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David YarrowA Winter Journey (B&W) by David Yarrow2025
2025
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
A Winter Journey (B&W)
Sylte, Norway – 2025
Archival Pigment Print
Also Available in Colour.
Standard
Edition of 12, 3 APs, 1 EP
Image size: 37” x 41” in (94 cm × 104 cm)
Framed size: 52" x 56" in (132 cm × 142 cm)
Large
Edition of 12, 3 APs, 1 EP
Image size: 56” x 63” in (142 cm × 160 cm)
Framed size: 71" x 78" in (180 cm × 198 cm)
David Yarrow's narrative for "A Winter Journey":
“There is a rich assortment of detail in this frame and I sense that all of it helps to elevate the image. Of course, at its core, it is a photograph of a beautiful and famous 1948 Porsche 356, but I don’t see this as a car image; there are enough layers to tell a wider story.
The engine smoke coming from the 1920 ferry’s chimney gives a sense of travel, the aged ferry itself gives a sense of timelessness and meanwhile the fresh snow on the car deck, on the ship’s bell and on the life buoys, gives a sense of the cold. The glow from lights in the captain’s control room and up front gives a further nod to the low ambient winter light and the captain himself adds legitimacy to the journey. The imposing mountains behind the ferry inform us that we are in a location where travel cannot be routine. It is Viking country and home to legends, myths and folklore.
Nadine Leopold’s character is the reason for this ferry journey; we all know that. But where she is going and why is up to the viewer to imagine. Is she leaving someone behind or is she about to reunite? It could be either, but she will probably not be alone for long.
I would like to thank the octogenarian owners of the 1920 ferry – The Bilfergen – Scandinavia’s oldest working ferry. We have worked with many props over the years, but this beauty, so lovingly maintained by the owners, will take a great deal of beating.“
- David Yarrow
Provenance: From the collection of the artist.
- Creator:David Yarrow (1966, Scottish)
- Creation Year:2025
- Dimensions:Height: 37 in (93.98 cm)Width: 41 in (104.14 cm)Depth: 2 in (5.08 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388317294012
David Yarrow
David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events.
Many years later, Yarrow established himself as a fine art photographer by documenting the natural world from new perspectives and recent years have been career-defining for his mark on the world of contemporary fine art photography.
Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following among art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses.
In September 2019, Rizzoli published their second book by Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by American cultural icon and supermodel Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk in the UK and WildAid in the US.
Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation and is the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a global ambassador for Best Buddies – one of America’s most established children’s charities.
Yarrow became an ambassador for the African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4 million, and as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. Currently, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.
Find a collection of original David Yarrow photography on 1stDibs.
About the Seller
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1953
By David Yarrow
Located in Chicago, IL
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Lake Tahoe, California - 2024
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 58" Unframed
52" x 73" Framed
Edition of 12
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56" x 87" Unframed
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"Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum.
The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance.
What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur.
There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range.
We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe.
Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Price Upon Request
1953
By David Yarrow
Located in Chicago, IL
1953
Lake Tahoe, California - 2024
Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper.
Available Sizes:
Standard
37" x 58" Unframed
52" x 73" Framed
Edition of 12
Large
56" x 87" Unframed
71" x 102" Framed
Edition of 12
"Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a ‘tableaux’, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum.
The idea of using tall snow berms to frame the Ferrari and then offering a period James Bond type narrative, was not a new addition to our conceptual idea factory. It had been knocking around the edges for some time, but we simply did not know exactly where to find narrow roads shouldered by walls of snow 10 foot high. Weather patterns do not give the filmmaker the luxury of forward planning in something so specific and we need to plan well in advance.
What we did know is that these visuals tend to occur towards the end of the ski season at high altitude in both Europe and America. It is uneconomic to snowplough small private roads with further winter storms around the corner, but equally, as soon the spring thaw accelerates, the snow berms on ploughed roads lose their height and grandeur.
There was some precision required on timing and my intuition suggested that this was a shot for the third week of April, whether the location was in the Alps, the Rockies or the Sierra Nevada Mountain range.
We knew we would be filming in America after Easter and our research concluded that the ski area that tends to have the most amount of spring snow in the US is the Sierras. Historically the mountains above Lake Tahoe get dumped on in March and the snow above 7000 ft can still be very deep in mid-April. To shoot in California rather than Colorado was a big call, but we felt it gave us the best chance and the best access. The snow season runs late in Lake Tahoe.
Our team based themselves out of the old railroad town of Truckee, California and with the help of some properly informed mountain men...
Category
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