Haris Nukem

Victory By Any Means

2019

LOOKING FOR RICHARD -VIII, from the LOOKING FOR RICHARD SERIES White Sands Desert, New Mexico Dye sublimation onto aluminum Dibond with inte...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

This is a contemporary photograph of an American Bison. 36x24 Edition of 50. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

Gerald Berghammer - Limited edition of 9. Archival fine art pigment print. Signed, titled, dated and numbered by artist. Certificate of authenticity included. Printed with 4cm white ...

This is part of a series of abstract art photography, capturing nature, flora, fauna in an abstract, brightly styled, exuberance. Limited editi...

Delos Column #2 30 x 20 inches Edition of 10 20 x 16 inches edition of 20 Where light was born It’s a UNESCO world heritage site. It’s an ark of history, floating lazily on the waters of the Aegean Sea, just a few miles away from cosmopolitan Mykonos. It’s a chance to walk around the revival of the glory of the Greek civilization. It’s the head priest of the Cyclades, the birthplace of the immortals. In the ancient times, the myth of god Apollo, god of light, and goddess Artemis having been born there rendered the island sacred: no mortal would ever be allowed to be born on its land. But, a cradle of gods as the island has been, no mortals would ever be allowed to die on it either. So, apart from it being a conspicuous religious and economic centre, the island had also been exclusive in that: even during the years of peak of the Delian Alliance, women on the brink of childbirth and people close to dying would be carried to the neighbouring island of Rineia. The whole of the known world of that age was aware of the sacredness of the island and of its uniqueness. Lee Wells is a conceptual artist, independent curator and writer working in New York since 2000. His artwork and projects question systems of power and control and have been exhibited internationally, including the 51st Venice Biennale, 2nd Moscow Biennial, The Guggenheim Museum, NCCA Moscow, PS1/MoMA, and the 1st Mykonos Biennale. He has lectured on art, technology, and contemporary society at many schools and universities including: Columbia University, Princeton University, New York University, Carnegie Mellon University, School of Visual Arts, Museum of Fine Arts Boston, Moscow School of Photography, and others. His projects and exhibitions have been reviewed, publications include: The New York Times, The NY Observer, The Art Newspaper...