the artist...

Hindsigh - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Not mounted. Signed on the back and with certificate. Artist inventory PL2021-1...

Balthasar BURKHARD (1944–2010, Switzerland) Kuba, 2005 C-print in artist’s iron frame, museum glass Sheet 176 x 176 cm (69 1/4 x 69 1/4 in.) From an...

Poolside Style 1970 by Slim Aarons Slim Aarons Limited Estate Edition Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph...

Westin Excelsior The Westin Excelsior Hotel on the Lido in Venice, 1957. 16 × 16 inches - paper size Estate Stamped Collection Edition to 150 Ph...

The way we were 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL201...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

From the series Dysfunctional Family One-of-a-kind Photomontage on archival paper Unframed Signed, titled and dated by the artist The root of these unique photographic works by the ...

Heart of Glass - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. A...

What Are We Gonna Do? (Till Death Do Us Part) - 2005 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective...

Weekending - Polaroid - Unique piece - 2020 Original Polaroid - Unique Piece, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( including white Polaroid frame)...

Museum quality fine art print of Beyoncé by photographer Markus Klinko. Shot in 2003 during the sessions for the cover of the album, Dangerously In Love This print is available in ...

Square one - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-950. Not mo...

A classic American icon, the roadside giant Cowboy "Muffler Man", captured on Richard Heeps' road trip between Mecca and the Salton Sea. Part of a series of pictures by Richard Heeps...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large f...

Color capture of Muhammad Ali training in a boxing ring. Muhammad Ali was an American professional boxer and activist. Nicknamed "the Greatest", he is regarded as one of the most si...

Catherine Wilke joins the topless sunbathers on the island of Capri, 1980. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Sl...

Villa Vera 1968 by Slim Aarons printed 2023 Slim Aarons Limited Estate Edition The bar at the Villa Vera Hotel Spa and Racquet Club in Acapulco, January 1968. unframed c type ...

Bill HENSON (*1955, Australia) Untitled #16 - CB/KMC 8 SH 200 N13, 1998/1999/2000 Archival pigment print Sheet 127 x 180 cm (50 x 70 7/8 in.) Edition of 5...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

Through Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. David Jay's work gives a...

'Street Scene In Montmartre' from the Paris In Colour Series 1956-61 By Peter Cornelius Crowds on the street, Rue Norvins, Montmartre, Paris. From the series Paris in Colour, 1956–...

James Dean Cocktail - Oversize Limited Edition Signed by the artist Archival pigment print on Hahnemühle art paper. numbered & signed by artist on front in pencil. Edition 10 only this size. pop art Jimmy Dean pop culture pink striking vivid distortion andy warhol style

Francisco Castilla, Lotero by Celso José Castro Daza From the Series Guerreros. One-of-a-kind Photomontage on archival paper 1996 Unframed Signed, titled and dated by the artist Th...

Slim Aarons A Relaxing Read, 1982 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Cheryl Tiegs...

Dancer/choreographer Doug Benz photographed nude in 1979 for 'After Dark' magazine. One of Mitchell's most beautiful color photographs. This exhibition print...

New moon rising- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1021. No...

Hotel du Cap Eden-Roc 1976 - Slim Aarons Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 60 x 40" inches / 152 x 101 cm paper size Estate Stamped ...

Edition of 10 2 beautiful girls lying in sexy underwear on a big bed. The artist, photographer and director Iris Brosch, living between New York and Paris, i...

Sailing Off Boston 1959 by Slim Aarons Slim Aarons Limited Estate Edition Henry B. Cabot Jr. (in black) on Barclay (Buzzy) H Warburton III’s brigantine ‘Black Pearl’, circa 1959. ...

CZ’s House 1955 by Slim Aarons Slim Aarons Limited Estate Edition 1955: Mrs F C Winston Guest (1920 – 2003) (aka Cee Zee Guest) reclines on a garden chair in front of the Grecian ...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly positive person and this positivity often reflects in my work delivering images with a strong message on personal growth, self-love, and empowerment. I want my images to give hope and teach people to appreciate themselves, to love, dream, and believe that everything is possible if we believe it is. My images often feature simple backgrounds, saturated colors, and characteristic props like flowers, plants, origami, or balloons. creating dreamlike images both rich aesthetically and in meaning." - Fares Micue...

Zermatt Skiing The apres-ski in Zermatt, Switzerland, March 1968. 60x40” / 101x152 cm - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 202...

The Postcard Cagaloglu Hamami, 1992 27.5 x 38.5 in. 33 x 41 in. framed Exp. 3/6 From the Mani- Cartes Postales Series This series of photographs were taken for a European calendar. ...

Limited edition of 10. Printed on Hahnemuhle German Etching 310g Archival Paper. Dated and signed with the certificate of authenticity. This photograph portraying American movie director Alfred Hitchcock was created by Enzo Ragazzini in the early 60s, making him a pioneer of Por-Art and a precursor of the photographic creations done through color separation and solarization, like Andy Warhol’s Marylin...

'The Bottom Line II', 2017, Edition 3/7 plus 2 Artist Proof Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-270 K...

'Eaten' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219-645. Kirst...

Soft and Tender, 2018, Edition 1/7 plus 2 Artist Proofs, Digital C-print, based on a Polaroid photograph, not mounted. Signed on the back and with certificate. Artist inventory P...

Channeling the energy of “water-signs” in astrology, he captures these mysterious men thru a romantic lens. The embrace of the shadows and the light mixed with the gaze of their bodi...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Fabian (Diptych) by Celso José Castro Daza From The Series Precolombian Fantasy One-of-a-kind Photomontage on archival paper Overall Sheet Size: 27.5 in. H x 39 in. W Individual Sh...

Framed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large format camera to allow epic scale print sizes with incredible image details Marmo di Carrara...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

ABOUT THIS PIECE: A Year Older is from Kimberly's "personal moments of happiness" series. LA based photographer Kimberly Genevieve is known for her use of color and interesting cropp...

Viscountess Isabelle The Viscountess Isabelle on board a yacht in the harbour at Monte Carlo, 1981. 24 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by S...

Holidaymakers in the Algarve, Portugal, August 1973 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons Estate. Slim Aarons (...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Edition of 3 More sizes on request. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected ...

Olivier Coquelin Olivier Coquelin and Lahaina Kameha in Haiti, February 1981. 20 × 16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Print...

Carlton Hotel The entrance to the Carlton Hotel, Cannes, France, 1958. 40 x 40" inches / 101 x 101 cm paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons...

The first encounter I had with the abyss, was arriving to a place that does not exist, a point suspended in time where I am without being. An unreal world expands in front of me, eve...

Poolside Chic 1970 by Slim Aarons Slim Aarons Limited Estate Edition Guests by the pool at Nelda Linsk’s desert house in Palm Springs, California, January 1970. The house was designed by Richard Neutra for Edgar J. Kaufmann. Nelda Linsk, wife of art dealer Joseph Linsk, is wearing yellow on the left, Helen Dzo Dzo is at centre in a white crochet outfit...

Girl with Green Shawl 2002 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 24 x 20 inches Signed and numbered edition of 44 of 60 with cert...

Iggy Raw Power - Limited Edition Mick Rock Estate Print Iggy Pop, Raw Power album cover photograph, 1973 (photo Mick Rock). All prints are nu...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity fro...

Exploring color in the darkness, inspired by the Italian and Dutch renaissance. He brings hints of the fauna of his native South American vibrant and passionate colors. Bringing them...