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Prints and Multiples For Sale
Artist: Robert Indiana
Artist: Wassily Kandinsky
Shalom Pax Paix (The Peace Print) silkscreen on Rives BFK paper signed/N 35/50
Located in New York, NY
Robert Indiana Pax, Paix, Shalom (The Peace Print), 2004 Silkscreen in 4 colors on rives BFK paper Hand signed, dated, titled and numbered 35/50 in pencil by Robert Indiana on the f...
Category

Early 2000s Pop Art Prints and Multiples

Materials

Pencil, Screen

Original Museum of Modern Art LOVE card
Located in New York, NY
Robert Indiana Original Museum of Modern Art LOVE card, 1967 Historic lithographic greeting card - the original, long sold out Floated and framed in a museum...
Category

1960s Pop Art Prints and Multiples

Materials

Lithograph, Offset

Classic Love 1997 Original Silkscreen in colors. Artist Proof Edition of 10
Located in Philadelphia, PA
Artist: Robert Indiana Title: Classic Love (1997) Medium: Serigraph in colors on wove paper with full margins Date: 1997 Edition: Artist Proof 4/10 Sheet Size: 24" x 20" Image ...
Category

1990s Prints and Multiples

Materials

Lithograph, Screen

1972 Original poster by Kandinsky Aquarelles et Dessins at the Galerie Berggruen
Located in PARIS, FR
The original exhibition poster by Kandinsky, titled "Aquarelles et Dessins," showcased the artist's mastery of watercolors and drawings at the esteemed Galerie Berggruen in 1972. Was...
Category

1970s Prints and Multiples

Materials

Paper, Lithograph

Hope (Red, White, and Blue), 2008. Original screenprint Hand Signed & Numbered
Located in Philadelphia, PA
Robert Indiana (1928-2018) Hope (Red, White, and Blue), 2008 Screenprint in colors on wove paper 25 x 19 inches (63.5 x 48.3 cm) (sheet) A.P. 7/25 Signed, editioned, and dated in pen...
Category

Early 2000s Prints and Multiples

Materials

Screen

Four Sixes - Domberger Calendar
Located in Saugatuck, MI
Robert Indiana, a major force in the Pop Art movement described himself as "a painter of signs." Four Sixes, as this screenprint is called clearly captures his brilliant use of color...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

Sante Fe Opera, Pop Art Screenprint by Robert Indiana
Located in Long Island City, NY
Sante Fe Opera Robert Indiana, American (1928–2018) Date: 1976 Screenprint, signed, dated and numbered in pencil Edition of 157/250 Size: 31 x 22 in. (78.74 x 55.88 cm) Frame Size: 4...
Category

1970s Prints and Multiples

Materials

Screen

Classic Love
Located in London, GB
Presenting an iconic tapestry that embodies the essence of love and positivity: "Classic Love" from 2007. Crafted with meticulous attention to detail, this handcarded carpet is elega...
Category

Early 2000s Pop Art Prints and Multiples

Materials

Tapestry

Love Tapestry
Located in London, GB
Presenting an exquisite large Love tapestry by the renowned artist Robert Indiana. Crafted in 1968, this exceptional artwork stands as a testament to Indiana's iconic Love motif and ...
Category

1960s Pop Art Prints and Multiples

Materials

Tapestry

"Salute To H.R 11308 As Amended" serigraph
Located in Henderson, NV
Medium: original serigraph. Beautifully printed in 1968 for the cover of an invitation to an event to promote funding for the arts. House Resolution 11308 was a 1968 bill passed by t...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

"God is Lily of the Valley", from the American Dream Portfolio by Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana, American (1928 - 2018) Title: God is a Lily of the Valley from the American Dream Portfolio Year: 1961-62 (1997) Medium: Serigraph Edition: 395 Image Size: 16...
Category

1990s Pop Art Prints and Multiples

Materials

Screen

"Motif aus Improvisation 25: The Garden of Love" - Original woodcut
Located in Paris, FR
Vassily KANDINSKY Woodcut print Second edition for 'XXe Siecle' the first edition was done in 1938 Printed signature (monogram) in the plate On vellum 31 x 24 cm (c. 12.5 x 10 inc...
Category

1950s Abstract Prints and Multiples

Materials

Woodcut

Tulip, from Garden of Love
Located in PARIS, FR
Robert Indiana, Tulip, from A Garden of Love, (Sheehan 126), 1982, Signed, Serigraph in colors on Fabriano 100% rag paper, Edition A.P. (aside from the edition of 100)
Category

1980s Pop Art Prints and Multiples

Materials

C Print

Lily, from garden of Love
Located in PARIS, FR
Screenprint in colors, 1982, on Fabriano, signed, titled and dated in pencil
Category

