Neal Preston

Robert Plant, San Francisco, CA 1973

Limited Edition Next available edition printed upon purchase. Please allow 3 weeks for production.

Limited Edition Print Hand Signed by Photographer Comes with certificate of authenticity from gallery

Joni Mitchell listening to playback of her album "Clouds" Limited edition of 35 prints. Numbered on recto Hand signed on verso by photographer. Graham Nash's Notes: "That's Joni listening to Clouds, which was the album that she was making at the time. She was listening to an acetate of her record prior to the release to make sure everything was right. Even though I was living with Joni, I didn't want her to know why I was taking the image. I'm actually shooting through one of those kitchen table chairs...

Live at the Fillmore East, NYC May 30, 1970 Limited edition print #7/250 Numbered and signed by photographer.

Taken at the Hammersmith Odeon, London Limited Edition Print Hand Signed by Photographer Comes with certificate of authenticity from gallery

Taken in San Francisco Limited Edition of 35 Prints Numbered and signed on verso by photographer Graham Nash's Notes: "This is during the making of Déja Vu. We're in the Caravan Lodge Motel, and we'd all rented these funky, funky rooms, because it was in the Tenderloin district of San Francisco, and it was only two blocks from Wally Heider's studio, which is where we were making the album. Neil had rented a room and had two bush babies living with him, with giant big eyes. And Stephen's room was next door, and I was talking to him one day about the fact that we didn't have an opener for the album, like how 'Suite: Judy Blue...

Jean-Paul Goude & Toukie Smith in NYC Subway, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum/Palladium Print Edition Nº 1 of 6 Ce...

Martha Graham at New York City Center after her final onstage bow - backstage with Madonna and Calvin Klein, October 1990 "Martha was my godmother, and she was posing." - JB Photog...

Linda Hutton in the attic tub, Southampton, August 1974 X Photographed by Jonathan Becker Contemporary 16" x 16.5" Archival Platinum/Palladium Print Edition Nº 1 of 6 Certificate o...

Emma in Botafogo, Rio de Janeiro, 1984 Pão de Açucar, (Sugarloaf Mountain), Rio’s defining landmark looms in the background. Photographed by Jonathan Becker Contemporary 14" x 14.5...

Julian Schnabel at his Outdoor Studio, Montauk, New York, 13 August 2001 Schnabel's magnificent open-air studio benefits fully from the special light of Long Island's East End as oi...

Elaine's Kitchen - Andy Warhol and Elaine, New York, 1976 Photographed by Jonathan Becker Contemporary 14" x 14.5" Platinum & Palladium Print Edition Nº 1 of 3 Certificate of Origin Signed and Titled by the Photographer in Edition and Emboss-stamped in the Margin/Recto Printing & Edition Notes along with Copyright Stamp and Applicable Providence on Verso Printed by hand at the photographer's studio in the traditional Platinum & Palladium process on 100% cotton rag paper. Platinum & Palladium prints are known for their unrivaled longevity and unparalleled subtlety. Print cost includes wrapping/packing/crating for shipment in double-tubing. ______ Jonathan Becker (Steven Kasher Gallery bio by Mark Rozzo) Literate flair, acute visual intuition, love of mischief and spontaneity, and global wanderlust: These are among the hallmarks of the work of Jonathan Becker, whose photography spans four decades and includes iconic portraits (often for Vanity Fair) of a multiplicity of subjects, including Robert Mapplethorpe, Martha Graham, Madonna, Elia Kazan, Prince Charles, Eudora Welty, André Leon Talley, Ai Weiwei, Diana Vreeland and Jack Kevorkian. Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City. In the mid-1970s, he moved for a year to Paris, where he was mentored by his hero, Brassaï. Upon return to New York, Becker drove a cab, toting his camera and parking to complete magazine assignments. A 1981 exhibition of Becker’s work at New York’s Rentschler Gallery included a series of arresting images of patrons taken inside the kitchen at Elaine’s, the storied hangout on New York’s Upper East Side. This exhibition, curated by art director Bea Feitler brought Becker to the attention of Frank Zachary, editor-in-chief of Town & Country. Zachary invited Becker to work for the magazine, where the young photographer further developed his passion for journalistic portraiture alongside Slim Aarons, who, after Brassaï, became Becker’s guiding light. Becker was then enlisted by Bea Feitler to contribute portraits to the prototype of Vanity Fair’s 1983 re-launch. His participation led to a highly prolific association with the magazine as Contributing Photographer, continuing to this day. Becker has also contributed portraits and reportage to The New Yorker, Vogue, W, The Paris Review, amongst truly most major publications. In complement to his editorial work, Becker has accepted a limited number of private and family portrait commissions each year, some accompanied by privately published books, and in the course of his three-years-long project for the Rockefeller Foundation, Becker documented its vast array of philanthropic grant recipients on four continents abroad. Six trade books comprised entirely of Becker’s photographs have been published including Bright Young Things...