Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

James Hansen
"Untitled IV", Abstract Aquatint Color Etching Lithograph, Signed and Numbered

1991

About the Item

"Untitled IV" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 25-3/4 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 20 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen, Claude Simard, and Myriam Laplante. In his lifetime he was an instructor at Yale and Brandeis. He has been exhibited in the he Institute of Contemporary Art in Boston, the Jack Shainman Gallery in New York City, the Alpha Gallery in Boston, the UFO and East End galleries in Provincetown, the Eva Cohen Gallery in Chicago, the Boston Public Library, the Museum of Fine Arts in Boston, the Rose Art Museum at Brandeis University, Cantor Art Gallery, Boston, Portland State University, and the Provincetown Art Association and Museum. He passed away in 1997
  • Creator:
    James Hansen
  • Creation Year:
    1991
  • Dimensions:
    Height: 32.75 in (83.19 cm)Width: 25.75 in (65.41 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Detroit, MI
  • Reference Number:
    1stDibs: LU128616873992
More From This SellerView All
  • "Travelers", Abstract Drypoint Etching and Aquatint, Numbered and Signed
    By Richard Jacobs
    Located in Detroit, MI
    "Travelers" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Travelers" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 16 as there are multiple prints in the possession of Collected Detroit...
    Category

    1990s Abstract Prints

    Materials

    Etching, Aquatint, Lithograph, Drypoint

  • "Holiday", Abstract Drypoint Etching and Aquatint, Numbered and Signed
    By Richard Jacobs
    Located in Detroit, MI
    "Holiday" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Holiday" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 17 as there are multiple prints in the possession of Collected Detroit...
    Category

    1990s Abstract Prints

    Materials

    Drypoint, Etching, Aquatint, Lithograph

  • "Untitled I", Abstract Etching and Aquatint Lithograph, Signed and Numbered
    By Bert Yarborough
    Located in Detroit, MI
    "Untitled I" is a work that displays Bert Yarborough's experimentation with emotion and monotype in his abstract and expressive style. This print made ...
    Category

    1990s Abstract Prints

    Materials

    Etching, Aquatint, Lithograph, Monotype

  • "Untitled II", Abstract Aquatint Color Etching Lithograph, Signed and Numbered
    Located in Detroit, MI
    "Untitled II" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 26 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 28 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen, Claude Simard...
    Category

    1990s Abstract Prints

    Materials

    Etching, Aquatint, Lithograph

  • "Untitled II", Abstract Etching and Aquatint Lithograph, Signed and Numbered
    By Bert Yarborough
    Located in Detroit, MI
    "Untitled II" is a work that displays Bert Yarborough's experimentation with emotion and monotype in his abstract and expressive style. This print made...
    Category

    1990s Abstract Prints

    Materials

    Etching, Aquatint, Lithograph, Monotype

  • "Untitled I", Abstract Aquatint Color Etching Lithograph, Signed and Numbered
    Located in Detroit, MI
    "Untitled I" is a work that displays James Hansen's intense colors and shapes of his abstract and surrealist style. This print made with etching and aquatints with hand-coloring on Arches paper pops with the illusion of three dimensions set against a muted background of esoteric shapes and symbols. The print is 32-3/4 x 25-3/4 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 12 as there are multiple prints in the possession of Collected Detroit. James Hansen was born in 1951 in New Haven, Connecticut and spent most of his artistic career in Provincetown, Massachusetts where he befriended and worked with Paul Bowen, Claude Simard...
    Category

    1990s Abstract Prints

    Materials

    Etching, Aquatint, Lithograph

You May Also Like
  • Study for Sculpture in the Form of an Inverted Q Above & Below Ground Oldenburg
    By Claes Oldenburg
    Located in New York, NY
    Study for Sculpture in the Form of an Inverted Q: Above and Below Ground, 1975 Lithograph, soft-ground etching, and aquatint in six colors on cream, thick, slightly textured Rive BFK paper 14 × 11 in. / 35.2 × 28 cm Signed and dated in pencil, lower right, numbered in pencil, lower left. Edition of 100 with 20 AP. Printed by Bill Law, Winston Roeth and Allan Uglow at Petersburg Press...
    Category

    1970s Pop Art Abstract Prints

    Materials

    Etching, Aquatint, Lithograph

  • Compression
    By Will Barnet
    Located in New York, NY
    This large, striking color etching and aquatint is an artist's proof, aside from the edition of 20. Signed, titled and inscribed "AP" in pencil by Barnet.
    Category

    1960s Abstract Geometric Abstract Prints

    Materials

    Etching, Aquatint, Lithograph

  • Calibrate
    By Nancy Graves
    Located in New York, NY
    Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered, dated on the front Fr...
    Category

    1980s Abstract Abstract Prints

    Materials

    Aquatint, Lithograph, Etching

  • Parallel Curves
    By Sol LeWitt
    Located in Toronto, Ontario
    Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...
    Category

    Early 2000s Abstract Geometric Abstract Prints

    Materials

    Etching, Aquatint, Lithograph

  • Game of Chance
    By Robert Motherwell
    Located in London, GB
    88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100
    Category

    1980s Abstract Expressionist Abstract Prints

    Materials

    Mixed Media, Color, Aquatint, Lithograph

  • The Pequod Meets the Jeroboam: Her Story from the Moby Dick Deckle Edges Series
    By Frank Stella
    Located in Long Island City, NY
    Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...
    Category

    1990s Abstract Geometric Abstract Prints

    Materials

    Mezzotint, Etching, Aquatint, Lithograph

Recently Viewed

View All