1980s Pop Art Prints and Multiples

Materials

C Print

Rose, garden of love
Located in PARIS, FR
Robert Indiana, Rose, from A Garden of Love, (Sheehan 129), 1982, Signed, Serigraph in colors on Fabriano 100% rag paper, Edition A.P. (aside from the edition of 100)
Category

1980s Pop Art Prints and Multiples

Materials

C Print

Four Winds, Deluxe Edition of 100, 1 Cent Life Pop Art Portfolio, Indiana Estate
Located in New York, NY
Robert Indiana Four Winds, from the Deluxe edition of the 1 Cent Life Portfolio (with Robert Indiana's blind stamp, #85/100, acquired from the Estate of Robert Indiana), 1964 Lithograph on wove paper (bears Robert Indiana's embossed stamp) Artist's distinctive embossed blind stamp for 1964 on the lower left front which Robert Indiana used as his signature for this portfolio Frame Included: Elegantly floated and framed in a museum quality wood frame with UV plexiglass Bears Robert the artist's distinctive blind stamp on the lower left front which Robert Indiana used as his signature for this portfolio This Robert Indiana is a rare stamped...
Category

1960s Pop Art Prints and Multiples

Materials

Mixed Media, Lithograph

Composition (Roethel 201), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 5-6, 1...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Plate 12
Located in Fairlawn, OH
Plate 12 From: 10 Origi, 1942 Signed in the block with the artist's initials lower left (printed) From: 10 Origin Not from the First edition 100, published by Allianz-Verlag, Zurich,...
Category

1970s Expressionist Prints and Multiples

Materials

Woodcut

Zwei Reiter vor Rot (Roethel 95), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Bogenschütze (Roethel 79), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Motiv aus Improvisation 25 (Roethel 105), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Stable Gallery 16 October 1962 hand signed & inscribed by Robert Indiana - RARE
Located in New York, NY
Robert Indiana Stable Gallery 16 October 1962 (Hand Signed & Inscribed) Silkscreen on art paper Signed and Dedicated in pencil on the recto. The dedication and signature reads "For...
Category

1960s Pop Art Prints and Multiples

Materials

Pencil, Screen

Schwarzer Fleck (Roethel 145), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Orientalisches (Roethel 106), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Reiterweg (Roethel 111), Wassily Kandinsky
Located in Auburn Hills, MI
Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...
Category

1930s Modern Prints and Multiples

Materials

Woodcut

Robert-Indiana "Love is God-(2014)"
Located in Pembroke Pines, FL
Robert Indiana American, 1928–2018 Love Is God Edition: 12/50 Silkscreen in 18 colors on 2-Ply Museum Board Size: 32 × 32 in 81.3 × 81.3 cm Signature: Hand-signed & numbered in penc...
Category

2010s Pop Art Prints and Multiples

Materials

Screen

Decade: Autoportraits from Vinalhaven Suite
Located in New York, NY
Robert Indiana’s life-long interest in numbers derives from their range of significances and potential as loaded symbols. Indiana credits his penchant for numbers and their inherent ...
Category

1980s Contemporary Prints and Multiples

Materials

Screen

Jenny Reefer
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Jenny Reefer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Robert Indiana, "Oranges", from the American Dream Portfolio
Located in Long Island City, NY
Artist: Robert Indiana, American (1928 - 2018) Title: Oranges from the American Dream Portfolio Year: 1969 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.75 x 14 inches Si...
Category

1990s Pop Art Prints and Multiples

Materials

Screen

Gertrude S.
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Gertrude S." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Constance Fletcher
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Constance Fletcher" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Susan B.
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "ISusan B." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Indiana Elliot
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Indiana Eliott" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Anne
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Anne" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp in 1973, which became very popular. Since then there have been a number of other American stamps with the word love on them, but Indiana's was the first. In addition to the stamp, the image was reproduced countless times during the 70s, as poster, candles, t-shirts and many other items. Indiana continues to work as an artist and recently (2000) released a print with the image 2000 on it arranged in a pattern similar to that of the LOVE design. The work of Robert Indians...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Jo the Loiterer
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Jo the Loiterer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Lillian Russell
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Lillian Russell" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: ...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

General U.S. Grant
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: General U.S. Grant Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Henrietta M.
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Henrietta M." Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Angel More
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: Angel More Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x ...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

Anthony Comstock
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928) Title: "Anthony Comstock" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food Life
Located in New York, NY
Robert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...
Category

1980s Pop Art Prints and Multiples

Materials

Mixed Media, Drypoint, Etching, Aquatint, Stencil

Number Suite - Zero
Located in Kansas City, MO
Robert Indiana Title: Zero Medium: Original Screen Print on paper Year: 1968 Edition: From the limited edition of 2500 Publisher: Edition Domberger Stuttgart Suite: "Numbers" Dimensi...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

Golden Love
Located in Hollywood, FL
Artist: Robert Indiana Title: Golden Love Medium: Screenprint in colors on wove paper Size: 35.13 x 35.13" (89.23 x 89.23 cm) Framed Size: 41 x 41" (104.14 x 104.14 cm) Edition: of 1...
Category

