1920s Landscape Photography

Slim Aarons Lounging In Verbier 1964 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Holidaymakers in sun loungers on the slope...

Slim Aarons Estate Print - Poolside Chez Holder Guests by the pool at Albin Holder’s home in Palm Beach, Florida, May 1970. (Photo by Slim Aarons) Chromogenic print paper size 1...

Slim Aarons Estate Print - Il Canille Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of the ...

Poolside In Arizona Guests by the pool at the home of Wayne Beal in Scottsdale, Arizona, January 1973. Slim Aarons Chromogenic C print Printed t...

Slim Aarons Estate Print - Sugarbush Skiing Skiing at Sugarbush, a mountain resort in Vermont, April 1960. (Photo by Slim Aarons) Chromogenic print paper size 10 x 12" inches / 25 x 30 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. snow winter sport sports skiing vacation travel mountain mountains forest forests pine tree trees 1960s...

Slim Aarons Estate Print - Kaufmann Desert House The Kaufmann Desert House in Palm Springs, California, designed by Richard Neutra in 1946 for businessman Edgar J. Kaufmann, and now...

Slim Aarons Sea Drive, 1967 40 x 60 inches Framing is additional Film producer Kevin McClory takes his wife Bobo Segrist and their family for a drive in an 'Amphicar' across the h...

Beverly Hills Hotel by Slim Aarons Beautiful 1950's cars parked outside the iconic Beverly Hills Hotel on Sunset Boulevard in California, 1957. Typically 'Slim' this photograph ep...

Giacomo Montegazza 1983 Giacomo and Stefania Montegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como, 1983. By Slim Aarons 40 x 30” / 101 x 76 cm - ...

Bathers by a pool on the shore of Lake Tahoe, California, 1959. Fashionable bathers relax underneath parasols and on sun loungers beside the swimming pool, overlooking Lake Tahoe on...

Slim Aarons Snowmass Gathering 1968 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Two women, wearing brightly-coloured skiwea...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...