Prints and Multiples

Medium: original offset lithograph. This work is also known as "Envelope". Rauschenberg executed this interesting Pop Art classic for Art In America in 1970. It consists of one compo...

Medium: original woodcut. Catalogue reference Roethel 105. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 8 1/2 x 8 3/4 inches (217 x 220 mm). Sh...

In 1961, the Galerie Karl Flinker became a vibrant hub of artistic exploration as it welcomed visitors to an extraordinary exhibition featuring the visionary works of Wassily Kandins...

Artist: Robert Rauschenberg Title: Quarry Medium: Offset lithograph in colors Year: 1968 Edition: 500 Frame Size: 41 1/2" x 33" Sheet Size: 35 1/2" x 26 1/2" Signature: Signed in the...

Publisher: ULAE Printer: Fred Genis, Donn Steward & Timothy Huchthausen One of Rauschenberg's most complex prints, made between Autumn 1967 and May 1968, the print contains imagery ...

Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 5-6, 1...

The original exhibition poster by Kandinsky, titled "Aquarelles et Dessins," showcased the artist's mastery of watercolors and drawings at the esteemed Galerie Berggruen in 1972. Was...

Vassily KANDINSKY Woodcut print Second edition for 'XXe Siecle' the first edition was done in 1938 Printed signature (monogram) in the plate On vellum 31 x 24 cm (c. 12.5 x 10 inc...

Artist: Robert Rauschenberg Title: Health Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pencil S...

Artist: Robert Rauschenberg Title: Architecture Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pe...

Artist: Robert Rauschenberg Title: Technology Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in penc...

Artist: Robert Rauschenberg Title: 1977 Presidential Inauguration Portfolio: Inaugural Impressions Medium: Lithograph Date: 1977 Edition: 51/100 Frame Size: 36 1/2" x 26 1/2" Sheet S...

Robert Rauschenberg, Overdrive, 2017 Screenprints in color on three individual maple wood skate decks With artist's printed signature 31 x 8 in. (78.7 x 20.3 cm), each, unframed Edit...

Artist: Robert Rauschenberg Title: Children Year: 1994 Medium: Lithograph with vegetable dye water transfer on Arches Infinity paper Edition: 50; signed, dated and numbered in pencil...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: The Most Distant Visible Part of the Sea Year: 1979 Medium: Lithograph and Screenprint, Signed and numbered in pencil Editi...

Plate 12 From: 10 Origi, 1942 Signed in the block with the artist's initials lower left (printed) From: 10 Origin Not from the First edition 100, published by Allianz-Verlag, Zurich,...

Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...

Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...

Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...

Original Limited Edition Woodcut on wove paper. Inscription: Unsigned, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 1938. Publishe...

Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...

Original Limited Edition Woodcut on wove paper. Inscription: Signed in the block, as issued. Edition: 1,200. Excellent condition. Notes: From the volume, XXe Siècle, Paris, N° 3, 193...

Robert Rauschenberg Trisha Brown Company (Hand signed and dated), 1989 Offset lithograph (hand signed and dated by Robert Rauschenberg) 36 × 24 inches Si...

Renowned American artist Robert Rauschenberg left an indelible mark on the art world, not only through his groundbreaking works but also through a distinctive poster created for the St. Louis Symphony Orchestra in 1968. Born on October 22, 1925, Rauschenberg was a pivotal figure in the transition from Abstract Expressionism to Pop Art. His interdisciplinary approach to art, incorporating elements of painting, sculpture, and graphic design, set him apart. The St. Louis Symphony Orchestra poster...

Robert Rauschenberg "Fence" 1992 Lithograph 44 1/2 x 30 1/4 inches Numbered from the edition of 57 Signed by the artist Framed

Medium: original woodcut. (Catalogue reference Roethel 106). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 4 ...

This artwork titled "Why Can't You Tell" from the suite "Nine Prints" is an original screen print with offset lithograph and fabric collage on B.F.K. Rives paper by American artist ...

