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Tao Ruspoli
Vanishing Point; Caprarola and Black Rock City (Burning Man)

2010

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  • El Pulpo Mechanico, 21st Century, Landscape Photography, Contemporary
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    El Pulpo Mechanico (Black Rock City), - Burning Man - 2010 Edition of 10, 32x49cm, Archival Print on Velvet Watercolor, 310gsm, Bright White, Acid Free. Signature label and Certificate. Not mounted. Published in Tao Ruspoli's Monography 'Midway on our Life's Journey’, 2018 The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much--the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Two burners heading to Temple, one of the massive temporary structures in Black Rock City The burning of the Temple which happens every year the night after the man burns. Keith Spencer...
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