Stevie in Bathtub - 29 Palms, CA, mounted

View Similar Items

Kirsten Thys van den Audenaerde - I see you (50x50cm) - 21st Century, Women, Nude, Contemporary

Stefanie Schneider - Star 80 (Back in the 80's)

Stefanie Schneider - Reality (The Princess and her Lover)

Stefanie Schneider - 150, 000 Dollars (The Princess and her Lover)

Stefanie Schneider - Tropics Motor Motel I (Memories of Green)

Stefanie Schneider - Nothing to do with my will (The Princess and her Lover)

Kirsten Thys van den Audenaerde - Everlong

Stefanie Schneider - Purple Haze (The Girl behind the White Picket Fence) - Polaroid, Contemporary

Kirsten Thys van den Audenaerde - Fernweh - Nude, Women, Photography. Contemporary, Blue, Polaroid, Analog

Stefanie Schneider - Male Nude from the 29 Palms, CA series, 21st Century, Polaroid, Nude Photography

Kirsten Thys van den Audenaerde - High Hopes - Polaroid, Contemporary, Color, 21st Century

Stefanie Schneider - Silver Braw (29 Palms, CA) - Polaroid, Analog, Nude, Contemporary, Color

Want more images or videos?

Request additional images or videos from the seller

1 of 5

Stefanie Schneider
Stevie in Bathtub - 29 Palms, CA, mounted
1998

About the Item

Stevie in Bathub (29 Palms, CA) Edition 3/10, 58x56cm, 1998 analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, mounted on Aluminum with matte UV-Protection, based exactly on an expired Polaroid photograph Artist inventory Number 296.03 Stefanie Schneider: A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works. What is most striking about Schneider's images is the colour which evokes the appearance of expired Polaroid film. Her role in preserving the use of Polaroid is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider. This sense of absence runs deep through Schneider's work, the fact she even uses expired film means there is a sense of the unknown as she will not know if her subjects have been captured until she is in the dark room. Long before Valencia, Mayfair and Amaro, or any other Instagram filters, Schneider was creating this otherworldliness the image sharing network tries to create. (Barnebys UK, May 3, 2017

Creator:
Stefanie Schneider (1968, German)
Creation Year:
1998
Dimensions:
Height: 22.84 in (58 cm)Width: 22.45 in (57 cm)Depth: 0.04 in (1 mm)
Medium:
Photographic Paper,C Print,Polaroid
Movement & Style:
Contemporary
Period:
1990-1999
Condition:
Gallery Location:
Morongo Valley, CA
Reference Number:
1stDibs: LU65234839452