1970s Pop Art Prints and Multiples

Materials

Screen

December, OP Art Print by Herbert Bayer 1969
Located in Long Island City, NY
Artist: Herbert Bayer, Austrian (1900–1985) Title: December Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper
Located in Soquel, CA
Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted is for a show at Galerie Karl Flinker a Paris, in 1977. The poster was printed by IMP. IDL Graphique, Paris. Kandinsky's "Merry Structure" contains a variety of abstract geometric shapes, laid out in a harmonious composition. There are hints of architectural, figurative, and landscape-like objects, in a manner that is open to interpretation. Presented in a new white mat with foamcore backing. Mat size: 40"H x 28"W Poster size: 33"H x 21"W At the relatively advanced age of nearly thirty, Vasily Vasilievich Kandinsky abandoned a burgeoning career as a teacher of law in Moscow to take up studies as a painter. In 1896 he moved to Munich to study, enrolling in the private art academy established by the Slovenian painter Anton Ažbe, where he joined a number of other Russian artists, including Marianne von Werefkin...
Category

1970s Abstract Geometric Prints and Multiples

Materials

Paper, Ink, Lithograph

August, Pop Art Print by Fritz Genkinger 1969
Located in Long Island City, NY
Artist: Fritz Genkinger, German (1934–2017) Title: August (Number 8) Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) ...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

Decade Autoportrait '68
Located in West Hollywood, CA
Robert Indiana "Decade Autoportrait '68", 2001 Silkscreen 35 1/2 x 35 1/2 inches Numbered from the edition of 50 in lower left Signed by the artist in lower right
Category

Early 2000s Prints and Multiples

Materials

Screen

May, OP Art Print by Winfred Gaul 1969
Located in Long Island City, NY
Artist: Winfred Gaul, German (1928–2003) Title: May Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: 20 x 18 in...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

"Motif aus Improvisation 25: The Garden of Love" original woodcut
Located in Henderson, NV
Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...
Category

1930s Expressionist Prints and Multiples

Materials

Woodcut

"Schwartzer Fleck" original woodcut
Located in Henderson, NV
Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...
Category

1930s Expressionist Prints and Multiples

Materials

Woodcut

"Self Portrait 69" original lithograph
Located in Henderson, NV
Medium: original lithograph. This lithograph was printed for the art revue XXe Siecle in 1973 and published in Paris by San Lazzaro. Image size: 8 3/8 x 8 3/8 inches (210 x 210mm). S...
Category

1970s Pop Art Prints and Multiples

Materials

Lithograph

"Eternal Hexagon" original serigraph
Located in Henderson, NV
Medium: original serigraph / silkscreen. In 1964 Samuel Wagstaff, Jr. (at that time Curator of Paintings at the Wadsworth Atheneum in Hartfordford, Connecticut) selected ten importan...
Category

1960s Pop Art Prints and Multiples

Materials

Screen

"Holzschnitt für XXe Siecle" original woodcut
Located in Henderson, NV
Medium: original color woodcut. Catalogue reference Roethel 201. Printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published in Paris by San Lazzaro. Sheet size: 9 ...
Category

1930s Futurist Prints and Multiples

Materials

Woodcut

Monograph: Robert Indiana and the Star of Hope (signed by artist and 2 writers)
Located in New York, NY
Robert Indiana Monograph: Robert Indiana and the Star of Hope (hand signed by the artist as well as both writers), 2009 Hardback monograph with dust jacket (hand signed by Robert Ind...
Category

Early 2000s Pop Art Prints and Multiples

Materials

Paper, Ink, Mixed Media, Lithograph, Offset, Board

Four Seasons of Hope (Silver)
Located in Philadelphia, PA
Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case
Category

2010s Modern Prints and Multiples

Materials

Screen

Autoportraits Vinalhaven Suite, 1980, Complete Set of 10
Located in Austin, TX
Artist: Robert Indiana (1928-2018) Title: Autoportraits Vinalhaven Suite, 1980, The complete set of ten screenprints in colors, all framed Year: 1980 Medium: Screen print on Fabrian...
Category

1980s Pop Art Prints and Multiples

Materials

Screen

"10 Origin" original woodcut
Located in Henderson, NV
Medium: original woodcut. (Catalogue reference Roethel 203). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 8 ...
Category

1970s Prints and Multiples

Materials

Woodcut

Love
Located in Washington, DC
Artist: Robert Indiana Title: Love Medium: Screenprint in colors on glossy wove paper Year: 1997 Edition: AP 6/10 (artist's proof, aside from the edition of 150) Frame Size: 29" x 27...
Category

1990s Pop Art Prints and Multiples

Materials

Screen

Fine Art Prints for Sale — Animal Prints, Abstract Prints, Nude Prints and Other Prints

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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