Shorts Color Photography

Muschi Guerilla #03, 2008/2018 [From the series Goldenbogen & Zouzou] 20x20cm, Edition of 7. Iced image - archival art print based on a Carmen De Vo...

Girl Blowing Bubble Gum, Wall, South Dakota by Michael Ormerod is a stunning Color Print on Hahnemuhle Paper in an Edition of 20 in this size. Sta...

Open Edition Archival pigment print Signed in black ink, recto 14 x 11 inches, sheet size 13 x 8.75 inches, image size Born in Poland in 1942 as Armin Hagen Freiherr von Hoyningen-Huene, Peter Berlin is a relative of the celebrated fashion photographer George Hoyningen-Huene (1900-1968). Raised in Germany, Peter Berlin received post-secondary education as a photo-technician, and in his early 20s worked as a celebrity portraitist for German television. However, it was around this time that he curiously began designing and sewing his own skin-tight clothing which he would wear as he cruised the parks and train stations in Berlin, Rome, Paris, New York, and San Francisco. After several long-term stays on the east coast of the United States, Peter Berlin eventually moved to San Francisco in 1969, and became a fixture on the steep streets with his signature look and perpetual posing. He soon began producing films and starred in the now iconic “Nights in Black Leather” (1973), co-directed by Richard Abel. Berlin then produced, directed, and starred in “That Boy” the following year, and made four shorter films through the mid- to late-1970s, while publishing and selling his photographic self portraits. Peter Berlin was the subject of several Robert Mapplethorpe...

'Saint-Tropez Boucherie' by Slim Aarons A boucherie or butcher's shop on Rue des Commercants in Saint-Tropez, on the French Riviera, August 1971. Typically 'Slim' this photograph e...

Wild Things (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Unknown photographer, 1950's nude, printed on Epson paper, original was handtinted 13.375 x9 in Colors: Brownish Red, White, Skin color with hand tinting,

Handball In Central Park (1948) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) A group of young men playing handball at a court in the 95th Street playground, Central ...

Haiti Holiday, 1981 Chromogenic Lambda Print Estate edition of 150 A woman wearing a translucent white blouse and holding a cocktail stands in a swimmi...

'Sardinian Holiday' by Slim Aarons Limited Edition Estate Print limited to 150 only numbered in ink & emboss stamped. 40 x 30 " inches paper size Selvaggia Borromeo enjoys a ya...

We present a new series of art photography featuring another city and its architectural beauty. We work with photographers internationally to curate city landscapes that tells a sto...

Fly me to the Moon (Till Death do us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Including Stefanie Schneider's signed monograph "Instantdreams". 64 pages, hardcover, published by Avenso, 2014. ...

Almost Paradise (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 894. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

Daisy and Austen in front of Trailer (Till Death do us Part) - 2005 Proof b4 Printing / 128x125cm signed, analog C-Print, hand-printed by the artist, based on a Polaroid, signed on...

Color capture of actress Marilyn Monroe at a Beverly Hills pool party, circa 1951. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece of h...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Colourful Crew 1970 by Slim Aarons Slim Aarons Limited Estate Edition A group of colourfully dressed holidaymakers on a yacht, Bermuda, June 1970 unframed c type print printed 20...

Gianni and Marella Agnelli on Their Boat with Pat Suzuki and Clint Hill, Ravello, 1962 -- From Mark Shaw's personal collection of snapshots from a 'dolce vita' trip with Jackie Kennedy, Fiat magnate Giovanni Agnelli, his wife Marella, Jackie's Secret Service agent Clint Hill, and Pat Suzuki, Mark's wife. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Photograph in color of Agnelli's yacht with Jackie Kennedy, Giovanni and Marella Agnelli, Clint Hill and Pat Suzuki. They are on the yacht. A man has his back to the camera and looking into the distance. He is wearing white shorts. Another man is holding on to the boat and looking down. He is wearing light blue pants, a white collared shirt...

Man Curve Three by Ricky Cohete From Motion series Sepia Archival Pigment print Medium 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the movement of the body, wit...

'Spare Parts' (29 Palms, CA) - 1999 Edition 3/5, 128x125 cm, Analog C-Print, based on a Polaroid, enlarged by the artist, Not mounted, Artist inventory 792.18 With Radha Mitchell and Max Sharam Living and working in Los Angeles and Berlin, Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen. “It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”) Exhibitions Selected (selected) 2017 BLICKFELD] Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
 Kunstverein Bad Homburg Artlantis, Bad Homburg (G)

 2016 
Instantdreams, Instantdreams Gallery, Berlin 

(S) 2015
 Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky 
Blue Nudes, De Re Gallery, Los Angeles (G) 

 2014

 Summer Show, Galerie Catherine et André Hug, Paris, France (G) 6 Finalists, Saatchi Gallery London (G) 
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
 2013 
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region,  Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Army Of Me II - Oversize limited edition - Pop Art - Muhammad Ali by the London based contemporary pop art image creator and artist, BATIK. Measures 40 x 30" inches / 101 x 76 cm ...

C. Z. Guest 1955 by Slim Aarons Slim Aarons Limited Estate Edition American socialite Mrs. Winston F. C. Guest (aka C. Z. Guest, 1920 – 2003) with a poodle and a Great Dane at her...

