Edie Winograde

“Western states 2” Color Landscape Photograph, River Rocks

2020

A stunning view from the path of along the Grand Canyon, this photograph by American photographer, Edie Winograde captures the attraction to the large open space, grand open sky and ...

22"x36" edition of 7, this photograph by New York photographer Ashok Sinha, captures the unusual architecture and landscape of Los Angeles, California in the late 1950's. Built in 1...

30"x40" edition of 5, signed and editioned on reverse. This photograph was taken at the site of the former Maharishi Mahesh Yogi’s Ashram in Rishikesh, India. The ashram became famo...

In Buehler’s color photograph from a military airplane storage yard in Arizona, the F-106 Delta Darts parked in alignment, their silver tails recede into the...

From series “Place and Time”: July Offensive on the North Platte, Casper, Wyoming, 2015 23'x29" edition of 10 available unframed Originally from northern California, Edie Winog...

40"x50" signed editioned photograph (edition of 5) in excellent condition. Presented framed and mounted. A serene view depicting a ranger's hut along the banks of a river in Gabo...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research f...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Klaus is an aerial photographer and a pilot of a small Cessna plane. All of his pieces were not staged or manipulated and can be custom size. Since 1989 Klaus is flying with his Cess...