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Ellie Davies
Fires 5 - Contemporary British Art, Photography, Landscape, Nature, Fire, Trees

2018

$1,524.10

About

Please be aware that the US recently imposed an import duty on photographs printed in the last 20 years which may apply if you are purchasing and importing this to the US. Edition 1/7 + 2 Artist Proof. Digital C-Type Prints on Fuji Crystal Archive Paper in Maxima Matt Ellie Davies is a fine art photographer who completed an MA in Photography at the London College of Communication in 2008. Ellie has been working in the forests of the UK for the past seven years, producing work which explores the complex interrelationship between the landscape and the individual. In ‘Fires’ (2018), Ellie continues her long preoccupation with the woodland, this time combining it with the elemental quality of fire with all its deeply opposing themes of life and death, creation and destruction, love and loss and the human versus the natural world. Ellie’s career goes from strength to strength. In 2017 she won the Magnum Photography Award, Fine Art Category and The People's Choice Award at the Aesthetica Art Prize 2016 both for her 'Stars' series. She has also been awarded prizes at many prestigious Art Awards including 1st place in the 2015 Smithsonian Photo Contest. She was recognised at the Barcelona International Photography Awards  - Top 50 Photographers 2015 and was the ‘Selectors Choice’ of the Royal Photographic Society’s 2015 Annual Exhibition. She has also been awarded the Kontinent Awards (2014), Art Gemini (2014), the Professional Women Photographers International Juried Exhibition (2012), Lens Culture International Exposure Awards (2011) and the PX3 Paris Prix de la Awards (2010).  Her work has been extensively exhibited in solo and group shows in The Netherlands, London, Paris, Budapest, Kiev, Moscow, St. Petersburg, the Arles Photo Festival, and last year at The Roe Valley Arts Centre, Northern Ireland and at the Houston Centre for Photography. Ellie’s work explores the fabricated nature of landscape by making a variety of temporary and non-invasive interventions in the forest, which place the viewer in the gap between reality and fantasy. Creating this space encourages the viewer to re-evaluate the way in which their relationship with the landscape is formed, and the extent to which it is a product of cultural heritage or personal experience.

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