Donald Judd

Untitled -- Print, Lithograph, Minimalism, Geometric Abstraction by Donald Judd

1973

BRIDGET RILEY Rose Horizontal, 2018 Screenprint in colours, on Fabriano 5 paper Signed, titled, dated and numbered from the edition of 75 Printed by A...

Untitled, 1973 Ellsworth Kelly Screenprint, on BFK Rives wove Signed and numbered from the edition of 300 With the artist's copyright inkstamp verso From The New York Collection fo...

Paris Review, 2021 Ed Ruscha Hand-printed lithograph with torn and deckle edges Signed, dated and numbered from the edition of 50 Sheet: 45.7 × 29.2 cm (18 × 11.5 in)

Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973 John Baldessari Complete set of twelve offset lithogra...

Jane, 2002 Paula Rego Lithograph, on Somerset textured paper Signed and numbered from the edition of 75 From the deluxe edition of Jane Eyre Accompanied by ...

Shakespeare's Room, 2006 Paula Rego The set of three lithographs in colours, on three sheets of Somerset Velvet Signed, initialled and numbered from the edition of 35 Printed by T...

Edition of 15

Edition of 15

Edition of 15

Edition of 15

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...

AGNES MARTIN Praise, 1976 Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front Numbered 593 in pencil on the front, from the limited edition of 1000 Accompani...