Giulio Turcato

Abstract Composition - Screen print by Giulio Turcato - 1976

1976

23/100, 1974. Paper, lithograph, 43x65 cm

Luis Feito (Spain, 1929-2021) 'Untitled I (Dypthic)', 2017 lithograph on paper 39.4 x 55.2 in. (100 x 140 cm.) Edition of 35. Original 50, 35 of the regular edition and P/E: 4, B.A.T...

Enamel screen printing, edited in 1996. Limited edition, numbered HC (hors commerce) Signed in pencil by artist in lower right corner. Paper size: 70 x 120 cm Very good conditions. ...

Artist: Piero D'Orazio, Italian (1927 - 2005) Title: Untitled 3 Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 90 Size: 13 x 10 in. (33.02 x 25.4 cm)

23/100, 1974. Paper, lithograph, 43x65 cm

Piero Dorazio, Italian (1927 - 2005) - Untitled 3, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 90, Size: 13 x 10 in. (33.02 x 25.4 cm)

Artist: Moshe Kupferman, Israeli (1926 - 2003) Title: Untitled II Year: 1997 Medium: Screenprint, signed and numbered in pencil Edition: 40 Image Size: 30 x 45 inches Size: 32 x 47....

This original lithograph in colours is hand signed in pencil by the artist “Castillo” in the lower right image. It is dated "86" [1986] next to the signature. It is also hand numbered in pencil from the edition of 100, at the lower left image. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears the Guarro watermark in the upper left sheet corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...

Luis Feito (Spain, 1929-2021) 'Untitled IV', 2017 lithograph on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 35. Original 46, 35 of the regular edition and B.A.T.: 1, P/A: 5, H.C....

Pierre Alechinsky Invisible Flying object - 1977 Print - Lithograph on Arches Archival Paper   25.75'' x 19.5'' Edition: Signed in pencil and marked 10/100 After completing his studies at the École Nationale des Arts Décoratifs in 1947, Pierre Alechinsky immediately became one of the founders and most active members of the CoBrA group . He began working with other members 'four-handed', especially with Appel and Dotremont, producing oil paintings filled with a multitude of small figures; his taste for ironical titles and curved lines was already becoming evident. After Cobra disbanded, Alechinsky moved to Paris where he studied printmaking and moved in Surrealist circles. His work contains residual figurative motifs, such as goblins, reptiles of every description, volcanoes, and rushing streams. The beasts and geographical elements arouse disquiet as well as smiles of complicity. The recipient of the Andrew Mellon...