Prints and Multiples

paper measures 26.5 x 30 inches. Edition PP 4/4 Painter, sculptor, poet, and musician Larry Rivers was an established figure in the New York School, recognized for creating large pa...

Larry Rivers (American, 1923-2002) Larry Rivers Exhibition, Hirshhorn Exhibition Poster, 1981 Lithograph (?) Sight: 34 3/4 x 24 1/2 in. Framed: 36 x 24 1/2 x 1 1/4 in. Signed and num...

36 x 30 inches - Edition AP2 of 3 with 2 APs Framing is an additional $525 Shot in 2012 in Amsterdam Inspired by Vermeer’s The Girl with a Pearl Earring...

Larry Rivers "The Music Festival of the Hamptons / July 18-27 1997" poster, Not hand signed. [Dimensions: 24" H x 18" W] Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

Untitled (Picasso) Screen print, 1974 Signed, numbered and dated in red pencil lower right (see photo) from Homage to Picasso (Hommage à Picasso) Publisher: Propyläen-Verlag, Berlin ...

Larry Rivers At The Dwan Gallery: Rivers Small Recent Work (Hand Signed), 1965 Silkscreen on wove paper Hand signed and dated "Rivers, 1965" in graphite pencil lower right front Fram...

Larry Rivers LARRY RIVERS (hand signed and inscribed first edition book), 1989 Hardback monograph with a dust jacket (hand signed and inscribed "Enjoy the Matisse" Signed, dated and inscribed by Larry Rivers in red marker on the title page 11 3/5 × 9 4/5 inches Lavishly illustrated hardback monograph with dust jacket on the occasion of the artist's career retrospective. Text is by the distinguished art historian and Princeton professor Sam Hunter. Hand signed, dated and dedicated in red marker on the title page. Inscription reads: To Joanne and Ira Enjoy the Matisse Larry Rivers, April 2, 1992 About the book: Hunter, Sam. LARRY RIVERS. 358 pp. with 400 illustrations, including 155 plates in color. Folio, cloth. New York, Rizzoli, 1989. New York: Rizzoli, 1989. First edition. Hardcover. 358 pages. Retrospective monograph on Larry Rivers. Features text by Sam Hunter. Includes 400 illustrations of which 155 are in color. Publisher's Blurb: Rivers' public persona as an artist combines that of bohemian outsider, sensualist and entertainer. His best-known images of the 1960s--Dutch Masters cigars, French money, cigarette packs--became Pop icons. Eschewing abstraction, he came up with startling, disquieting figures, such as his obese, sagging mother-in-law depicted in the nude with brutal honesty ( Double Portrait of Berdie ). Yet there is more to Rivers than the hipster, as this lavishly illustrated monograph by a former Princeton art historian shows. Hunter makes a case for Rivers as a social realist: witness his powerful construction piece Ghetto Stoop or recent works that include searching portraits of Primo Levi...

Larry Rivers Downtown Lion (1st State), 1967 Etching on wove paper, signed, inscribed and dated with blind stamps Signed, dated and inscribed in graphite; Printers Proof aside from ...

Larry Rivers Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977 Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges...

Larry Rivers Happy 20th Birthday Lincoln Center, 1979 Lithograph on wove paper Hand signed, numbered 80 from the limited edition of 108 and dated on the front by Larry Rivers 26 × 35 inches Unframed This hand signed and numbered limited edition lithograph was commissioned by the prestigious Vera List print program in NYC which invited artists to create works that would help fundraise for Lincoln Center, which many New Yorkers consider the cultural center of the city. This is Larry Rivers' clever homage to...

Larry Rivers Homage to Vladimir Ilyich Lenin, signed and inscribed to Arthur Gold and Robert (Bobby) Fizdale, 1973 Lithograph and Screenprint on Paper Hand signed and inscribed on lo...

Larry Rivers What Did I Do? The Unauthorized Biography, 1992 Lithograph on wove paper Hand signed, numbered 3/325 and dated on lower right front Frame In...

Larry Rivers Larry Rivers Hirshhorn Museum and Sculpture Gallery (Hand Signed), 1974 Silkscreen in colors on wove paper Hand Signed, annotated HC and numbered in white marker from th...

