Tom Wesselmann

SEASCAPE TONDO

1993

72 color Silkscreen on paper. Hand signed, numbered and dated by the artist. Published by Pace Editions, Inc., New York. Edition of 50. Artwork is in excellent condition. All rea...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Published by London Arts Inc., Detroit, MI and printed by Peter Baum,...

Hand signed, dated and numbered by the artist. Published by London Arts Inc., Detroit, MI and printed by Peter Baum, NY. Artwork is in excellent condition. Edition of 100. All re...

Hand signed and numbered. Blind stamped in lower left corner. Don't hesitate to ask any questions. Certificate of Authenticity included. Published by AMX Art Ltd., NY and printed by ...

Serigraph in colors on paper. Hand signed and numbered by the artist. From the edition of 150. Frame size approx 28 x 34 inches. Artwork is in excellent condition. Certificate o...

Hand signed, dated and numbered by the artist. Published by London Arts Inc., Detroit, MI and printed by Peter Baum, NY. Artwork is in excellent condition. Edition of 300. Frame...

Foxglove by Chris Keegan [2022] limited_edition Screen print Edition number 45 Image size: H:42 cm x W:30 cm Complete Size of Unframed Work: H:42 cm x W:30 cm x D:0.1cm Sold Unframe...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission to the moon in 1971. Gittle...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Allan D'Arcangelo Paris Review, 1964-5 Silkscreen 32 × 26 inches Signed and numbered from the limited Edition of 150 pencil signed, numbered and dated on the front Unframed Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...