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Dex HANNON
QUERTYKEYJAMMER by Dex Hannon, Limited edition of 10 copies

2020

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  • SOULIE, Abstract mixed media painting on canvas
    Located in Saint Amans des cots, FR
    Abstract mixed media painting on canvas by SOULIE, France, 1970s. Geometric abstract decor in white, gray, carmine and vermilion colors on a yellow. Background appearing in places. A...
    Category

    1970s Abstract Mixed Media

    Materials

    Canvas

  • Vicente Cristellys, Oil on canvas "Gina Lollobrigida", Late 1950s
    By Vicente Cristellys
    Located in Saint Amans des cots, FR
    Oil on canvas by Vicente CRISTELLYS (1898-1970), School of Paris, late 1950s. "Lolo", portrait of Gina Lollobrigida in Notre-Dame de Paris (film). Arriving in Paris during the 1920s,...
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    1950s Neo-Expressionist Portrait Paintings

    Materials

    Canvas, Oil

  • Amedee de La PATELLIERE, Eclipse with 4 Characters, 1928
    Located in Saint Amans des cots, FR
    Oil on canvas by Amedee de La PATELLIERE, France, 1928. Eclipse with four characters. With frame: 63x54 cm - 24.8x21.25 inches ; without frame: 41x33 cm - 16.15x13 inches. Format 6F....
    Category

    1920s Expressionist Figurative Paintings

    Materials

    Canvas, Oil

  • VILLERS, Pride, Oil on Canvas, 1972
    Located in Saint Amans des cots, FR
    Oil on canvas by VILLERS, France, 1972. Pride. With frame : 84.5 x 65 x 5 cm - 33.3 x 25.6 x 2 in. , without frame : 80 x 60 x 2 cm - 31.5 x 23.6 x 0.8 in. Signed and dated lower ...
    Category

    1970s Neo-Expressionist Animal Paintings

    Materials

    Canvas, Oil

  • Toujours la Vie Recommence
    By Edouard Goerg
    Located in Saint Amans des cots, FR
    Oil on canvas by Edouard Goerg (1893-1969), France, 1958. Life is always the same. Acquired in 2017 from the personal collection of Edouard Goerg. Measurements : with frame : 62.5x53...
    Category

    1950s Expressionist Figurative Paintings

    Materials

    Canvas, Oil

  • Notre-Dame de Paris, Oil on Canvas by Henri André Martin
    Located in Saint Amans des cots, FR
    Oil on canvas by Henri-André Martin (1918-2004), France, ca.1960. Notre-Dame de Paris. With frame: 79.3x 60.3 cm - 31.2x23.7 inches. Without frame: 54x 73 cm - 21.3x28.7 inches. 20P format. Signed lower left "Henri A. Martin" (see photo). Born in Lyon in 1918, the child and the adolescent Henri-André Martin spent his youth in Saint-Étienne, his father, Edme Martin, first installed as a practicing doctor in Lyon, having been appointed doctor of the anti-tuberculosis dispensaries of the Loire. During his first years of studying medicine in Lyon, he nevertheless enrolled in the Beaux-Arts. Appointed hospital intern upon his return from captivity in 1942, he ended his medical career as director of the otolaryngology university clinic at Édouard-Herriot hospital. But painting was his passion. Painting was for Henri-André Martin the way of expressing his feelings. By nature very reserved and of an extreme modesty that many took for coldness, it was what allowed him to express his strong artistic sensitivity and, his pictorial periods are as many reflects of his anxieties, of his hopes, of his joys. At every period of his life, wherever he goes and whenever he has a moment, he paints gouaches, often of small size, but sometimes of larger size. He also paints beaches that have been compared to those of Boudin. Their invoice shows, however, that this figure is only appearance and that in fact, these beaches made of water, sky and sand, readily dispense with the motif, the work of the material seeming to have more importance. as the subject. Despite the fact that until the 1970s he painted "on the ground", his canvases remain far removed from the anecdote. Often harsh like the landscapes of Provence, the Parisian walls which express concern, or the railways, the switch tracks which suggest, in ocher and black, all the embarrassment of choice. We find the same nostalgic gravity in the canvases of the carcasses of boats which, as his friend Louis Pons later wrote, "seem to die of immobility" or in the canvases of Venice, or the landscapes of Eygalières. In the following years, his painting became simpler, more synthetic, such as these landscapes with tortured almond trees, black and gnarled olive trees, plane trees standing out against the ocher sky of the dawn of Provence, in winter. These are also the canvases of Hamburg in the dough becomes heavier, the colors darken, marking all the gravity of the port landscapes. Workshop work gradually takes precedence over motif painting. The pivotal period coincides with that of his work on the olive tree, during which he leads the realization of the "Trunks", a collection of six lithographic plates, of the book L'olivier comprising many lithographs and serigraphs, but also texts. poetic and numerous paintings. He then became passionate about everything related to the olive tree (literature, painting, traditions, history), but also to the tree itself, its thousand-year-old history, its poetry, its symbols, but also its culture, its size. oil production...
    Category

    1960s Post-Impressionist Landscape Paintings

    Materials

    Canvas, Oil

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