Ian Davenport

Untitled -- Acrylic Paints, Poured Lines, Colourful Art by Ian Davenport

2014

Venetian Views: Venice, Afternoon, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium yellow, mars yellow and ph...

Venetian Views: Venice, Morning, 1995 Howard Hodgkin Lift-ground etching and aquatint with carborundum printed in colours with hand-colouring in cadmium red, phthalo green-blue shad...

Evening, 2019 Ian Davenport Etching on Canson Edition Bright White 320gsm paper Signed, dated and numbered from the edition of 30 Published by Cristea Roberts Image: 50 × 50 cm (19....

Into the Woods: Summer, 2001-02 Howard Hodgkin Lift-ground etching with aquatint and carborundum printed in two shades of green, turquoise blue and zinc white, with hand-colouring i...

Uplift, 2020 Ian Davenport Archival inkjet print in colours, on Somerset Satin paper Signed, dated and numbered from the edition of 125 Published by Jealous Gallery, London Image: 5...

Composition (trompe l'oeil collage), 1956 Peter Blake Lithograph in colours, on wove laid on support card Signed and dated in pencil Sheet: 17.6 × 22.5 cm (7 × 8.9 in) An early li...

“I’ll find me a place by the river now and give up all my story lines.” – Van Morrison All of these paintings originated in the past year, but I suspect they truly began in 1955 after I returned from the army to complete my college education at Fresno State. Having discovered the heroic-scaled canvases of the abstract impressionists while away, I changed my major to art. Soon, after enrolling into a painting class taught by Darwin Musselman, I felt I’d be advancing from the old school to the new wave. Wrong. Musselman, an intense taskmaster, held me firm to the basics and taught me how to crawl first. The flying would come after I paid my dues. Musselman had studied at the Los Angeles Art Center and The School of Arts and Crafts in Oakland. Proficient in many styles of painting, he never shied away from demonstrating techniques he felt might spur a student’s progress. About the time I began to suspect he was controlling us all too tightly, he showed the class Hans Namath...

untitled (red) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

untitled (blue) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

untitled (orange) screenprint, embossment, and dye resist 1976 number 3 from an edition of 25

My limited edition print, 'Graffiti Mixed Media Print Orange & Aqua', is a vibrant and contemporary work of art that showcases my unique style. Inspired by my hometown of Buenos Aire...

Josep Guinovart - IMATGES I TERRA III Date of creation: 1991 Medium: Hand colored etching on paper Edition: 50 + H.C. Size: 76 x 57 cm Condition: In very good conditions and never f...