Cipango
View Similar Items
Frank StellaCipango1972
1972
About the Item
- Creator:Frank Stella (1936, American)
- Creation Year:1972
- Dimensions:Height: 16 in (40.64 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Signed, numbered and dated 1972 by the artist.
- Gallery Location:Toronto, CA
- Reference Number:Seller: 06-20171stDibs: LU21521969793
Frank Stella
Frank Stella is one of the central figures in postwar American art. A proponent of minimalism and non-representational abstraction, Stella is a painter, printmaker and sculptor. A native of Massachusetts, he attended Phillips Academy in Andover and earned a BA from Princeton, where he studied art and color theory with Josef Albers and Hans Hofmann.
Stella frequented New York galleries as a student and was intrigued by the work of Jackson Pollock and Franz Kline, both of whom were at the height of their creative powers in the late 1950s. After moving to New York in 1958, he gravitated toward the geometric abstraction and restrained painting style of Barnett Newman and Jasper Johns. Johns’s flat, graphic images of common objects such as targets and flags prompt viewers to question the essential nature of representation and whether these pictures are really paintings or simply new iterations of the items themselves. Stella pushed Johns’s reasoning further, considering paintings on canvas as objects in their own right, like sculptures, rather than representations. This led him to reject certain formal conventions, eschewing sketches and often using nontraditional materials, like house paint.
In 1959, Stella created his “Black Paintings,” series, in which bands of black paint are separated by thin, precise stripes of bare canvas. At a time when contemporary painting was all about wild gestures, thick paint and formal abandon, these pieces created a sensation. That same year, Stella's work was included in the exhibition "Sixteen Americans" at the Museum of Modern Art in New York, and he joined the roster of artists represented by Leo Castelli Gallery. In 1960, he began introducing color into his work and using unconventionally shaped canvases to complement his compositions.
In his “Eccentric Polygon” series, from 1965 and ‘66, Stella embraces asymmetry and bold color, creating forms delineated by painted fields and by the edges of the canvas. This series was followed by the 1967–70 “Protractor” series, characterized by colorful circles and arcs. Named after the ancient cities whose circular plans Stella had noticed while traveling in the Middle East during the 1960s, these works usually comprised several canvases set flush against one another so that the geometric figures in each section came together in a larger, more complex whole.
Also in the mid-1960s, Stella started exploring printmaking, initially working with Kenneth Tyler, of Gemini G.E.L., and later installing printing equipment in his own studio. In 1968, he created the “V” series of lithographs,which included the print Quathlamba I. Following a solo exhibition at the Museum of Modern Art in 1970, Stella began working in three dimensions, adding relief elements to paintings, which could almost be considered wall-mounted sculptures.
Stella’s 1970–73 “Polish Village” series was inspired by a documentary photos and architectural drawings of Polish synagogues that had been destroyed by Nazis during World War II. The resulting works — composed primarily of paint and cloth on plywood — are more rugged and less polished than his previous series. Herman Melville's Moby Dick was his muse for a series of three- dimensional works he created in the 1980s in which waveforms, architectural elements and Platonic solids play a prominent role. During this period, Stella embraced a new, exuberant style that is exemplified in "La Scienza della Fiacca." In 1997, he oversaw the creation of the Stella Project, a 5,000-square-foot work inside the Moores Opera House at the University of Houston. A large free-standing sculpture by Stella stands outside the National Gallery of Art in Washington, D.C.
Stella’s work is in the collections of numerous important museum collections around the world, including New York’s Museum of Modern Art and Metropolitan Museum of Art; the Menil Collection, in Houston; the Hirshhorn Museum and Sculpture Garden, in Washington, D.C.; and the San Francisco Museum of Modern Art. He was awarded the National Medal of Arts by President Obama in 2009, and was given the Lifetime Achievement Award in Contemporary Sculpture by the International Sculpture Center in 2011.
Find a collection of Frank Stella's art on 1stDibs.
