Jeanine Michna-Bales

Leaving Helena, Montana

2019

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Paper size: 20 x 16 in., Image size: 14 x 11 1/4 in. Series: Hometown Texas Peter Brown attended Stanfo...

Edition of 25 Signed and numbered in black ink on print margin by Peter Brown Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 2...

Ed of 3 Archival pigment print Image size: 44 x 66 in. Signed, titled, dated, and numbered. Series: Standing Together: Photographs of Inez Milholland’s Final Campaign For Woman’s Suf...

Edition of 25 Signed and numbered in black ink on print margin. Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in. Series: Hometown Texas Available in additional sizes, limited to...

Edition of 25 Signed and numbered in black ink on print margin. Paper size: 18 x 22 in., Image size: 13 1/2 x 20 in. Series: Hometown Texas Available in additional sizes, limited to...

Edition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research f...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Italian photographer Gianfranco Pezzot has always been interested in the ways we shape, use, and experience the environments we create. Having felt the need to extensively research for his work, the Resorts series emphasizes the relationship between the economical need for tourism and the lasting effects it plays on the environments we inhabit. Inviting scenery is isolated from its usual friendly connotations. Like ghost towns, these abandoned buildings give us the feeling of an artificial aesthetic, built just for holidays then quickly abandoned. By focusing on the shape of these places and his own spiritual connections to them, Gianfranco Pezzot demonstrates the acceptance of the inevitable. The shift of summer extends inside the buildings also, exacerbated by pure white, perfectly still lines. Buildings become art, free to stand regardless of their new ambition to just be. Gianfranco Pezzot's work has been published in several books and magazines like K*MoPA Photographs by the Next Generation, Eyemazing, the International Biennial of Contemporary Art Exhibitons and Tiger Art...

Klaus is an aerial photographer and a pilot of a small Cessna plane. All of his pieces were not staged or manipulated and can be custom size. Since 1989 Klaus is flying with his Cess...