Markus Brunetti

Angouleme, Cathedrale Saint-Pierre

2013-2014

Gelatin Silver Print

Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.

A Lightjet print on Fuji Gloss Archive paper and acrylic enamel paint by contemporary artist Timothy Tompkins. Painted Landscape v.1 is executed primarily in saturated blues and gree...

Archival Pigment Print Under Acrylic Glass All available sizes and editions: 40" x 60", Edition of 15 47" x 71", Edition of 15 55" x 80", Edition of 15 60" x 90", Edition of 10...