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Alice Teichert
The Text Is Still Unwritten - Tango

2008

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  • Lineage XII - delicate, copper, oil ink, sketch, monoprint on archival paper
    By Susan Collett
    Located in Bloomfield, ON
    Toronto-based artist Susan Collett studied printmaking and ceramics at the Cleveland Institute of Art. She is a past winner of the Winifred Shantz Award and an elected member of the ...
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    2010s Contemporary Abstract Drawings and Watercolors

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  • Text - Whistle 9/36 - colorful, calligraphic gestures, serigraph on paper
    By Alice Teichert
    Located in Bloomfield, ON
    In a symphony of colour and form, Alice Teichert created more than 40 black ink and acrylic drawings on mylar which she transferred to silk screens. ‘The Text is Still Unwritten’ is ...
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    Early 2000s Contemporary Abstract Prints

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    Archival Ink, Archival Paper

  • The Text Is Still Unwritten - Ouverture
    By Alice Teichert
    Located in Bloomfield, ON
    The Text Is Still Unwritten is a series of 8 serigraphs created in 2008. Teichert made over 40 black ink and acrylic drawings on mylar which were transferred to silk screens. A group...
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    Early 2000s Contemporary Abstract Prints

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    Archival Ink, Archival Paper

  • The Text Is Still Unwritten - Sympatique
    By Alice Teichert
    Located in Bloomfield, ON
    The Text Is Still Unwritten is a series of 8 serigraphs created in 2008. Teichert made over 40 black ink and acrylic drawings on mylar which were transferred to silk screens. A group...
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    Early 2000s Contemporary Abstract Prints

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    Archival Ink, Archival Paper

  • Forest at Night - large, dark, smokey, gestural, atmospheric acrylic on paper
    By Lynne Fernie
    Located in Bloomfield, ON
    Darkness prevails in this moody acrylic painting by Toronto contemporary artist Lynne Fernie. Thick dashes of black, gray, white and red suggest movement and add texture. The forest ...
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    2010s Contemporary Abstract Paintings

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    Archival Ink, Canvas, Acrylic

  • Citation - tall, grey, black, white, figurative, abstract, brushed ink on paper
    By Andrew Lui
    Located in Bloomfield, ON
    Brushed ink scaffolding in grey and black leads the eye up the picture plane in this 55 inch tall painting on paper. The intense movement suggestive of rearing horses in this painterly work is in keeping with Lui's them of pilgrimage in which he explores the idea of "self-inflicted happiness" as a deliberate response to the melancholy and complexity of life. This painting is floated and framed. Born in Guangzhou, China, Lui (1951-2021) participated in the Chinese Cultural Revolution as a member of the Red Guard 1968-70 and then escaped to Hong Kong by swimming. Making his way to Toronto he studied at the Ontario College of Art and became a citizen in the late 1970s. He continued studies in the UK, and Italy where he was drawn to the dynamic Uccello's Battle of San Romano...
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    Title -Green Light Go Year- 2011 MonoType / Embossment =They are made by drawing on a plate or glass with a substance such as printer"s ink or oil paint. An impression is infused i...
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  • Classic Nina Swirly Ball Giclee Print 30 x 40 inches
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    This is a "classic Nina Swirly Ball", in high quality Giclee print on Hahnemuele Etching paper, sized at 30 x 40 inches in an edition of 100. This work ...
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