A challenging piece by American Pop artist Larry Rivers. This collage-style print centers on the duality of colorism, particularly in the US. White people are encouraged to use produ...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Red Coats" 1970 is a signed and numbered Silkscreen print with hand Collage. The red coats are a red velvet like material that is glued to and collaged onto the silkscreened image. The silver boots are also collaged onto the silkscreened image. This work is one of the larger works Larry Rivers created in 1970 for a series of silkscreens based on his Boston Massacre...

Artist: Larry Rivers, American (1923 - 2002) Title: Queen of Clubs Year: 1979 Medium: Lithograph and Silkscreen, signed and numbered in pencil Edition: ...

Artist: Larry Rivers (1923-2002) Title: Camel Year: 1980 Medium: Color lithograph on wove paper Edition: 75, plus proofs Size: 11.13 x 8.64 inches Condition: Excellent Inscription: Signed & inscribed A.P. in pencil, lower margin Notes: Larry Rivers is considered by many to be the father of the Pop Art movement. In Rivers's 1980 work "Camel," we see a slightly out of focus Camel Cigarette pack, an item from consumer culture Rivers has appropriated to create a critique of commoditization and consumer culture. Rivers would have certainly been aware of the work of Stuart Davis and his 1921 painting...

Larry Rivers The Last Civil War Veteran, 1970 Silkscreen and mixed media collage on paper 29 × 19 3/4 inches Frame included Edition of 100 Hand signed and numbered 55/100 in graphite lower front 1970 Mixed media collage multiple based upon famous Larry Rivers 1961 painting "The Last Civil War Veteran'. (In 1979-80, Rivers reprised this theme with another edition of 125, but this is the original 1970 print from the limited edition of only 100) In 1962, the Museum of Modern Art acquired The Last Civil War Veteran and by early 1963 put it on view. 1963 marked the hundred-year anniversary of the Emancipation Proclamation...

Lucky Strike In The Mirror (Lucky Strike I), 1961 Lithograph on paper 30 x 22 1/4” Edition of 20

16 x 13 inches - Edition 3 of 7 with 2 APs Framing is an additional $313 Shot in 2012 in Amsterdam Inspired by Vermeer’s The Girl with a Pearl Earring...

A very good impression of this color lithograph on Rives BFK. Signed, dated and numbered 64/175 in pencil by Rivers. Published by Marlborough Graphics, Inc., New York.

A very good impression of this color lithograph on Arches. Signed, dated and numbered 49/90 in pencil by Rivers. Printed by Styria Studio, Inc., New York, with the blind stamp lower left. Based on Rembrandt van Rijn's oil on canvas, "The Polish Rider," 1655, currently in the Frick Collection...

A very good impression of this scarce, early color lithograph with additions in pencil and crayon on Auvergne à la main (Richard de bas) ivory laid paper. Signed, dated and numbered 15/45 in pencil, lower margin. Printed by Robert Blackburn...

Larry Rivers Modernist mixed media "Brandeis Show Collage" work on cut paper. (this appears to be a vintage lithograph. It has a label that describes it as watercolor and charcoal on back. It is definitley hand cut.) Signed in several areas and stencilled across center. Work measures approx. 34 3/4" height x 20 3/4" width. Frame measures approx. 38 3/8" height x 26 1/4" width overall including frame. Silver paint loss on frame. Larry Rivers (born Yitzroch Loiza Grossberg) (1923 – 2002) was an American artist, musician, filmmaker, and occasional actor. Considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, he was one of the first artists to merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. His work was quickly acquired by the Museum of Modern Art. A 1953 painting Washington Crossing the Delaware was damaged in fire at the museum five years later. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955 along with Paul Mommer, Leonard Baskin, Peter Grippe During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo & Jean Claude, Daniel Spoerri or Alain Jacquet, several of whom, like Rivers, left some pieces of art in the lobby of the hotel for payment of their rooms. In 1965, Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. He spent 1967 in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries. During the 1970s, Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. In 1945, he married Augusta Berger, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. In 1949 he had his first one-man exhibition at the Jane Street Gallery in New York. This same year, he met and became friends with John Ashbery, and Kenneth Koch. In 1950 he met Frank O’Hara. This same year he took his first trip to Europe spending eight months in Paris, France, reading and writing poetry. Beginning in 1950 and continuing until Frank’s death in July of 1966, Larry Rivers and Frank O’Hara cultivated a uniquely creative friendship that produced numerous collaborations, as well as inspired paintings and poems. In 1951 Rivers’ works were shown at the Tibor de Nagy Gallery where he continued to show annually (except 1955) for about 10 years. In 1954 he had his first exhibition of sculptures at the Stable Gallery, New York. In 1955 The Museum of Modern Art acquired Washington Crossing the Delaware. This same year he won 3rd prize in the Corcoran Gallery national painting competition for “Self-Figure.” Rivers’ also painted “Double Portrait of Berdie” in 1955, which was soon purchased by the Whitney Museum. In 1957 he and Frank O’Hara began work on “Stones,” a collaborative mix of images and poetry in a series of lithograph for Tatyana Grosman’s company ULAE. During this time he also appeared on the television game show “The $64,000.00 Question” where along with another contestant, they both won, each receiving $32,000.00. In 1958 he again spent time in Paris and played in various jazz bands. In 1959 he painted Cedar Bar Menu...