A composition resembling a collage, created by American Pop Artist Robert Rauschenberg. Multiple images of noteworthy American figures, such as the Kennedy family, are overlaid above...

Medium: original woodcut. (Catalogue reference Roethel 146). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Size: 12 1/4 x...

Exhibition Poster for Kandinsky at Galerie Karl Flinker 1977 in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted is for a show at Galerie Karl Flinker a Paris, in 1977. The poster was printed by IMP. IDL Graphique, Paris. Kandinsky's "Merry Structure" contains a variety of abstract geometric shapes, laid out in a harmonious composition. There are hints of architectural, figurative, and landscape-like objects, in a manner that is open to interpretation. Presented in a new white mat with foamcore backing. Mat size: 40"H x 28"W Poster size: 33"H x 21"W At the relatively advanced age of nearly thirty, Vasily Vasilievich Kandinsky abandoned a burgeoning career as a teacher of law in Moscow to take up studies as a painter. In 1896 he moved to Munich to study, enrolling in the private art academy established by the Slovenian painter Anton Ažbe, where he joined a number of other Russian artists, including Marianne von Werefkin...

Rare unopened Robert Rauschenberg designed Talking Heads Speaking in Tongues: In 1983, legendary pop artist Robert Rauschenberg designed the album cover for Talking Heads’ acclaimed...

Medium: original color woodcut. Catalogue reference Roethel 201. Printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published in Paris by San Lazzaro. Sheet size: 9 ...

Love-Zone (Reels [B + C]), 1968 Lithograph 27 x 23’’ Edition of 60

Medium: original woodcut. Catalogue reference Roethel 145. Printed in Paris in 1938 for the art revue XXe Siecle (issue number 3). Image size: 7 x 8 1/2 inches (170 x 218 mm). Sheet ...

Medium: original woodcut. (Catalogue reference Roethel 203). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 8 ...

Kar, 1964 Lithograph 15 3/4 x 16 1/4” Edition of 44

ROBERT RAUSCHENBERG Dream of William Burroughs, 1972 Offset lithograph 34 1/2 × 24 inches Edition 103/150 Signed, dated and numbered in black marker on the front Unframed Wonderful early 1970s print Words appearing in a dream of William Burroughs Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York Signed and numbered 103/150 in black marker This work is registered with the Robert Rauschenberg archives, reference number: RRF 72.E001 Text reads: THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET. More information about this work from the Rauschenberg Foundation: Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States. Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.” About Robert Rauschenberg: Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.” Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986. About William Burroughs William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Robert Rauschenberg Photos In+Out City Limits: Boston (hand signed by Robert Rauschenberg), 1981 Monograph held in slipcase (Hand signed in graphite pencil) Hand signed by Robert Rau...

Robert Rauschenberg I Love New York, 2001 (LARGE) Plate signed on the front Offset lithograph on high quality wove paper 39.25" x 25 inches (This ship...

Caucus is an offset lithograph on paper with an image size of 37 x 27 inches, framed in a contemporary, silver-tone frame 50.5 x 40.25 inches. From the edition of 190 - the art is si...

Pre-Morocco form the Eight by Eight portfolio is a lithograph on paper with an image size of 42 x 29 inches, signed 'RAUSCHENBERG 83' and annotated 92/250 lower right. From the editi...

"Americana" is a major and consistent theme in Robert Rauschenberg's oeuvre. The artist embraces it, expounds on it, subverts it and dissects it. Not surprisingly political elemen...

Paper Size: 32.75 x 25 inches ( 83.185 x 63.5 cm ) Image Size: 30 x 22.5 inches ( 76.2 x 57.15 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

Medium: original woodcut. (Catalogue reference Roethel 124). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 7 ...

Robert Rauschenberg Lucio Amelio Napoli poster, 1987 Offset lithograph poster Plate signed 39 × 21 inches Unframed This poster was published for the exh...

Robert Rauschenberg Earth Day, 1970 Offset Lithograph Plate signed and dated on the front Publisher: Castelli Graphics 33 1/2 × 22 1/4 inches Unframed This is the original 1970 offse...

