Charlie Davies

Charlie Davies, Winter winds, Contemporary Limited Edition Botanical Prints

2020

Chris Keegan Boom Limited Edition Silkscreen Print Edition of 50 Sheet Size: H 56cm x W 40cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a...

Jonathan Moss NV10 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 111cm x D 0.1cm Sold unframed Please note that in-situ image...

NV4 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of flashing lights found in city centres at nig...

Harriet Hoult At-ha Limited Edition Giclee Print Edition of 50 Sheet Size: H 91cm x W 63cm x D 0.1cm Signed by the Artist This is a signed, Limited Edition Giclée print of the origi...

Jonathan Moss NV14 Bright Contemporary Art Unique Relief Print printed on Somerset, 300gsm, paper. Sheet Size: H 76cm x W 96cm x D 0.1cm Sold unframed Pl...

Chris Keegan Sphere Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a pi...

Günther Förg (German, 1952-2013) Hora, 1999 Medium: Etching on rag paper Dimensions: 82 x 63 cm (32 x 24.75 in) Edition of 99: Hand-signed and numbered Condition: Mint

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper: 30 x 40 in. / 76.2 x 101.5 cm. Thinking Aloud in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on yellowish grey Hodgkinson hand made paper. Signed by the artist, dated 70, and numbered 21/100 lower center in red crayon. Printed from the same plates as 'All Alone in the Museum of Modern Art'. While All Alone features dark pools of hand coloring, the lighter image field of Thinking Aloud reveals how Hodgkin used his entire hand to create lines and textures. This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive brush marks and fingerprints in this print are an example of the artist’s movement in the late 70s towards pronounced gestures. Howard Hodgkin was introduced to the etching technique used in Thinking Aloud in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Large black and marigold orange abstract interior scene of a bust in front of a window with fingerprints and painterly brushstrokes. Rich color and texture ideal for hanging in minimalist, contemporary and modern living spaces. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring on Stoneridge mould-made etching paper. This print is one of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), Those…Plants). The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, marigold orange contrasts beautifully with rich black ink. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Howard Hodgkin was introduced to the etching technique used in Artist and Model at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

André Butzer (German, b. 1973) Untitled (Smileys), 2019/2022 Medium: Etching in colors on wove paper Dimensions: 43 x 33 cm Edition of 15: Hand-signed, numbered and dated in pencil C...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...