TECHNICAL INFORMATION: Larry Rivers Stencil Camel 1978 Color stencil and pochoir printed on acetate and color lithograph on two sheets 25 x 21 1/2 in. Artist's Proof (A.P.) of 25 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a wood frame. ABOUT THIS WORK: The logo of Camel cigarettes...

10.5 x 16 inches - Edition 5 of 7 with 2 APs Additional framing $265. Shot in 2011 in Amsterdam Inspired by an anonymous artist of the Fontainebleau School’s Presumed Portrait of Gabrielle d’Estrées and Her Sister, the Duchess of Villars, circa 1594 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

"Bronx Zoo" lithograph and silk screen by Larry Rivers from "New York, New York" portfolio published by New York Graphic Society. Numbered 5/250, signed Larry Rivers and dated '83 lo...

Larry Rivers 1970s Exhibition Poster Published by: Robert Miller Gallery New York in 1977 Medium: Offset lithograph Dimensions: 32 × 30 inches Very good condition About Larry River...

31.5 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in Amsterdam in 2013 Inspired by Rembrandt’s Jewish Bride, ca 1665 Photography and acting are kind...

Larry Rivers (1923-2003) was a pioneering American artist and founding father of Pop Art. His combination of abstraction with commercial imagery was a precursor to the Pop Art moveme...

Spoleto Festival is an original lithograph on cardboard, realized by Larry Rivers in 1988. Signed on plate. Good conditions. Larry Rivers (1923 – 2...

Artist: Larry Rivers Title: Carnegie Hall Year: 1990 Medium: Lithograph, signed and numbered in pencil Edition: 4/60 Paper Size: 57 x 40 inches

Edition 1 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the ongoing series by E2 - Kleinveld & Julien, entitled In Empathy We Trust....

Diana Raised 1 Lithograph from four stones, 1970 Signed and dated lower right (see photo) Annotated "PP" for Printers Proof lower right (see photo) Publisher: ULAE ULAE blindstamp lo...

The work of controversial post-Abstract Expressionist artist Larry Rivers is in the collection most Major Museums. In 2021 a work of his sold at Sotheby's for over 2 Million Dollars. "Big B Signs Up...

12 x 16 inches - Edition 2 of 7 with 2 APs framing is an additional $265. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

SALE ONE WEEK ONLY "For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the f...

Paper Size: 26 x 35 inches ( 66.04 x 88.9 cm ) Image Size: 26 x 35 inches ( 66.04 x 88.9 cm ) Framed: No Condition: A: Mint Additional Details: This image was created by Larry ...

16 x 10.5 inches - Edition 1 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

Artist: Larry Rivers, American (1923 - 2002) Title: Homage to Pablo Picasso Year: 1994 Medium: Silkscreen, signed and numbered in pencil Edition: 19/30 Image Size: 24 x 28 inches Siz...

10.5 x 16 inches - Edition 3 of 7 with 2 APs framing is an additional $420. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

Artist: Larry Rivers, American (1923 - 2002) Title: Big B Signs Up Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 44/175 Size: 19.5 in....

Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...

10.5 x 16 inches - Edition 3 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld...

