Bertrand Dorny

No title

1970ca

Illustrated Book, 1972 Handsigned by the artist in pencil and numbered 231/500 Publisher : Manus Presse (Stuttgart) Text in German illustrated with 6 lithographs by Max Ernst and 6 l...

Illustrated Book, 1983 Handsigned by the artist in pencil and numbered 22/60 Poems by Jacques Lacarrière, illustrated with 5 original etchings by Arthur-Luiz Piza, full page, all si...

Illustrated Book, 1991 Handsigned by the artist in pencil and numbered 6/40 Publisher : Fata Morgana (Saint-Clément-de-Rivière) Printer : Atelier Leblanc (Paris) 25.00 cm. x 19.00 cm...

Etching, 1974 Handsigned by the artist in pencil and numbered 12/100 Publisher : Galerie de France (Paris) Printer : Lacourière-Frélaut (Paris) Catalog : BNF 18 53.00 cm. x 76.00 cm....

Lithograph, 1961 Catalog : Vallier171 Mourlot77 32.00 cm. x 25.00 cm. 12.6 in. x 9.84 in. (paper) 23.00 cm. x 19.00 cm. 9.06 in. x 7.48 in. (image) Handsigned by the artist in penc...

Etching and aquatint, 1950 Edition : 123/300 38.00 cm. x 50.00 cm. 14.96 in. x 19.69 in. (paper) 22.00 cm. x 31.00 cm. 8.66 in. x 12.2 in. (image) Handsigned by the artist in penci...

Anniversary. 1997, pressed cardboard, acrylic, collage, 122x118 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professio...

Thomas Struth (German, born 1954) Wall Detail, James Simon Galerie, Berlin, 2019 Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued) Print dimensio...

A set of 10 vintage Hermann Rorschach Inkblots, or Psychodiagnostic Plates. Published by Hans Huber, Medical Publisher, Bern. Printed in Switzerland. Distributed in USA by Grune &...

Cubic. 1998, pressed cardboard, acrylic, collage, 58,5x64 cm ALEKSANDRS DEMBO (1931. Paris – 1999. Riga) Born in 1931 in Paris, France, died in 1999 in Riga, Latvia. Professional tr...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...