P.A. JHONNY EL JAGÜEY, 1993. by Celso Castro-Daza From The series Guerreros Unique Photo collage Sheet size: 39.5 in. H x 27.5 in. W Unframed Signed, ti...

C. Z. Guest With Her Great Dane 1955 by Slim Aarons Slim Aarons Limited Estate Edition American socialite C.Z. Guest (Mrs Winston F.C. Guest) (1920 – 2003) with a large Great Dane...

Stefanie Schneider's Mini Daisy in front of Trailer (Till Death do us Part) signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editi...

ABOUT THIS ARTIST: Liz Von Hoene is an award winning fashion photographer and director known for her immaculate concept driven images that strike the right balance between sophistica...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

Army Of Me II - Oversize limited edition - Pop Art - Muhammad Ali by the London based contemporary pop art image creator and artist, BATIK. Measures 40 x 30" inches / 101 x 76 cm ...

Squares - 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1048. Not mount...

Erik at fifteen - 2019 - 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not m...

'Trapped' from the movie Immaculate Springs - 1998 - Edition of 10, 20x20cm, plus 2 Artist Proofs. Digital C-Print, based on an expired Polaroid. Si...

Winter Wear 1975 by Slim Aarons Slim Aarons Limited Estate Edition Manuela Boraomanero (left) and Emanuela Beghelli holiday in the Italian ski resort of Cortina d’Ampezzo, March 1...

Mike BRODIE (*1985, USA) #3102, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 7/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

ABOUT THIS ARTIST: Tropico Photo is the collaborative work of Forrest Aguar and Michelle Norris. Forrest loves pairing shapes and lines to create captiva...

Field of Dreams (Sidewinder), 2005 38.5 x 38 cm, Edition 2/5, analog C-Print, hand-printed by the artist, based on an original Polaroid. Signature label and Certificate. Artis...

Yellow Flash (2019) Edition of 10 - 20 x 20 cm Digital C-Print based on a on a Polaroid, Signed on back and certificate. Not mounted. Clare Marie Bailey Works and Lives: UK Clar...

Lake Tahoe Ladies A group of young women in their bathing suits on the Nevada side of Lake Tahoe, 1959. Slim Aarons Archival Pigment Print. Printed 2024. Slim Aarons Estate Edition...

Girl On The Beach 1947 Beachwear fashion shoot, 1947. by Toni Frissell 16 x 20" inches / 41 x 51 cm paper size Archival pigment print unframed (framing available see examples -...

All prints are produced to order. Lead times between 5-10 days. Due to currency fluctuations prices may change. Please contact the gallery for more information about this print or...

Edition of 20 Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where the miseen-scene often subtly references literature and film. Olivar orig...

Signed and edition photograph by Paul Fusco titled "Untitled from the RFK Funeral Train". Shot in 1968 and printed in 2008 - 2021 on fujiflex paper. The ...

Matter of Time (Bombay Beach) - 2024 48x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory P...

'Harbour Isle Beach' 1973 Slim Aarons Limited Estate Edition Print Holidaymakers on the beach at Harbour Isle in the Bahamas, March 1973. Produce...

New York model, Jean Adams and friend share a drink on the beach at Acapulco, 1952 Gorgeous print measuring 30 x 30" inches / ca 76.2 x 76.2cm’s paper size. Estate Stamped Colle...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Vogue Dive 1944 A Vogue fashion shoot featuring a model jumping on a diving board wearing a bright 1940's yellow floral bikini, Florida USA 1944 by Toni Frissell 30 x 20" inches...

Renée's Dream - The Boys (Days of Heaven). Part of the 29 Palms, CA project. - 2006, 20x20cm, Edition of 10, plus 2 Artist Proofs, archival C-Print, based on a Polaroid. Signature ...

'Paraglider' Preparing to go paragliding in Acapulco a young blonde woman holds on firmly to her parachute harness, 1968. 30 x 20" inches / 76 x 51 cm paper size Estate Stampe...

Girl On The Beach 1948 Beachwear fashion shoot by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archival pigment print unframed (framing available see examples - plea...

'Tennis In The Bahamas' by Slim Aarons It really doesn't get much more fabulous than this. A realtively new discovery in the Archive -two fashionably dressed women in tennis outfit...

'Celebrity Cruise' (Slim Aarons Estate Edition) British comedian Peter Sellers (1925 - 1980) holidays with Princess Margaret (1930 - 2002, right) on the Aga Khan's yacht on the Cos...

Muschi Guerilla #03, 2008 [From the series Goldenbogen & Zouzou] Published in Carmen De Vos's new book 'The Eyes of the Fox' and on the cover of her T...

Swimwear 1946 Fashion shoot featuring a model in swimwear, 1946. by Toni Frissell 48 x 72" inches / 121 x 182 cm paper size Archival pigment print unframed (framing available ...

After the Accident (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 1668. Not mounte...

'Sardinian Holiday' 1967 Slim Aarons Limited Estate Edition Print Selvaggia Borromeo enjoys a yachting holiday on the Costa Smeralda in Sardinia, 1967. Produced from the original...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...