Snap–15 Minutes of Fame I (Wastelands) - Proofs before Printing - 2 available

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Stefanie Schneider
Snap–15 Minutes of Fame I (Wastelands) - Proofs before Printing - 2 available
2003

About the Item

Snap–15 Minutes of Fame I (Wastelands) - 2003, Proofs before Printing - 2 available, 1 sold. 105x100cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on a Polaroid, Not mounted. Signed on front. Exhibition of this piece: 2004 Wastelands, Städtische Galerie, Waldkraiburg, Germany (S) // Wastelands, Zephyr, Mannheim, Germany (S) (catalog) // 2007 Wastelands, Kunstverein Recklinghausen, Germany (S) Publication: WASTELANDS published by edition braus, Wachter Verlag, Heidelberg, 2006, monograph What exactly is a proof before printing? A Proof before Printing is not part of the actual edition. The proofs are part of the printing process. They are usually the few last color trials before printing the edition. They are not perfectly color corrected yet. Sometimes a proof might be close in color but we still have to re-print to bring everything together. Proofs are by definition imperfect and part of the natural evolution of a print. Sometimes there is no white border or a kink. A proof is a proof of one step on the way to making a print edition. They are by definition, imperfect. Wabi Sabi. My dream of accepting so called 'imperfection' is in fact a realizing of a different world view. Formally, my work was called blurry or broken but they fail in the test of acceptance that all things are imperfect. It's a seismic shift for some but in this age where the cracks are no longer hidden, the affirmation of reality is still difficult. The celebration of imperfection reconnects us to the real world where we normally mask our flaws. I chose Polaroid film because it portrays color like candy making even the broken an expression of endearment. The combination of the color and the blemishes of expired Polaroid analog film gave me a sense of inner peace with my surroundings. It just fit. Nothing had portrayed my vision so symbolically. "The film schools I went to scoffed at my discovery blinded by the very imperfections that expressed my passion and love. The quirks, oddities or the perfectly imperfect uniqueness of my work relate to our own life blemishes and somehow make them ok or even remarkable. Honoring that value of imperfection makes it permissible to be. At least for me... I plan engagements in spontaneity for any new project or photoshoot. Allowing space and time for the magic moment to manifest and capturing that enchantment. I use my senses and current affairs to plot that path of serendipity especially when it's a mark of turbulence. The upheaval of balance is the key for chance and allows all unknown forces to contribute to the moment. I look inside myself, ground that emotion and imagine it in a dream. Dreams are the foundation of emotion and the link to our sub-conscience. I try to clarify my nightly dreams subjectively with a cup of nostalgia in a bowl of emotions and sprinkle it generously with sex. It is there, the fountain of our instincts. Stefanie Schneider

Creator:
Stefanie Schneider (1968, German)
Creation Year:
2003
Dimensions:
Height: 41.34 in (105 cm)Width: 39.38 in (100 cm)Depth: 0.04 in (1 mm)
Medium:
Polaroid,Archival Paper,Photographic Paper,C Print
Movement & Style:
Contemporary
Period:
2000-2009
Condition:
It's a proof therefore not perfect even though it is new and not previously owned.
Gallery Location:
Morongo Valley, CA
Reference Number:
1stDibs: LU65237417122

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