Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Eric Gill
A note on the Latin preface to Eric Gill's introduction for his Engravings, 1929

1964

About the Item

SHEWRING, Walter. "A NOTE ON THE LATIN PREFACE TO ERIC GILL'S INTRODUCTION TO HIS ENGRAVINGS, 1929." San Francisco: Black Vine Press, 1964. Large folio, (388x279mm - 15 1/4 x 11 inches), 2 leaves French-folded (folded twice) to make a 4-page booklet, printed in red and black with one of Gill's initial letters from the Four Gospels. (Gill, Corey & Mackenzie, Eric Gill a bibliography 636.33) Printed by Harold Seeger & Albert Sperisen for a joint meeting of the Roxburghe-Zamorano Clubs. This is a reproduction of the original text with Gill's annotations printed in red and grey. Housed in the 15 1/2 x 11 1/2-inch envelope that accompanied the work. Walter Shewring (2906-1990) was educated at Bristol Grammar School and Corpus Christi College, Oxford, Shewring became a Catholic in 1928 and went to Ampleforth to teach classics the same year. The school's much-revered headmaster, Paul Nevill, used to tell pupils that it was "a great luxury" to be taught by such a noted classics teacher. His love of classics was not, though, confined to the classroom, and he composed much Latin and Greek prose, even publishing a volume of his .own work, Versions (Oxford .University Press). Shewring was involved, in his youth, with Eric Gill's community at Pigotts in Buckinghamshire, and through Gill, he came to know such notables as Ezra Pound, Hilaire Belloc, Max Beerbohm, David Jones, and Herbert Read. He commissioned the bookplate for Ampleforth College library from Gill and was also chosen to edit his letters after he died. Eric Gill was a painter, sculptor, typeface designer, and printmaker associated with the Arts and Crafts movement in England. He was one of the greatest and most influential wood engravers of the 20th century. His work is dominated by two overriding themes, religion and eroticism. A true artist-craftsman, Eric Gill established a community at Ditchling in Sussex where he practiced sculpture, wood engraving, and founded the St. Dominic’s Press. He designed the Gill Sans typeface in 1927–30, based on the sans-serif lettering originally designed for the London Underground. The elegant typeface is still used today.
  • Creator:
    Eric Gill (1882 - 1940, British)
  • Creation Year:
    1964
  • Dimensions:
    Height: 15.25 in (38.74 cm)Width: 11 in (27.94 cm)Depth: 5 in (12.7 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Storrs, CT
  • Reference Number:
    1stDibs: LU33527327082
More From This SellerView All
  • Man By a Radiator.
    By Clifford Isaac Addams
    Located in Storrs, CT
    Man By a Radiator. 1912. Etching. Hausberg catalog 247 state iii/iv. Only 2 impressions in this state. 16 x 8 7/8 (sheet 8 x 10 3/8). Vertical printing fold. Printed by the artist on...
    Category

    Early 20th Century American Modern Portrait Prints

    Materials

    Drypoint, Etching

  • Vin Rouge (Red Wine)
    By Edmund Blampied
    Located in Storrs, CT
    1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
    Category

    1930s Modern Interior Prints

    Materials

    Drypoint

  • France at her Furnaces
    By James McBey
    Located in Storrs, CT
    1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
    Category

    1910s Modern Interior Prints

    Materials

    Drypoint, Etching

  • Soup
    By Edmund Blampied
    Located in Storrs, CT
    Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
    Category

    1920s Modern Figurative Prints

    Materials

    Drypoint, Etching

  • Portrait of Albert Schweitzer.
    By Arthur William Heintzelman
    Located in Storrs, CT
    Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....
    Category

    1950s American Modern Interior Prints

    Materials

    Etching, Drypoint

  • Night Time in a Stable.
    By Edmund Blampied
    Located in Storrs, CT
    Night Time in a Stable. 1927-28. Drypoint. Appleby 131. 10 1/8 x 12 1/8 (sheet 11 1/2 x 16 1/2). Edition 100. Illustrated: Print Collector's Quarterly 25 (1...
    Category

    Early 20th Century Modern Animal Prints

    Materials

    Drypoint, Etching

You May Also Like
  • Night Form 2 1970 Signed Limited Edition Large Woodcut
    Located in Rochester Hills, MI
    Peter Green Night Form #2, 1970 Paper Size = 26½" x 38½" inches Signed in pencil, titled, dated and marked 2/30 Born in 1933, Peter Green studied at Brig...
    Category

    1960s Modern Abstract Prints

    Materials

    Woodcut

  • Remington Strip Tease
    By Carol Wax
    Located in New Orleans, LA
    Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...
    Category

    Late 20th Century American Modern Abstract Prints

    Materials

    Mezzotint

  • Günther Uecker, Lichtungen III: Woodcut, Abstract Art, Zero, Signed Print
    Located in Hamburg, DE
    Günther Uecker (German, born 1930) Lichtungen III, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil ...
    Category

    Late 20th Century Abstract Abstract Prints

    Materials

    Woodcut

  • Günther Uecker, Lichtungen I - Woodcut, Abstract Art, Zero, Signed Print
    Located in Hamburg, DE
    Günther Uecker (German, born 1930) Lichtungen I, 1997/1998 Medium: Woodcut on wove paper Dimensions: 62.5 x 51.5 cm Edition of 100 + XX: Hand-signed and (Roman) numbered in pencil Pu...
    Category

    Late 20th Century Abstract Abstract Prints

    Materials

    Woodcut

  • David Shrigley, Eyes - Woodcut, Contemporary Art, Signed Print
    By David Shrigley
    Located in Hamburg, DE
    David Shrigley (English, b. 1968) Eyes, 2016 Medium: Woodcut on paper Dimensions: 70 x 50 cm Edition of 20: Hand-signed and numbered Condition: Mint
    Category

    21st Century and Contemporary Contemporary Abstract Prints

    Materials

    Woodcut

  • Room with a red arch - XXI Century, Contemporary Linocut Woodcut Print, Colorful
    By Maria Stelmaszczyk
    Located in Warsaw, PL
    Maria Stelmaszczyk is a Polish artist born in 1983. PROVENANCE Exhibited at Katarzyna Napiorkowska Gallery. The Gallery is a primary representative for this artist. The Gallery o...
    Category

    Early 2000s Contemporary Abstract Prints

    Materials

    Linocut, Paper, Woodcut

Recently Viewed

View All