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Eleen Auvil
Monotype with Blue and Orange

1999

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    Period mixed media print and painting by California artist Katherine Chang Liu (American, 20th-century). Signed "Fireworks Series #39" Katherine Chang Liu '87. Presented with a white...
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  • South Ridge Series #66, Abstract Landscape
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    A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...
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  • Abstract portrait of a Woman Finely Detailed Collotype on paper
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  • "Moon Dream" Monotype
    By Eleen Auvil
    Located in Soquel, CA
    A colorful, one of one, monoprint by Carmel, California artist Eleen Auvil (American, b. 1927). Stickers on verso with artist and framing info. Presented in a wood frame with a linen...
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    Early 2000s Abstract Expressionist Abstract Prints

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  • Geometric Patterned Leaf Abstract Etching, 5/10
    Located in Soquel, CA
    An early abstract work, rich in visual texture and patterns with abstract leaves by Japanese print maker Kazuko. Etching pencil signed edition nu...
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    1970s Abstract Geometric Abstract Prints

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  • Mid Century Figural Abstract -- Rock with Teapot Jelly Fish
    By Dean Snyder
    Located in Soquel, CA
    Stunning figural abstract silkscreen titled "Rock" by Dean Snyder (American, b. 1953). Artist's Proof 1990. Titled, signed and dated lower edge. Presented in mat, unframed. Image Si...
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    1990s Abstract Abstract Prints

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  • Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
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    There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed 'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
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