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Chad Kleitsch
Number 84, Black Series: Contemporary Purple Flower on Black Background

2001-2003

About the Item

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in the sizes below: 10 x 10 inch (11 x 17 paper size) - $900, unframed 18 x 18 inch (20 x 24 paper size) - $2,200, unframed 30 x 30 inch (30 x 30 paper size) - $2,500, unframed & unmounted 30 x 40 inch (30 x 40 paper size) - $2,700, unframed & unmounted 40 x 40 inch (40 x 40 paper size) - $4,500 unframed & unmounted 48 x 48 inch (48 x 48 paper size) - $5,200 unframed & unmounted 48 x 60 inch (48 x 60 paper size) - $5,800 unframed & unmounted 60 x 60 inch (60 x 60 paper size) - $6,500 unframed & unmounted *inquire within for mounting and framing options Contemporary floral still life of close-up view of a purple on a crisp black background. A green stem is visible in the background while the colorful purple flower comes into higher focus in the middle-ground. Petals and stems are given great detail with professional lighting techniques. The beautiful high-quality, archival inkjet print is currently unframed. About the artist: A leading fine art photographer, Chad Kleitsch work has been displayed in galleries and museums throughout the United States. He has been featured in numerous exhibitions. Kleitsch was born and raised in New Jersey. He earned his B.A. in Photography at Bard College in New York. He has since lectured Yale University, Sarah Lawrence College and taught at Bard College, The Center for Photography at Woodstock as well as at, La Guardia College. In his 28 year career Kleitsch has photographed many interesting projects, among them abandoned factories in the American Rust Belt, asylums in the American northeast , the pre-restoration documentation of Ellis Island, street photography, an extensive botanicals survey, also an essay on museum installations around the country. Currently he is working on an essay of scanography of rare documents. His work appears frequently in publications and books such as Chronogram, Weird U.S., Bystander: A History of Street Photography,The Mountain Record, and TIME Magazine and has been reviewed in TheNew York Times, The New Yorker, Time Out, Albany Times Union, and Fortune Magazine.
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