Shuki Laufer

'Nicole' Black And White Photography - Female Nudes

2020

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Izabella' Photography on a Crystal a...

Shuki Laufer - Nude Female With Hat - Black & White Photography. Photography on a Crystal archive deep matte paper. Framed. Edition of 3 1/3 The photograph comes with a certificate ...

Limited Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Woman in black and white' Ph...

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Pamina' Photography on a deep matte paper. framed. Shown at Ame...

Doron - "Love in the forest" Photography and oil on paper. Framed with glass. An original piece. One of a kind. The painting comes with a certificate of authenticity and a letter o...

Edition of 3 1/3 The photograph comes with a certificate of authenticity and a letter of appraisal. Shuki Laufer - 'Dancing to the night' Photography on...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose Picayo. The opening reception will be held Wednesday, November 7th, from 6:00pm to 8:00pm. The exhibit will run through January 6, 2019. In this exhibition, Picayo seeks to revive the concept of unadulterated beauty captured as a single moment in time. An unapologetic user of film, Picayo prides himself on his avoidance of digital processing for personal work. When asked why it remains his preferred medium, Picayo answers, “Digital is so overpoweringly real; photography is more magical to me.” For Picayo, Polaroid film is a medium where he can capture something as is – a moment in time. Just to hold the photograph in his hands is enough. 25 Years of Polaroids showcases Picayo’s most iconic work. This exhibit includes personal photographs of Cuba from 1994, Polaroid image transfers showcasing his impressive use of visual texture and his eye for fashion. Also included are his Atget-esque tree portraits from a New Jersey public arboretum in 2012. Additionally, a selection of 8” x 10” Polaroids from Mugshots 2008, will be included, exploring how a person’s soul can be captured in what appear to be basic photographs. The main questions at the heart of Picayo’s photography stem from the mystery of human perception and the precious things that are lost to time. The invitational image, Rotating Doll, 1997, features a multi-paneled display of polaroids which cover an entire length of a wall. These 20” x 24” Polaroids appear larger than life and were given much praise in Picayo’s recent exhibit Polaroids 2016 at The Erie Museum in Erie, PA. This series stems from a collection of children’s dolls Picayo has found over the years, each one with its own strange and authentic story to tell. By cultivating a deteriorated look reminiscent of antique fresco painting, Picayo examines time using the inanimate faces of broken dolls, reflecting on the objects we hold dear and how they fall apart as we try to hold onto them. Picayo speaks of his own influences, crediting photographers Eugène Atget, Walker Evans, and Edward Curtis, Michael Disfarmer, and Torkil Gudnason with impact on both his fine and commercial art. He is well known for his work in fashion, but for Picayo his personal and commercial work are interrelated, each extensions of one another. Born in Cuba, Picayo immigrated to Puerto Rico during his childhood and settled in New York City by the early 80s. After receiving his BFA from Parsons School of Design, Picayo began his professional career as a commercial photographer, shooting for magazines such as Vanity Fair, Sassy, Taxi, and Connoisseur. Picayo’s work has since appeared in Harper’s Bazaar, L.A. Style, New York Times Magazine, Esquire, Rolling Stone, NY Magazine, HG, and Elle Décor. Picayo has held nine solo exhibits to date at the Robin Rice Gallery. Esquire Magazine...

"Eve by The River" Photography, Archival Ink on Metallic Paper, Matted and Framed Dimensions: 20 x 16in (Limited Edition of 6) Framed 20 x 28in, 16 x 12in (Limited Edition of 6) Fra...

"Eve in the Trees" Photography, Archival Ink on Metallic Paper, Matted and Framed Limited Edition of 6 Dimensions 16 x 12in, Framed 21 x 17 x 1in This photograph is signed on verso and includes certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art History, French, and Women’s Studies, she additionally studied at Parson’s School of Design, ICP, SVA, The New York Film Academy, and The New York Academy of Art. Cesarine had her first solo show at the age of sixteen at Paul Mellon Arts Center. She began working as a photographer from the age of seventeen, shooting for top modeling agencies Elite, Ford, and IMG while she completed her degree. Upon graduation from university, she continued her career in London where she received photography commissions by Vogue, GQ, Harper’s Bazaar, and many other international titles while still in her early twenties. Her work as an artist has been featured internationally at many art galleries, museums, and art fairs, including The Metropolitan Museum of Art, Hudson Valley MOCA, The Watermill Center, Mattatuck Museum, Albany Institute, The National Museum of Women In The Arts, CICA Museum, Smack Mellon, San Luis Obispo Museum of Art, French Embassy Cultural Center, Art Basel Miami, SCOPE Art Fair, Cannes Film Festival, and SPRING/BREAK Art Show to name a few. In 2014, her public art sculpture, "The Egg of Light," was exhibited at Rockefeller Center as part of the Fabergé Big Egg Hunt. Cesarine’s work has been auctioned in a number of celebrated art benefits including at Sotheby’s New York, ARTWALK NY supporting the Coalition for the Homeless...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

"Cindy's Shotgun Wedding" Nevada City, Montana USA 2019 Large: 71" x 108” Edition of 20 Standard: 52" x 76" Edition of 20 This work is sourced directly from the artist. Framed Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper Hand-signed by artist with Certificate of Authenticity Of course, we have worked in this room many times before and I know my light, my angles and the minimal depth of focus. We called last year’s photograph of the mountain men at the bar The Usual Suspects as that is exactly what they were. Some of those men rarely leave the warmth of The Pioneer Bar in Virginia City throughout winter - in fact they hibernate there. It proved such a popular image and has sold out across the world - in some cases raising huge sums for charity. So, when we went back this year, we thought it would be fun to have an additional crew member - Cindy Crawford. The word juxtaposition is over used in narrative, but I think we can get away with it here. The old boys may drink a bit and smoke a bit of weed, but they were on their very best behaviour that day - which is essentially still medieval. An international icon joining their party was not something they bargained for and at least one cowboy convinced himself it was the weed. We had to call the image The Unusual Suspects...