Rodney Susholtz

Photograph of Man's Back While Sitting

1972

Botanical photograph of translucent leaves in the sun by Jim Laser framed and photographed in 1998. Framed in a white mat and a decorative frame. Tag with artist information on rever...

Contemporary monochromatic photograph by contemporary photographer, Matt Dahl. The photograph depicts three main figures, each appearing double, which is done through a camera exposu...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman wearing a dress and a shawl over her head. The photographed subject holds an infant, a visual reminiscent of the Madonna and Child. The same subject, while surrounded by lit candles, sits against a graffiti backdrop with the word "time" in the bottom left standing out. She looks directly at the camera, confronting the viewer's inquisitive gaze. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.125 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Hand colored silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a man casually leaning against a building and looking at the camera...

A young girl takes a moment from her work in the rice fields to look up with a warm and welcoming smile in Siem Reap, Cambodia. The photograph is professionally dry-mounted to archiv...

The Holy Man or High Priest is called Ida Pedanda and belongs to the Brahmana High Caste in Balinese society. They preach, teach, and perform ceremonies. The Pedanda dresses all in w...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Digital Photography from the series Fragile Things limited print number of 5.

Digital Photography from the Occupiers series Limited number of 5.

The photo will be sent unframed. Limited edition of 5 in format 55x80 cm + 5 cm white margin, Photograph on Hahnemuhle Paper ; Digigraphie technology Marcin Ryczek is Polish photo...

The photo will be sent unframed. Limited edition of 5 in format 47x65 cm + 5 cm white margin, Photograph on Hahnemuhle Paper ; Digigraphie technology Marcin Ryczek is Polish photog...

The photo will be sent unframed. Limited edition of 15 in format 53x80 cm + 5 cm white margin, Photograph on Hahnemuhle Paper ; Digigraphie technology Marcin Ryczek is Polish photo...