Unknown

Vintage Beastie Boys Photograph (1980s)

c.1986

Debbie Harry photograph New York, 1976 by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1976, photographed on the set of "Unmade Beds" by celebrated New York underg...

Irving Penn/ Leon Levinstein ICP, 1978: Rare vintage original 1970s International Center of Photography (ICP) press photograph published on the occasio...

Fernando Natalici: John Waters, Baltimore 1985: Medium: Silver Gelatin print in Agfa darkroom paper. Dimensions: 11 x 14 inches. Condition: Fair overall vintage condition; scattered...

Photograph of Jean Michel Basquiat, New York, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Gelatin Silver Print. 1979. 11 x 14 inches. Edition of 4 A/P's. Signed, dated and numbered 1/4 in pencil on the recto. Some minor surface waves; otherwise very good overall vintage condition. Provenance: Obtained directly from artist. Lot 180 is an authorized dealer rep of Nick Taylor...

Debbie Harry photograph New York, 1977 by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York unde...

Debbie Harry photograph by Fernando Natalici: Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 16 x 20 inches. Signed, titled & numbered from an edition of 20. Obtained directly from the artist. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, Jean-Michel Basquiat, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were most recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). "The Foreigner" is a testament to the "punk" sensibility as manifested at CBGB during this time; the streets and lofts of SoHo and the Lower East Side art scene. Related Categories Deborah Harry...

11 x 14" vintage silver gelatin photograph of Grammy Award-winning Singer Songwriter Carly Simon, photographed in 1971 signed by Jack Mitchell on the print...

11 x 14" vintage silver gelatin iconic photograph of Andy Warhol & Archie his beloved dachshund, 1973. Signed by Jack Mitchell on the print verso in pencil and signed on the front in...

11 x 14" vintage silver gelatin photograph of Warhol Superstar Jackie Curtis photographed May 21, 1970. Signed by Jack Mitchell on the verso. Comes dire...

11 x 14" vintage silver gelatin photograph of Meredith Monk and Ping Chong in "Paris", 1987. Signed by Jack Mitchell on the print verso. Comes directly f...

11 x 14" vintage silver gelatin photograph of composer and conductor Leonard Bernstein, 1977. Signed by Jack Mitchell on the print recto. Comes directly from the Jack Mitchell Archiv...

11 x 14" vintage silver gelatin photograph of American classical violinist Eugene Fodor, photographed for After Dark magazine in 1975. Comes directly from the Jack Mitchell Archives ...