Antoni Tàpies

Suite Catalana, plate 4

1972

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, publis...

Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from t...

Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, 90.2 x...

Etching and relief, 1982, on white TGL handmade paper, signed and dated in pencil, lower right: F. Stella ‘82, numbered from the edition of 30, workshop number in pencil, verso, printed by published by Tyler Graphics, Ltd., Bedford Village, New York, with their blindstamp, 169.5 x 129.5 cm. (66¾ x 51 in.) Swan Engravings is one of Stella’s most extensive printmaking projects to date, including twenty-five prints published over a three year period. The name for the series itself comes from the Swan Engraving Company in Bridgeport, Connecticut with whom Stella worked with. The series was initiated by nine large-scale black and white intaglio...

James Rosenquist (1933-2017) "Rouge Pad" One color etching, aquatint and embossing with hand-coloring on wove paper, 2nd state, 1978 Sheet size: 22-3/4 x 40 inches (57.8 x 101...

Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and aquatint on BFK Rives image: 10¾ h × 15 w in (27 × 38 cm)...

1987 Etching, aquatint and drypoint in colors, on wove paper Sheet: 15 3/4 x 18 3/4 in. Edition of 71 Signed, dated and numbered in pencil, lower margin

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Printed by Universal Limited Art Editions. Edition 65 of 100

Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...