Portrait Photography

Marilyn Monroe on the set of ‘The Misfits’, Reno, Nevada, 1960. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proo...

A model in Harlem, New York City in 1968. All available sizes and editions: 20" x 24", Edition of 25 + 3 Artist Proofs 24" x 34", Edition of 25 + 3 Artist Proofs "Eve Arnold, born ...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Norman Parkinson captures French model Katherine Pastrie for Queen Magazine, 1960. Katherine Pastrie, Queen Magazine 1960 printed later C print Estate stamped and numbered edition o...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked beautiful blond woman is lying on an old and dry tree on the island Porquerolles ...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph by Harry Sutcliffe (1878- 1942) entitled ' On a Ferris wheel ' Graphic scene taken on a Fer...

Tranquility - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid, not mounted. Signed on the back and with certificate. Artist in...

Lucia at fourtenn - 2019 50 x 35 cm, Edition 1 of 5. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). Si...

"Marilyn Monroe reading Ulysses by James Joyce, New York, Long Island, 1955." All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Edition of 25 +...

'Daydream Believer' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist ...

Edition of 3 Also available in 54 x 80 cm / 21 x 31.5 in, Edition of 7, price on request A beautiful naked woman with brown hair iis lying on a stone bank in front of the Corbusier ...

Edition 15, framed Chromaluxe Michael Jackson doing his smooth criminal dance move. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick...

Edition of 3 More sizes on request. A woman in a beautiful dress tames a lion male. Tyler Shields is an American Photographer, screenwriter, director and former professional inline...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Joachim Schmeisser "Tim - Guardian of Eden" Kenya 2019 Edition of 3 + 2 AP 4 Handmade Platinum Palladium Prints Signed, titled and numbered Sheet size 76 x 112 cm / 30 x 44.1 inch T...

Bert stern Marilyn Crucifix 2 The last sitting (1962) great and big photo of Marilyn Monroe photographic paper format 61 X 61 cms image 51 x 51 cms signed...

Crackle (Till Death do us Part) - 2016 40x40cm, Edition of 10. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory number: 3612. Not mount...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Certificate and Signatur...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A very sexy and beautiful naked woman is sitting on chair and smokes a cigarette in very ...

Bert stern Marilyn stretching beads No 21/72 Mythical photo of the last seance (1962) Ink jet print by bert stern 2010 signed on both sides certificate signed by the artist in his...

Lord Fauntleroy Ahmedabad 151209-501 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Lord Fauntleroy Ahmedabad 151209-566 Pigment Print Year: 2015 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound explo...

Untitled (Ben) Puerto Vallarta, Mexico 2017-2020 Signed and numbered, verso 40 x 30 inches, sheet 38 x 28 inches, image (Edition of 3) $4,500 28 x 22 inches, sheet 24 x 20 inches,...

A Princess' Life (High Desert) - 2019 Edition 1/10, 20x20cm. Digital C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory # 22182 Not mounted. Stef...

Copts 08- Signed limited edition archival pigment print, 2012 - Edition of 5 Cairo, Egypt. In assignment for ARTE & LE LOUVRE 2012 Exhibition in Le Louvre, Paris France This is...

Self Portrait (Strange Love) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory No. 6...

Bus Depot (The Girl behind the White Picket Fence) - 2013 20x24cm, Edition of 10, digital C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #1208...

'Incitement and Confirmation.' (The Girl behind the White Picket Fence) - 2015 70x90cm Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, bas...

American Muslim minister and human rights activist Malcolm X in Chicago, Illinois in 1961. All available sizes and editions: 24" x 20", Edition of 25 + 3 Artist Proofs 34" x 24", Ed...

Copts 03 - Signed limited edition archival pigment print, 2012 - Edition of 5 Young girl walking on the road, around Cairo, Egypt. In assignment for ARTE & LE LOUVRE 2012 Exhibi...

Divine Nude No.1 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in only one dimens...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. 'Kissing' is a stunning C-Type print by contemporary British photographer Tim ...

Jack and Jill II (Chicks and Chicks and sometimes Cocks) Edition 3/10, 20x24cm, 2016, digital C-Print, based on a Polaroid, Artist inventory 20014.03 not mounted Stefanie Schneide...

Paul McMillian 20th & Broadway Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a min...

Tao Ruspoli (born November 7, 1975) is an Italian-American filmmaker, photographer, and musician. Background Tao is the second son of Prince Alessandro Ruspoli, 9th Prince of Cervet...

Edition of 3 More sizes on request. A naked model is wearing rabbit ears made of lace. Tyler Shields is an American Photographer, screenwriter, director ...

In Dubious Battle (Haley and the Birds) - 29 Palms, CA - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature la...

Edition of 3 More sizes on request. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Edition 7 On this photo you can see a naked woman in a intellectual pose sitting in the L'opera of Paris. These stunning photographs of Sieff’s subjects in Paris, in their homes, o...

Edition of 3 Also available in 54 x 80 cm / 21 x 31.5 in, Edition of 7, price on request A beautiful naked woman with brown hair is lying in a very lascivious pose in a yellow bath tube...

Edition of 12 more sizes on request A Portrait of big majestic male lion lying in the sun. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are amo...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Gil at Twelve - 2019 - 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not mounted). Sig...

Divine Nude No.39 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It...

Edition of 12 More sizes on request Portrait of the 5 Boys called "Tano Bora". This coalition of five male cheetahs has been named the Tano Bora coalition, meaning ‘The Magnificent...

Estate-stamped, gelatin-print silver Louis Armstrong At the University of Chicago Theater in the Round, IL Available sizes: 16”x20" Edition of 25 20”x24" Edition of 25 30”x40" Edi...

Divine Nude No.4 is a limited-edition photograph by French contemporary artist Ronald Martinez. This photograph is sold unframed as a print only. It is available in 2 dimensions: *...

Gabriela at Eleven - 2019 25x31cm, Edition of 10 plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mo...

'Great Horned Owl #1, Espanola, NM, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A naked woman lies very lascivious on her back on a couch and is holding a cigarette in h...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...

"Nautilus II" A braided mane adds to the perfection of this horse in this classic, detailed equestrian portrait. The print series Equus: Light & Form focuses on the details of so...

'Aria and Midnight to Moonshine' (Chicks and Chicks and sometimes Cocks) Edition 8/10, 20x24cm, 2016, digital C-Print, not mounted. Based on a Polaroid, Artist inventory 19539.14 ...

Do you know how it feels? (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artis...

Victoria - 2019 33x40cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Fuji glossy paper, based on a reclaimed Fuji Instant Film Negative (not mounted). Signed on ...

Sea Crown, by Ricky Cohete Color Archival Pigment print Medium size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed 2020 The artist uses a vivid contrast of color to add an extra...