Items Similar to Male Nude VI (29 Palms, CA)
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Stefanie SchneiderMale Nude VI (29 Palms, CA)1999
1999
About the Item
Male Nude VI (29 Palms, CA) - 1999
58x56cm,
Edition of 10,
analog C-Print, hand-printed by the artist, based on a Polaroid.
Signature label and Certificate.
Artist inventory number: 284.02.
Not mounted.
THE GREATER THE EMPTINESS THE GRANDER THE ART – Stefan Gronert
Not “Twenty-six Gasoline Stations” but “29 Palms, CA”! Forty-two years after Ed Ruscha’s legendary book, there is no gasoline station at the beginning of the book that is here at hand. Instead it is the open-hearted Radha – with orange hair, pink-colored overalls and a bashful, or rather cunning, gaze that is directed downward – with which this book begins! And with her and with Max – attention: a woman –, one whose appearance is in accordance with the same styling, it comes to an end as well – after Radha has in the meantime colored her fingernails pink, again endowed with the same openheartedness and the same look which now, however, reveals in combination with her altered facial expression an “old-maidish” turning away from the viewer. This may serve as an example for a vivid and understandable transformation which flows into a large-scale representation of a cheerless settlement beneath a shining, blue sky – there a figure, lost straightaway, becomes overwhelmed.
Pictures which in 1998/99 play in the harsh California sunlight or in spaces that are not exactly cozy and comfortable. “Play” is the correct word in this regard, for precisely in view of the pictures of persons, there remains more than just doubt as to whether we are looking at staged scenes or have simply happened upon the high-strung “reality” of a (wannabe) film world. Yet not all the pictures have the same character of a glaring, plastic world. Upon flipping through the pages, we also encounter unpretentious, literally “colorless” scenes in undefined interiors, or unspectacular views resembling a still life and opening out onto a nowhere land. That which connects all participants in these picture-worlds is the observation that they appear to be exhausted, lost, empty or uncertain about their existence. One is almost reminded of the empty gazes and loneliness of the protagonists in the pictures of large cities painted by Manet or Degas in the era of Early Modernism.
With one exception, all the photographs which are reproduced here, which originally measure 60 by 70 cm but which here, in their present size and configuration, make productive use of the possibilities presented by the medium of the book, manifest several elements of B-movies: smoking, naked, made-up and muscular persons who are not inclined to conform entirely to the vision of Hollywood dreams. Beauty and vexation, eroticism and loneliness enter into a mixture which reveals the rift between desire and truth. From a distance, one is reminded of the “Untitled Film Stills” of Cindy Sherman, which in this regard are not nearly as drastic. Yet whereas her photos from the seventies are characterized by a cool, objective mode of representation in historicizing blackand-white, the photographs of Stefanie Schneider evince a soft, sometimes seemingly pictorial visual language with a coloration ranging from the pale to the artificial-glaring. As in many other pictures of Stefanie Schneider which often present themselves to us as sequences, these photos refer back as well to the perceptual stereotypes of film. Making use of instant photography, proceeding from which significantly enlarged C-prints come into being, her pictures summon up the impression of a narration without ultimately becoming part of a plot that is readable in a linear fashion. The illusion of the narrative element, however, simply enhances the experience of a renunciation of just this aspect. For the picture titles as well – and also the title of this publication – provide no real help with the imaginary construction of a story.
Nevertheless, names return which include the first name of the artist herself: hence is everything not in fact a game but rather a series of authentic and instantaneous images, or is it after all nothing other than a staging, a game – how real is life? The paucity of plot elements, which contradicts all expectation of a cinematic style, as well as the emptiness and loneliness of the persons, enters into a peculiar, sometimes seemingly surreal association with the magic of the sun-drenched expanses of the dreamlike landscape. Just as the fantasy and imagination of the viewer are stimulated, so to the same great extent does the redemption of these visual figures of love founder on a void whose glaze is created, not least of all, by the peculiar blurriness of the photographic representation. The seemingly amateur character of these pictures, which have in no way been treated with any excessive scrupulousness, leaves us with a stimulating incertitude as to their interpretation, one in which the spheres of reality, fiction or dream are scarcely capable any longer of being differentiated. Thus the gaps and the scenic openness of what is presented ultimately set in motion a self-appraisal.
So what remains after “29 Palms, CA”? Perhaps that hope which deviates from the saying of Ruscha that is quoted in the title: The stronger the photography the better the reality will be!
