Alan Davie

Zurich Improvisation I

1966

Unsigned Edition: a proof outside the edition of 50 printed on Japan Hodomura paper and the additional 50 impressions printed for the book Jaime Sabartes, "Dans l'atelier de Picasso...

Derriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-8...

The Season's Encounter Signed, dated and numbered in the lower margin Edition: 20 (16/20) Signed, dated and numbered in the lower margin Condition: Mint, f...

Nightfear Color lithograph, 1958 From: Rhapsodie de ma nuit, (seven plates) Signed, dated and numbered in pecnil lower left (see photos) Edition: E.A. edition of 25, (there were also 75 impressions numbered) Condition: Excellent, fresh colors and condition Thin spots on reverse from previous hinges Provenance: Martha Jackson Gallery David Anderson Gallery David Anderson granndchildren Trust References And Exhibitions: This portfolio is considered to be one of the greatest-and rarest-illustrated book of the Cobra movement. A copy of this livre d’artiste is in the collection of MOMA. This lithograph is one of four works in color in the portfolio. The book was authored by Emmanuel Looten and published by S.I. (Paris). VERY IMPORTANT EARLY COBRA WORK OF ART Karel Appel B. 1921, AMSTERDAM; D. 2006, ZURICH Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years. In 1950 the artist moved to Paris; there the writer Hugo Claus...

Summer in Venice Lithograph printed in colors from five stones on Italian "Pascia" paper, 1966 Signed and dated lower left in pencil (see photo) The Print Club of Cleveland Publicati...

Five Ideas for Sculpture Lithograph, 1981 Signed and numbered in pencil by the artist lower margin. (see photos) Edition: (35/50) 50 There were also 15 Roman Numeral artist's proofs....

1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower margin

Lithograph, 1961 Catalog : Vallier171 Mourlot77 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 23.00 cm. x 19.00 cm. 9.06 in. x 7.48 in. (image) Handsigned by the artist in penc...

Lithograph, 1955 Edition : VIII/X Publisher : Louis Broder (Paris) Printer : Desjobert (Paris) Catalog : Vallier 153 22.00 cm. x 32.00 cm. 8.66 in. x 12.6 in. (paper) 22.00 cm. x 32...

Serigraph, 1970 Edition : 214/275 85.00 cm. x 55.00 cm. 33.46 in. x 21.65 in. (paper) 76.00 cm. x 43.00 cm. 29.92 in. x 16.93 in. (image) Handsigned by the artist in pencil Ref : L...

Lithograph, 1972 Handsigned by the artist in pencil annotated "Epreuve artiste" Edition : 200 ex. Publisher : Olympia 72, Munich Printer : Mourlot, Paris Catalog : [BNF77] 104.00 cm...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 70/100 Publisher : Galerie Creuzeveult, Paris Printer : E. Desjobert, Paris Catalog : Schneider 27 LCD4013