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Pan Walther
PAN Walther, Large Photo on Canvas, Photo of a Boy, Unique, signed and dated

1964

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  • Southern Landscape with Cows, circle of Both, Dutch 17th Century Old Master
    By Jan Dirksz Both
    Located in Greven, DE
    Circle of Andries Both, Southern Landscape with Cows. Both moved to Italy ( Rome and Venice) where is work was influenced by the warm Italian light. Decorative Painting
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    17th Century Baroque Animal Paintings

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  • Saint Bartholomew, Old Master, Oil Print, Ribera, Figurative Art, Spanish Art
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    Located in Greven, DE
    Old Master An Oil Print after a Painting by Jusepe de Ribera in the Museo del Prado, Spain. This is an early print after the original.
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    20th Century Baroque Figurative Prints

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  • Continence of Scipio, Erasmus Quellinus, School Rubens, Baroque Art, Old Master
    By Erasmus Quellinus the Younger
    Located in Greven, DE
    Erasmus Quellinus The Continence of Scipio Oil on Canvas The painting is included in the Catalogue Raisonné of the artist. The Roman commande...
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    17th Century Baroque Figurative Paintings

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  • Portrait Johann Theodor Bavaria, Son of Prince Elector, by Joseph Vivien, Rococo
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    Located in Greven, DE
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    18th Century Rococo Portrait Paintings

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    Canvas, Oil

  • Christ Carrying the Cross, Old Master, Flemish, De Vos, Religious Scene, Rubens
    By Simon de Vos
    Located in Greven, DE
    The scene of Christ carrying the cross is imagined in a rocky landscape. Two soldiers press the cross onto his shoulders, another leads him, holding the rope. A line of soldiers and prisoners moves from right to left. In front of them the three Marys kneel and pray for Christ. A nursing woman, symbol of Caritas, sits in the right foreground. Some dogs and playing kids enliven the scenery. Simon de Vos was born in Antwerp, and was first taught by Cornelis de Vos...
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  • Fenzoni, Painting AND preparatorial Drawing, John the Baptist, Italy Renaissance
    By Ferrau Fenzoni
    Located in Greven, DE
    The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...
    Category

    16th Century Mannerist Figurative Paintings

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    Canvas, Oil, Handmade Paper

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