Amanda Lomax

Southern Sea 2

2021

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessing the graphic power of colors, it explores not only what is seen, but what could be. Hardedge lines distill the composition into colorful stripes reminiscent of op-art paintings. Each image is a slightly different meditation on color. As part of my broader body of work, this series invites us as humans to evolve to higher states of being through visual meditation on color. This work, and this series, uses photography to study color, the camera to deconstruct the world and color to create visual meditations. Words that describe this piece: sea, dusk, sunset, ocean, photographic art, abstract, minimalist Artist Biography: ​Born in Nashville, TN in 1979, American artist Amanda Lomax...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessing the graphic power of colors, it explores not only what is seen, but what could be. Hardedge lines distill the composition into colorful stripes reminiscent of op-art paintings. Each image is a slightly different meditation on color. As part of my broader body of work, this series invites us as humans to evolve to higher states of being through visual meditation on color. This work, and this series, uses photography to study color, the camera to deconstruct the world and color to create visual meditations. Words that describe this piece: sea, dusk, sunset, ocean, photographic art, abstract, minimalist, pixel Artist Biography: ​Born in Nashville, TN in 1979, American artist Amanda Lomax...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Digital print on metal; semigloss finish; signed in verso. Artist Commentary: Part of the Southern Seas Series, this image is a manipulation of my own original photograph. Harnessin...

Colored Mountain, 2015 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. Edition of 25 (Unframed) His ...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix culture—as digital interventions onto works that contain the colonial gaze. These interventions participate in the growing discourse of decolonization, acting as “tags” to challenging the colonial fantasy of terra nullius and confronting the dominant colonial culture’s continued portrayal of Indigenous peoples as a vanishing race...

The title "Interventions On The Imaginary" is a clear reference to Marcia Crosby’s essay, "The Construction of the Imaginary Indian", and situates itself within the realm of remix cu...