Brice Marden

After Botticelli 5

1992-93

Terry Winters Models for Synthetic Pictures, 9 1994 Etching with aquatint on Gampi laid down on Lana Gravure paper Print: 19 3/8 x 22 1/4 inches; 49 x 57 cm Frame: 22 1/4 x 25 1/4 in...

Brice Marden The Fungoid Rock 1996-97 Etching and sugarlift aquatint on vintage Richard de Bas paper 19 1/4 x 15 3/4 inches; 50 x 40 cm Edition of 45 Signed, dated, and numbered in g...

Terry Winters Untitled 1987 Lithograph in eleven colors on blue-green handmade J. Greene & Son paper Print: 32 1/4 x 23 1/2 inches; 82 x 60 cm Frame: 40 1/2 x 31 1/2 inches; 103 x 80...

Terry Winters Models for Synthetic Pictures, 6 1994 Etching with aquatint on Gampi laid down on Lana Gravure paper Print: 19 3/8 x 22 1/4 inches; 49 x 57 cm Frame: 22 1/4 x 25 1/4 i...

Brice Marden Celadon Muse 2003 Two color etching / one color lithograph 22 x 30 inches; 56 x 76 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available...

Brice Marden Nevis Letter 2009 Etching 30 x 22 1/2 inches; 76 x 57 cm Edition of 45 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks...

Set of three aquatints on Twinrocker handmade paper. Each initialed, titled and dated in pencil, left margin, and numbered 17/53 in pencil. Printed by I.M.E. Studios, New York. Publi...

Steve Sorman has had over 80 solo artist exhibitions throughout the United States . I have included, just for reference, some images of his museum show so that you can see the body...

Joan Miro Barcelona III (from Barcelona Suite) Etching and Aquatint and Carborundum in Colors on Guarro Wove paper Year: 1972 Edition: 50 Signed and ...

Part of Frank Stella’s Moby Dick series, this color etching aquatint features a wide array of geometric shapes splayed out across the page. A strong column-like shape takes center st...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 by Alan Shields on the front Unique variant This very unique and imaginative mixed media paper collage with stitching and fabric is floated and framed in a museum quality white wood frame with UV plexiglass. It is hand signed, dated, titled and numbered from the limited edition of 13 - but each is a unique variant. Frame included: Measurements: Frame: 27.75 x 22.5 x 2 inches Artwork: 23.5 x 18 inches Catalogue Raisonne: K. Tyler Tyler Graphics: Catalogue Raisonné, 1974-1985, New York: Abbeville Press, 1987. p. 289. Alan Shields came of age artistically in the late 1960s in New York. Expanding the boundaries of Minimalism, he became known as a master of aesthetic invention through his wide-ranging exploration of materials and techniques. His mixed media works often contain combinations of traditional silkscreen processes combined with found materials. New York Times critic Roberta Smith wrote in her 2005 obituary for the artist: "Mr. Shields's work combined expanses of gorgeous stained color, reminiscent of Helen Frankenthaler's canvases, with the humbler crafts and a Gypsy sense of portability." Critic Robert Hughes has described Shields as a brilliant bricoleur who could, and often did, make art out of just about anything. He became an innovative printmaker, experimenting with handmade paper and turning out editions in which each print was unique. After his passing, Shields was awarded a Judith Rothschild Foundation grant given to recently deceased abstract artists whose work is of the highest quality but merits further recognition. About Alan Shields: Alan Shields (b. 1944, Herington, KS; d. 2005, Shelter Island, NY) created unique, imaginative, and theatrical structures using unconventional materials and vibrant color. His three-dimensional paintings convey a playful, deconstructive impulse through the incorporation of un-stretched hand-dyed canvas, rope, yarn, beads, and wood. Shields moved to New York City in 1968, where he showed with Paula Cooper...

Lauren Steinert A Seat at the Table Drypoint etching, mulberry chine colle on Rives BFK paper Year: 2021 Size: 22 x 30 inches Edition: 5 Unique within the edition Signed by hand COA provided Ref.: 924802-1029 Tags: abstract, mark, archive, printmaking, drypoint, etching, intaglio, cartography, community, memory, observation Lauren C. Steinert received a Master of Fine Art in Printmaking from the University of Arizona. She received her Bachelor of Science and Arts from the University of Wisconsin-Madison in Printmaking and Glass-working along with Bachelor degrees in Environmental Science and German. She worked as the Printmaking Technician as well as the Relief Printmaking Instructor for the University of Arizona throughout her time as a graduate student. Steinert is currently the Printmaking Instructor for Pima Community College, a Glassblowing Instructor/Assistant at the Sonoran Glass School, and she works as an Artist Assistant. I believe objects hold memory more distinctly than people do. Spending immersive time with different objects around my home, studio, and the communal spaces I occupy, I attempt to visually translate the stories people...