Beautiful poster created for a twelve-hour event at Symphony Space in New York on March 13, 1982, from 11 am to 11 pm. Participants included John Cage, Robert Rauschenberg, Merce Cunningham and the Merce Cunningham Dance Company, Alison Knowles, Charlotte Moorman, David Tudor, Clark Coolidge, Jackson Mac Low, Arthur Russell...

Robert Rauschenberg Museo D'Arte Moderna, Ca' Pesaro Venezia, 1975 Extremely rare vintage offset lithograph poster 39 4/5 × 27 3/5 inches Unframed Robert Rauschenberg was drawn to poster design throughout his career, viewing the medium as a unique opportunity to collaborate with printmakers and reach a larger audience. Rauschenberg’s posters are rarely legible at first glance and require repeat viewing to uncover their many hidden symbols and details. Composed of layered images and text, Rauschenberg’s first poster was a black-and-white advertisement for his first retrospective at the Jewish Museum in 1963, and he continued to create exhibition posters throughout his life. “We were doing a poster for every show, and those posters were going out all over the country, and people were thinking we must be this amazing gallery instead of a freight elevator,” Rauschenberg remembered of this era. Over the next 35 years, the artist created over 100 posters celebrating iconic historical moments, including the first landing on the moon and the first Earth Day, in his signature collage aesthetic. Vintage 1975 poster...

Robert Rauschenberg Test Stone #6 (Blue Cloud) from the Booster and 7 Studies Series (Foster, 45, G:33), 1967 Lithograph on domestic etching paper 47 × 35 inches Hand signed and numb...

lithograph & screenprint on paper & assemblage with Sailcloth, Mylar, Wooden lightbox, fluorescent fixture, aluminum moveable window shade system and Plexiglas Ed. 23/25

Robert Rauschenberg International Very Special Arts Festival, 1989 Lithograph on wove paper Signed, dated and numbered from the edition of 275 in graphite pencil on the front 38 1/4 ...

Robert Rauschenberg Robert Rauschenberg at Leo Castelli (postmarked to artist Ludwig Sander), 1960 Offset lithograph poster 19 × 26 inches Unframe...

Robert Rauschenberg and Cris Gianakos RAUSCHENBERG (Scarce and collectible early invitation), 1970 Offset Lithograph Invitation 8 7/10 × 11 9/10 inches Unframed Offset lithograph invitation created on the occasion of Robert Rauschenberg's exhibition at SVA's Visual Arts Gallery in 1970. The poster was designed by Cristos Gianakos, who was also a professor at SVA, and the show was curated by Felice Wender, the director of Dayon's Gallery 12 in Minneapolis. The invitation states that "after completing its New York debut, the show will open at the School of the Art Institute of Chicago in January 4, 1971 and continue through January 29, 1971. In May, 1971, Dayton's Gallery 12, Minneapolis, Minnesota will exhibit the new Rauschenberg works..." The text on this invitation additionally states that Rauschenberg said in a written statement about these works: "The image and the words cooperate to construct a flat re-reading of the facts plus familiar passing insignificancies that control our day. Information, originally engaged in a daily rhetorical screen to eliminate as much direct feeling and response as possible, re-exposed to encourage consideration..." In nearly a decade and a half of buying and selling art...

This work is offered by CLAMP in New York City. Edition of 23

Artist: Robert Rauschenberg Title: L.A. Uncovered # 7 Year: 1998 Medium: Screenprint on John Koller HMP white Edition: 58; hand signed, dated and numbered in pencil Sheet: 32 × 23 1...

Robert Rauschenberg is revered as one of the most innovative American pop artists - more avant-garde than Warhol, more audacious than Jasper Johns. In the summer of 1969, Robert Rau...

A very good impression of this early color offset lithograph on white wove paper. Signed, dated and numbered 8/150 in felt-tip pen and black ink by Rauschenberg...