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Alberto Burri
Cretto B

1971

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  • Despairia
    By Frank Stella
    Located in London, GB
    Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...
    Category

    1990s Abstract Abstract Prints

    Materials

    Engraving, Mezzotint, Etching, Aquatint, Lithograph, Screen

  • Suite Catalana, plate 2
    By Antoni Tàpies
    Located in London, GB
    Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...
    Category

    1970s Abstract Expressionist Abstract Prints

    Materials

    Aquatint

  • Suite Catalana, plate 1
    By Antoni Tàpies
    Located in London, GB
    Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...
    Category

    1970s Abstract Expressionist Abstract Prints

    Materials

    Aquatint

  • Suite Catalana, plate 4
    By Antoni Tàpies
    Located in London, GB
    Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...
    Category

    1970s Abstract Expressionist Abstract Prints

    Materials

    Aquatint

  • Haus der Bilder, from 100 Years Ago series
    By Peter Doig
    Located in London, GB
    Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x...
    Category

    Early 2000s Abstract Abstract Prints

    Materials

    Etching

  • Swan Engraving IV, from Swan Engravings
    By Frank Stella
    Located in London, GB
    Etching and relief, 1982, on white TGL handmade paper, signed and dated in pencil, lower right: F. Stella ‘82, numbered from the edition of 30, workshop number in pencil, verso, printed by published by Tyler Graphics, Ltd., Bedford Village, New York, with their blindstamp, 169.5 x 129.5 cm. (66¾ x 51 in.) Swan Engravings is one of Stella’s most extensive printmaking projects to date, including twenty-five prints published over a three year period. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The series was initiated by nine large-scale black and white intaglio...
    Category

    1980s Abstract Abstract Prints

    Materials

    Etching

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  • Arte Povera 2 Exhibition - Galerie Di Meo, Paris - Offset - 2010
    Located in Roma, IT
    Arte Povera 2 Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2010. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from October to November 2010. The Arte Povera Artists are: Giovanni Anselmo, Michelangelo Pistoletto, Alighiero Boetti, Luciano Fabro, Jannis Kounellis, Pier Paolo Calzolari, Giuseppe Penone, Giulio Paolini, Gilberto Zorio, Pino...
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    2010s Arte Povera Abstract Prints

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    Offset

  • Arte Povera Exhibition - Galerie Di Meo, Paris - Offset - 2005
    Located in Roma, IT
    Arte Povera Exhibition - Galerie Di Meo, Paris is an offset realized for the exhibition in 2005. Good condition, no signature. The exhibition is in Galerie Di Meo in Paris from May to July 2005. The Arte Povera Artists are: Alighiero Boetti, Michelangelo Pistoletto, Jannis Kounellis, Mario Merz, Gilberto Zorio, Giovanni Anselmo, Pino Pascali...
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    2010s Arte Povera Abstract Prints

    Materials

    Offset

  • Elettra, Music Score Lithograph Jannis Kounellis Arte Povera Italian Avant Garde
    By Jannis Kounellis
    Located in Surfside, FL
    It depicts a musical score or music notes. Offset Lithography on rag paper hand signed lower right in pencil: Kounellis numbered 37/90. Provenance: The Collection of Ileana Sonnabend (Mrs Leo Castelli) & the Estate of Nina Castelli Sundell I have seen this piece identified as being 1969 and I have seen it as 1972. Spartito musicale. Jannis Kounellis (Greek: Γιάννης Κουνέλλης; 23 March 1936 – 16 February 2017) was a Greek Italian contemporary artist based in Rome. A key figure associated with Arte Povera, he studied at the Accademia di Belle Arti in Rome. Kounellis was born in Piraeus, Greece in 1936. He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956. From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde. His work has become integral to numerous renowned, international museums' collections. In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, Arte povera means literally ‘poor art’ but the word poor here refers to the movement’s signature exploration of a wide range of materials beyond the traditional ones of oil paint on canvas, bronze, or carved marble. Materials used by the artists included soil, rags and twigs. Leading artists were Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Piero Gilardi, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, Emilio Prini and Gilberto Zorio. They worked in many different ways. They worked in painting, sculpture and photography and made performances and installations, creating works of large physical presence as well as small-scale gestures. To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant. In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief." The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects...
    Category

    1960s Arte Povera Abstract Prints

    Materials

    Lithograph

  • Neon
    By Carlos Davila 1
    Located in Fairlawn, OH
    Neon Intaglio Etching, c. 1970 Signed, titled and numbered in pencil Edition: 99 (76/99) Image size: 7 1/2 x 7 1/2 inches Sheet size: 22 x 17 inches Condition: Excellent Carlos Dávil...
    Category

    1970s Abstract Geometric Abstract Prints

    Materials

    Aquatint

  • Untitled - Mixed print technique, Contemporary abstract print
    By Berenika Korecka-Sowinska
    Located in Warsaw, PL
    Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw
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    2010s Abstract Abstract Prints

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  • Untitled - Mixed print technique, Contemporary abstract print
    By Berenika Korecka-Sowinska
    Located in Warsaw, PL
    Mixed media print on paper by young Polish artist Berenika Korecka-Sowinska who graduated in 2009 from Academy of Fine Arts in Warsaw
    Category

    2010s Abstract Abstract Prints

    Materials

    Linocut, Paper, Etching, Aquatint

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