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Damien HirstH9-1 Justice2021
2021
About the Item
H9-1 Justice, by Damien Hirst, 2021
Hirst’s art both shocks and amazes. His works are challenging both visually and philosophically and continually push the very definition of art itself. From diamond-encrusted skulls to dissected cows, Hirst’s art is not only iconic but also utilises found objects, both living and dead, in a way that had never been seen.
In 2021, Damien unveiled ‘The Virtues’ (H9), his second print series after his “garish and messy and fragile” ‘Cherry Blossoms’ (2018-20) paintings. The monumental canvases have been translated here into a vivid series of eight laminated Giclée prints on aluminium composite panels which captures the ephemeral, colourful blooms on sprawling tree branches.
Aluminium Giclee Print On Composite Panel
Limited Edition Print
Edition of 1005
New, Mint Condition and comes with the original packaging.
Hand-signed by artist, On the back
2021
Dimensions: 120 H x 96 W cm
- Creator:Damien Hirst (1965, British)
- Creation Year:2021
- Dimensions:Height: 47.25 in (120 cm)Width: 37.8 in (96 cm)
- More Editions & Sizes:Edition of 1005Price: $27,346
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2158211280052
Damien Hirst
British artist Damien Hirst is widely considered the enfant terrible of contemporary art. He is the most prominent of the so-called Young British Artists, or YBAs, a group, largely composed of Hirst’s classmates at Goldsmiths, in London, that began exhibiting together in warehouses and factories after 1988 and is known for the use of unconventional materials and “shock tactics.”
In the 1990s, Hirst said, “I can’t wait to get into a position to make really bad art and get away with it.” And indeed, he is notorious for piquing critics and baffling the public with such pieces as his signature glass vitrines containing dead sheep or sharks in formaldehyde, and his diamond-encrusted skull, For the Love of God.
Working primarily in sculpture, Hirst takes after French modernist master Marcel Duchamp in his use of ready-made objects and materials, which he combines to ironic effect. He often creates in series, as with The Cure (Violet) and The Cure (Turquoise), both from 2014, which are among several pill paintings referencing Andy Warhol’s embrace of mass production. Belonging to his ongoing series of “spot” paintings, begun in the 1980s, the 2005 piece Xylene Cyanol Dye Solution is striking for its machinelike, industrial uniformity and almost childlike simplicity, a seeming rebuke to the idea of the artist-as-genius.
In addition to making art, Hirst has launched stores that sell editioned works (Other Criteria), a restaurant (Pharmacy2) and even his own London museum (Newport Street Gallery).
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