Artist: Larry Rivers (American, 1923–2002) Title: Fred and Ginger Date: 1999 Medium: Lithograph, unsigned proof Paper Size: 40 x 35 in. (101.6 x 88.9 cm)

36 x 26 inches - Edition 1 of 3 with 2 APs Framing an additional $525 Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindre...

Edition 5 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld ...

30.75 x 24 inches - Edition 3 of 5 with 2 APs Already Framed Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindred spirits ...

Artist: Rivers, Larry Title: The Last Civil War Veteran Date: 1978 Medium: Lithograph Framed Dimensions: 52" x 44" Signature: Pencil signed

27 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

36 x 28.5 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien...

15.25 x 24 inches - Edition 2 of 5 with 2 APs Available framing $420 Shot in 2016 in New Orleans, background illustrated by Marco Ventura Inspired by Emanuel Leutze’s Washington Crossing the Delaware...

Edition 3 of 3 with 2 APs Available framing $525. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current photograp...

Edition 6 of 7 with 2 APs framing is an additional $420. Shot in Amsterdam in 2013 Inspired by Rembrandt’s Jewish Bride, ca 1665 Photography and acting are kindred spirits in the ...

Edition 2 of 5 with 2 APs framing is an additional $420. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current ph...

32 x 36 inches - Edition 3 of 3 with 2 APs Shot in New Orleans in 2014 Inspired by Whistler’s Arrangement in Grey and Black No. 1, also known as Portrait of the Artist’s mother, 1871 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current photographic project, In Empathy We Trust, presents viewers with re-imagined iconic images from the history of art. The collaborators re-envisioned the work of old master painters beginning with the Flemish Primitives and spanning nearly 600 years. With subjects enacting roles with varied representations of race, age, and sexual orientation, e2 “remakes with a twist” works by artists such as van Eyck, Rafael, Velázquez, Rembrandt, Vermeer, Fragonard, and Manet. Inspired by the original paintings, e2 hopes to “jar viewers” into questioning their own perceptions. They invite viewers to see these images, and indeed the world anew, using humor, wit and playfulness. In addition they hope that the viewers will see how stereotypes can lead to prejudice and discrimination. The collaboration began in 2010, after completing work on the traveling exhibition and book project Before (During) After: Louisiana Photographers Respond to Hurricane Katrina. This natural and man-made disaster brought social inequities in Louisiana into vivid focus. Conversations between Kleinveld and Julien revealed their mutual interest in issues of social justice. Accompanying e2’s series is its own coat of arms, bringing new meaning to the traditional symbol of the aristocracy. Heralded with pelicans and a fleur de lis, the shield reflects the artists’ Louisiana roots. It also features their motto: In Empathy We Trust, which reflects the core values of e2’s work. The artists believe in the power of empathy...

Edition 2 of 3 with 2 APs framing is an additional $790. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current ph...

16 x 11.5 inches - Edition 7 of 7 with 2 APs Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld and Epaul Julien). Their current photographic project, In Empathy We Trust, presents viewers with re-imagined iconic images from the history of art. The collaborators re-envisioned the work of old master painters beginning with the Flemish Primitives and spanning nearly 600 years. With subjects enacting roles with varied representations of race, age, and sexual orientation, e2 “remakes with a twist” works by artists such as van Eyck, Rafael, Velázquez, Rembrandt, Vermeer, Fragonard, and Manet. Inspired by the original paintings, e2 hopes to “jar viewers” into questioning their own perceptions. They invite viewers to see these images, and indeed the world anew, using humor, wit and playfulness. In addition they hope that the viewers will see how stereotypes can lead to prejudice and discrimination. The collaboration began in 2010, after completing work on the traveling exhibition and book project Before (During) After: Louisiana Photographers Respond to Hurricane Katrina. This natural and man-made disaster brought social inequities in Louisiana into vivid focus. Conversations between Kleinveld and Julien revealed their mutual interest in issues of social justice. Accompanying e2’s series is its own coat of arms, bringing new meaning to the traditional symbol of the aristocracy. Heralded with pelicans and a fleur de lis, the shield reflects the artists’ Louisiana roots. It also features their motto: In Empathy We Trust, which reflects the core values of e2’s work. The artists believe in the power of empathy...