Translated by George Frederick Takis
Stefanie Schneider lives and works in the California High Desert where her scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 22.84 in (58 cm)Width: 22.05 in (56 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU65238920852
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1996
1stDibs seller since 2017
953 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Morongo Valley, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Powerline - Contemporary, Nude, Women, Polaroid, 21st CenturyBy Kirsten Thys van den AudenaerdeLocated in Morongo Valley, CAPowerline - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1063. Not m...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- New moon rising - Contemporary, Nude, Women, Polaroid, 21st CenturyBy Kirsten Thys van den AudenaerdeLocated in Morongo Valley, CANew moon rising- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1021. No...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Come on - Contemporary, Nude, Women, Polaroid, 21st Century, ColorBy Kirsten Thys van den AudenaerdeLocated in Morongo Valley, CA'Come on' part of the series 'A girl called N.' - 2019, 20x20cm, Edition 4/7. Archival C-Print based on a Polaroid. Signature label and certificate. Artist inventory PL2019-51...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Cups III (Suburbia) Contemporary, Polaroid, Analog, Color, PhotographyBy Stefanie SchneiderLocated in Morongo Valley, CACups III (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on a Polaroid, Signed on verso with Certificate, Artist inventory number: 2913. Not mounted. This pro...Category
Early 2000s Contemporary Nude Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Untitled 02 (Saigon) - Artist Prooof 2/2By Stefanie SchneiderLocated in Morongo Valley, CAUntitled 02 (Saigon) - 2003 Sold out Edition of 5, Artist Proof 2/2, 20x20cm, Archival C-Print, based on a Polaroid. Artist inventory Number 471. Not mounted. Stefanie Schneider...Category
Early 2000s Contemporary Color Photography
MaterialsColor, Polaroid, Photographic Paper, Archival Paper, C Print
- Untitled 01 (Saigon), analog C-Print - 21st Century, Contemporary, PolaroidBy Stefanie SchneiderLocated in Morongo Valley, CAUntitled 01 (Saigon) - 2003 Edition 2/5, 57x58cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on a Polaroid. Artist Inventory Nu...Category
Early 2000s Contemporary Color Photography
MaterialsPhotographic Paper, C Print, Color, Polaroid, Archival Paper
You May Also Like
- Mark Dancing (Polaroid Transfer of a Nude Man Smoking in Socks on Rives BFK)By Mark BeardLocated in Hudson, NYimage size: 10 x 8 inches Standing Nude Male Flexing in Socks and Shoes Smoking a Cigarette Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on...Category
1990s Contemporary Nude Photography
MaterialsArchival Paper, Polaroid
- Untitled 17 (Polaroid Transfer of Standing Young Nude Man on Rives BFK)By Mark BeardLocated in Hudson, NYimage size: 10 x 8 inches Standing young nude male with dark background Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner....Category
1990s Contemporary Nude Photography
MaterialsArchival Paper, Polaroid
- Linda (Polaroid Transfer of Nude Woman on Rives BFK)By Mark BeardLocated in Hudson, NYimage size: 15 x 11 inches Artist Proof Photograph of Nude Woman Sitting Unique Polaroid Transfer on Rives BFK paper, unframed signed SM Beard in pencil on bottom right corner, unique print. This is one in a series of Polaroid transfers...Category
1990s Contemporary Nude Photography
MaterialsArchival Paper, Polaroid
- Untitled 19 (Polaroid Transfer of Young Nude Man in Bed on Rives BFK)By Mark BeardLocated in Hudson, NYimage size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left corner, unique print. Th...Category
1990s Contemporary Nude Photography
MaterialsArchival Paper, Polaroid
- Baroque Back (Polaroid Transfer of Standing Young Nude Man on Rives BFK)By Mark BeardLocated in Hudson, NYimage size: 8 x 10 inches Standing Young Nude Man Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left corner. ed. 1/6 This is one i...Category
1990s Contemporary Nude Photography
MaterialsArchival Paper, Polaroid
- David Drebin - Sleepless In San Francisco, Photography 2010, Printed AfterBy David DrebinLocated in Greenwich, CTSeries: Dream Scapes All available sizes & editions for each size of this photograph: 30" X 72"- Edition of 10 40" X 96"- Edition of 7 40" X 96" - Edition of 3; Lightbox "Drebin’s D...Category
2010s Contemporary Color Photography
MaterialsArchival Paper, C Print, Digital
Recently Viewed
View AllMore Ways To Browse
Large Male
Vintage Vi
Male Fashion
Male Nude Figure
Figural Nude Male
Palm Beach Vintage Photos
Male Love
Retro Palm Beach Photos
Male Figure Photography
Large Male Nudes
Male Polaroid
Male Vintage Fashion
Stefanie Schneider Male
Nude Interior Scene
Retro Male Fashion
Nude Beach Picture
Male Nude Color Photos
Blue Male Nude