Didier Lesne-Pigeaud

Abstract French Aquatint- Le Grand Avocat

2003

French lithograph of the abstracted iconic face of Lenin set in bold blocks of color by artist Paul Guiramand, circa 1965. Original artwork on paper displayed on a white mat with a ...

Playful abstract serigraph of a pastel hued couple in mid dance move, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and ...

Fascinating black and white etching of an otherworldly creature, 1983. Signed and dated lower right and numbered 42 of 45 lower left. Original artwork on paper displayed on a white ...

Fanciful aquatint etching with aluminum transfer, features abstract figures and aluminum bubbles mixed with green and magenta tones by Imelda Teran, circa 1995. Signed lower right an...

Impactful abstract serigraph using vivid colors of green and orange to accentuate a bold black by artist Reverdy, circa 1970. Signed lower right, n...

Impressive abstract black and white encaustic engraving utilizing many textures and shapes by Francois Xavier Marange, circa 1970. Signed lower right, titled lower center and numbere...

Acrylic paint, india ink on archival paper, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Oil Monotype w/ Wool Fiber, Japanese Paper, Ink Transfer, Clothing Tag, Metal Leaf and Coffee Hand pulled on white BFK Rives Printmaking Paper Edition: Unique

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique

Mixed Media on Paper Inked Mylar scorched and fused On white BFK Rives Printmaking Paper w/ Pencil and Metal Leaf Edition : Unique