Items Similar to View from Charing Cross Road towards Cambridge Circus, London
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Wolfgang SuschitzkyView from Charing Cross Road towards Cambridge Circus, London1936
1936
About the Item
Gelatin silver print on baryta paper. Later print. Image dimensions 11 1/2 x 14 3/4 in (292 × 375 mm); sheet dimensions 12 x 15 1/4 in (304 × 388 mm); archivally matted and framed.
The verso signed "W. Suschitzky", hand annotated and dated "London, Cambridge Circus, Charing Cross Road, ca. 1936".
Minimally rubbed in the outermost corners and in the white margin (outside of the image), tiny retouched areas upper left. Otherwise in very good condition.
[Michael Omasta, et al. Wolfgang Suschitzky: Photos (Vienna: Synema, 2014), ill. p. 71]
An iconic image of a double-decker London bus in the snow from the legendary photographer Wolfgang Suschitzky (Vienna 1912 – 2016 London). As he often said "My approach is to ‘find’ photographs – to observe things, not arrange them."
Born in Vienna in 1912 Wolfgang Suschitzky was not only an established documentary photographer but also a cinematographer who worked on over 200 feature films, TV productions, and documentaries. His father was a social democrat of Jewish origin, who opened the first social democratic bookshop in Vienna (later to become a publisher), and Suschitzky was born in the apartment above the bookshop. His photographer sister Edith Tudor-Hart (1908-1973) convinced him to set aside his passion for zoology and study photography, which would make him a better living and in 1934 he left for London, where she lived.
Before the Second World War, he began working for the distinguished documentarist Paul Rotha: "I showed him some things, and he gave me a job on some zoo films. That suited me, because when I was growing up in Vienna, I always wanted to be a zoologist." He was a probably best known for his work with Paul Rotha and for his work in the film "Get Carter". He also worked on propaganda films such as Report on Steel (1948) which promoted the steel industry: "They wanted to make films that were useful to society, and so I was really glad that I could join them. We made films on housing problems, on problems in hospitals and down coal mines, so I got into places other people normally never go."
Suschitzky's work is socially engaged and always shows integrity and compassion for his subjects. His work is in the collections of Tate Britain, National Portrait Gallery, Victoria & Albert Museum, Museum of London, National Galleries of Scotland, Austrian Cultural Forum, and other institutions worldwide. In 2012 BAFTA presented Suschitzky with a Special Award for a Creative Contribution to Cinema. He was the father of cinematographer Peter Suschitzky and classical musician and writer, Misha Donat.
- Creator:Wolfgang Suschitzky (1912, British)
- Creation Year:1936
- Dimensions:Height: 11.5 in (29.21 cm)Width: 14.75 in (37.47 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Middletown, NY
- Reference Number:
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2004
1stDibs seller since 2022
28 sales on 1stDibs
Typical response time: 12 hours
- ShippingRetrieving quote...Ships From: Middletown, NY
- Return PolicyA return for this item may be initiated within 30 days of delivery.
More From This SellerView All
- Big Ben and Bodicea, LondonBy Wolfgang SuschitzkyLocated in Middletown, NYA superb VINTAGE print by consummate visual artist Wolfgang Suschitzky, whose photographs capture London's sites, people, moods, and lights in a masterful and perceptive manner. Arch...Category
Mid-20th Century Modern Landscape Photography
MaterialsSilver Gelatin
- Hyde Park, London, 1934By Wolfgang SuschitzkyLocated in Middletown, NYAn atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...Category
1930s Modern Black and White Photography
MaterialsSilver Gelatin
- Washing Strung Between the Tenements, Dundee, Scotland, 1946By Wolfgang SuschitzkyLocated in Middletown, NYSilver gelatin print, printed 1980s; image dimension 15 x 11 5/8 in. (380 x 293 mm), sheet dimension, 15 3/8 x 12 1/8 in. (390 x 309 mm). The verso signed "W. Suschitzky" in black crayon, titled and dated Dundee. 1946". [Michael Omasta, et al. Wolf Suschitzky: Seven Decades of Photography (Vienna: Synema, 2014), ill. p. 188]. A photograph that attests to Suschitzky's keen interest in the social environments of the working class. His worked as a cinematographer brought him to Britain’s coal mining communities, to the steel mills and the workers' housing. "In Dundee I came across the worst slums I had ever seen. When I took this picture I was next to a ten story high tenement building. There was only one toilet on each floor and one cold water tap...Category
Mid-20th Century Modern Black and White Photography
MaterialsSilver Gelatin
- St. James's Park, London, 1962By Wolfgang SuschitzkyLocated in Middletown, NY1962 Gelatin silver print. Vintage. 11 5/8 x 9 3/4 in (296 × 246 mm); archivally matted and framed. The dark areas with some oxidation mirroring (only discernible in counterlight), t...Category
1960s Modern Black and White Photography
MaterialsSilver Gelatin
- Versailles Bosquet de l'Arc de Triomphe, 1904, No. 6479By Eugène AtgetLocated in Middletown, NYAlbumen silver print from glass negative, from the Atget's series on sculptures on the grounds of Versailles, annotated in the artist's hand in pencil ...Category
Early 20th Century Realist Black and White Photography
MaterialsPhotographic Paper, Silver Gelatin
- Colosseum (First State)By Armin LandeckLocated in Middletown, NYCopper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsEngraving, Handmade Paper