- Rites of Passage IIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and established New York City as the center of the art world for the second half of the 20th century. Motherwell was also the unofficial spokesman of the New York School, writing, teaching and lecturing on behalf of the movement, his fellow artists, and the merits of abstraction. His work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. Yet in addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. This print, along with "El General", was created at Tyler Graphics in 1979. "Rites of Passage II...Category
1980s Abstract Expressionist Abstract Prints
MaterialsHandmade Paper, Lithograph
- Palo AltoBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
$6,720 Sale Price20% Off - America-La France Variations VIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined abstraction and...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- America La France Variations IIIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991) is one of the essential American abstract painters who radically defined post-war abstraction in New York City. Today, his work appears in museum colle...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
- The Persian IIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern painting...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- America La France Variations IIBy Robert MotherwellLocated in Toronto, OntarioRobert Motherwell (1915-1991) is one of the essential American abstract painters that radically defined post-war abstraction in New York City. Today, his work appears in museum collections around the world and is instantly recognizable for its boldness and black forms. His auction record was set in 2018 at $12.6 million USD. In addition to his impressive paintings, Motherwell is also revered as a printmaker. He is one of the most innovative and prolific printmakers of the 20th century. He was always searching for new techniques, whether at his own printmaking atelier, or collaborating with others, to expand his ideas and express his aesthetic. "America-La France...Category
1980s Abstract Expressionist Abstract Prints
MaterialsLithograph
- People's Jade, 1971By Sam FrancisLocated in Palo Alto, CACreated in 1971, Sam Francis People's Jade, 1971 is a color lithograph on Strathmore 100 percent rag paper hand signed by Sam Francis (San Mateo, 1923- Santa Monica, 1994) in pencil ...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph
$10,000 Sale Price41% Off - Albert Oehlen, Meditation über Bürokratische Tendenzen bei TzK, Signed PrintBy Albert OehlenLocated in Hamburg, DEAlbert Oehlen (German, b. 1954) Meditation über Bürokratische Tendenzen bei TzK, 2020 Medium: Lithograph on paper Dimensions: 36.2 × 30.6 cm (14 3/10 × 12 in) Edition of 100: Hand si...Category
21st Century and Contemporary Abstract Expressionist Abstract Prints
MaterialsLithograph
- "Untitled" Robert Motherwell from the Portfolio of NineBy Robert MotherwellLocated in Hinsdale, ILRobert Motherwell Untitled (from Portfolio 9), 1967 Lithograph, 1967 22.25 x 17.25 in. (56.52 x 43.82 cm.) Signed; lower left with artist's trademark initials; numbered, Publisher...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Zygmund Jankowski, Come Fly with MeBy Zygmund JankowskiLocated in New York, NYZygmund Jankowski is known for his modernist compositions and effective use of “the white of the paper.” 'Come Fly with Me' perfectly illustrates that skill; It is signed, titled, and dated in pencil. Jankowski was born in South Bend, Indiana. After serving in the US Navy Jankowski attended the California College of Arts and Crafts, where studied with Victor DeWilde, Otis Oldfield, and George Post. Returning to the mid-west he taught at Indiana University, South Western Michigan College, Hilton Leech School of Art, the Bremen Art Center, the Niles Art Center, the South Bend Art Association, and the Rockport Art Association. Beginning in 1964 he summered in Rocky Neck, MA, and opened a summertime gallery. In the 1970s he made a permanent move to Gloucester where he held workshops at his studio. In the 1990s he moved to Lanesville. Among those institutions with work by Jankowski is the Cape Ann Museum. In their biography of the artist they acknowledge his role of inspiring a generation of Cape Ann artists...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Zygmund Jankowski, My GardenBy Zygmund JankowskiLocated in New York, NYZygmund Jankowski is known for his modernist compositions and effective use of “the white of the paper.” 'My Garden' perfectly illustrates that skill; It is signed, titled, dated, and numbered in pencil. It is from an edition of 10. Jankowski was born in South Bend, Indiana. After serving in the US Navy Jankowski attended the California College of Arts and Crafts, where studied with Victor DeWilde, Otis Oldfield, and George Post. Returning to the mid-west he taught at Indiana University, South Western Michigan College, Hilton Leech School of Art, the Bremen Art Center, the Niles Art Center, the South Bend Art Association, and the Rockport Art Association. Beginning in 1964 he summered in Rocky Neck, MA, and opened a summertime gallery. In the 1970s he made a permanent move to Gloucester where he held workshops at his studio. In the 1990s he moved to Lanesville. Among those institutions with work by Jankowski is the Cape Ann Museum. In their biography of the artist they acknowledge his role of inspiring a generation of Cape Ann artists...Category
1960s Abstract Expressionist Abstract Prints
MaterialsLithograph
- Moultonboro, from the Eccentric Polygons portfolioBy Frank StellaLocated in Palo Alto, CACreated in 1974, this lithograph and screenprint on Arches paper is hand signed and dated by Frank Stella (Massachusetts, 1936 - ) in pencil in the lower right margin and is numbered...Category
1970s Abstract Expressionist Abstract Prints
MaterialsLithograph, Screen
Price Upon Request