Guilherme Licurgo

The Heart. From the Desert Flower series. Lago Di Como Italy.

2011

Pond, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed ____________...

Water Lilies, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed ____...

Ocho, 2023 by Ricky Cohete From the series Danza de las naranjas Color Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed _________________________ Ricky ...

Premonicion, 2023 by Ricky Cohete From the series danza de las naranjas Color Archival Pigment print Image size: 24 in. H x 36 in. W Edition of 10 Unframed ________________________...

Fruit, 2023 by Ricky Cohete From the series Water Lilies Color Archival Pigment print Image size: 36 in. H x 24 in. W Edition of 10 Unframed ___________...

Untitled, 2022 by Salvatore Arnone From the series Balance Photography and acrylic mounted on aluminum Image size: 50 in. H x 35 in. W Edition of 3 + 1AP All Prices are quoted as "i...

'Harvest Dance' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Late August, captured in the glow of the evening sun, my daughters join han...

This fine art print features back of a woman wearing Yellow-Gray scarf, holding two of her babies. This image was shot by Dorte Verner in Djibouti, East Afr...

This Photograph features a beautiful Geisha walking it the rain holding a red umbrella. Geisha are Japanese women who entertain through performing the ancient traditions of art, danc...

This Photograph features a side-view of a beautiful Geisha walking in the rain holding a purple umbrella. Geisha are Japanese women who entertain through performing the ancient tradi...

The first person to photograph the Huichol in their remote communities in the inaccessible canyons of the Western Sierra Madre was probably the Norwegian anthropologist, Carl Lumholtz. He ventured into their territory in 1895, shortly before the arrival of the French naturalist and ethnographer Léon Diguet, who was also a photographer. Like so many who were engaged with documenting Indigenous peoples across the Americas in those brutal years of expansion and settlement, Lumholtz believed that the disappearance of his subjects was inevitable: “the weaker must succumb to the stronger, and the Indians will ultimately all become Mexicans.” The photographs of the Huichol by Pablo Ortiz Monasterio—taken on some twenty trips over the past three decades—prove that Lumholtz was fortunately, terribly wrong. They reveal abundant evidence of cultural survival (what the Huichol call “la costumbre”), made possible by their extraordinary resistance to the religious, nationalist, and economic forces that have long assaulted—and that continue to assault—Indigenous communities everywhere. Though Ortiz Monasterio is also an outsider, he does not operate—like Lumholtz or Diguet—as an old-fashioned preservationist, nor is he confident in the superiority of Western culture, nor is his work only destined for museum vitrines...

"I wrap, cover or paint my body with the same pattern as the backdrop and represent myself as a part of that landscape. With this act, I am building my own identity through the entou...