You May Also Like
- (Truck in the Desert) Near Yuma, ArizonaBy Danny LyonLocated in New York, NYGelatin silver print Signed, dated, titled, and inscribed by the artist, verso 16 x 20 inches, sheet size 12.25 x 18.25 inches, image size This photograph is offered by ClampArt, l...Category
Late 20th Century American Modern Landscape Photography
MaterialsSilver Gelatin
- NYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA ArchitecturalLocated in New York, NYNYC 1939 World's Fair 5 - 8 x 10 photographs Mid 20th Century WPA Architectural Underwood and Underwood 1939 World’s Fair Photographs 8 x 10 inches each All five prints are stamped...Category
1930s American Modern Landscape Photography
MaterialsSilver Gelatin
- Sled Race in Central Park, 1934 Silver Gelatin Black-White Photography FramedLocated in Atlanta, GAAn original silver gelatin black and white photograph by Press Agency New York Times office in Paris (Wide World Photos.) Sled race in Central Park, New York, 1934. Features: Original silver gelatin print photography framed. Press Agency New York Times Office in Paris - Wide Wolrd Photos. Photographer: unknown. Title: Sled Race in Central Park, 1934. Provenance: Private collection. Frame Size: 20.63 in high (52.5 cm) x 16.75 in wide (42.5 cm) x 1.57 in deep (4 cm). Image Size: 5.51 in high (14.2 cm) x 7.48 in wide (19.8 cm). French typed legend, copyright credit, and ink stamp at the back that read: "Course de traineaux dans un parc a New York. Sur la neige qui recouvre les allées du Central Park Casino a new York, un groupe d'artistes a eu l'idée d'organiser une course de traineaux - voici une vue de la course - Photos NYT - NY 5/1/34 - SP." (Sled race in a New York park. On the snow covering the paths of the Central Park Casino in New York, a group of artists had the idea of organizing a sled race - here is a view of the race - Photos NYT - NY 5/ 1 /34 - SP.) Note: The Central Park Casino, originally the Ladies' Refreshment Salon, was a restaurant in Central Park, near East 72nd Street in Manhattan, New York City. The name of the building came from the Italian for "little house," but the Casino itself was never a gambling business. Originally, Calvert Vaux designed the building in 1862 as part of the Greensward Plan for Central Park. The original plan was a wooden chalet-style structure with a broad hip roof. Before construction began, however, Vaux decided that a more permanent building was needed. The following year, with the assistance of Edward C. Miller and Jacob Wrey Mould, the Casino was redesigned as a Gothic Revival stone structure. The building opened in early 1864 as a restaurant planned for unaccompanied female visitors to Central Park and was one of Central Park's three original restaurants. Soon, it was patronized by both men and women. The building that housed the Casino belonged to the City of New York, and the City often leased the Casino to independent operators. In the early 1920s, the Casino was rundown and renovated during the winter of 1921–1922. Jimmy Walker, mayor of New York City during the late 1920s, frequented the Casino and reportedly spent more time there than in New York City Hall. Besides entertaining elite guests in the restaurant, Walker had an office in the Casino and conducted city administration there while meeting with political cronies. In 1929, Walker terminated the lease of C.F. Zittel and allowed a friend, Sidney Solomon, to transform the Casino into one of New York's most expensive nightclubs. In February 1929, they released the new project. Solomon changed the Casino's interior using a design from Viennese designer Joseph Urban, though he kept the exterior mostly the same. The renovated Casino reopened on June 4, 1929. When the Great Depression hit four months after the Casino reopened, the nightclub faced increasing criticism for operating on city land while maintaining prices only the wealthiest New York residents could afford. In 1930, as part of the enforcement of Prohibition, the United States government raided the Casino and seized alcoholic beverages. Walker's successor, Fiorello H. La Guardia, and his parks commissioner Robert Moses, who held a vendetta against Walker, wanted to tear down the Casino to build a playground on the site. In 1934, Moses served an eviction order on the Casino's management. When the Parks Association of New York City objected...Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
- Hudson River, New York Navy Day 1945, Silver Gelatin B and W Photography FramedBy Associated PressLocated in Atlanta, GAAn original silver gelatin black and white photograph by Associated Press Photo. The Hudson River in New York during Navy Day in October 1945. Features: Original Silver Gelatin Print...Category
1940s Modern Black and White Photography
MaterialsSilver Gelatin
- New York and the East River, 1975 Silver Gelatin Black and White PhotographyLocated in Atlanta, GAAn original silver gelatin black and white photograph by Poly-Press, Bonn, Germany. A view of Manhattan and the East River, circa 1975. Features: Original silver gelatin print photog...Category
1970s Modern Black and White Photography
MaterialsSilver Gelatin
- View from Notre Dame de Paris Cathedral 1950, Silver Gelatin B and W PhotographyLocated in Atlanta, GAA unique original silver gelatin black and white photograph. A view of Paris and the River Seine from the Notre Dame Cathedral, circa 1950. Features: Original Silver Gelatin Print Ph...Category
1950s Modern Black and White Photography
MaterialsSilver Gelatin
