Jeannette Bedwell

Leaves Against Ochre and Blue

Circa 1969

Signed lower right, 'J. Bedwell' for Jeannette Bedwell (American, 20th century) additionally inscribed verso, 'Serigraph by Jeanette Bedwell' and titled 'Leaves' and created circa 19...

Signed lower right, in pencil, 'Ross Wetzel' (American, 1917 - 2013), titled lower left, 'E Pluribus Unum' and with number and limitation, '118/300'. Paper dimensions: 14 x 21 inches. Born in Chicago, Ross Wetzel was an avid art student through high school, and then enrolled- with his future wife and fellow artist, Janice- at the American Academy of Art in Chicago. He was soon working for Walt Disney Productions, taking lead production roles in the creation of such Disney classics as Pinocchio, Fantasia and Bambi. During the Second World War, he served with the Motion Picture Unit of the First Army Air Corp under Ronald Reagan, creating training films for fighter pilots and bombers and working beside actors including Alan Ladd and Clark Gable. After the War, Ross and Janice started a serigraphy business, which came to be known as Ross Wetzel Studios creating animated commercials and print advertisements for companies such as Kellogg's, Kleenex and Continental Airlines that featured such characters as Tony the Tiger and Toucan Sam. Ross was also hired to illustrate one of the first renderings of Smokey the Bear...

Signed lower left, 'Roger Bezombes' (French, 1913-1994) and titled, 'Poisson bleu' with number and limitation, lower right, '25/150'. Roger Bezombes first attended the Ècole des Beaux-Arts (1934) and was the recipient of numerous prizes, medals and juried awards including the Grand Prix de Rome...

Signed lower right, 'Ynez Johnston' (American, b. 1920) and dated 1964; additionally inscribed 'imp' lower right, titled lower center 'Tribal Coast' with number and limitation, 198/210', lower left. Framed Dimensions: 21.25 H x 26.5 W x 1.5 D Inches Born in Berkeley, California, Johnston first studied drafting, painting and printmaking at the University of California with Worth Ryder, Erle Loran and Margaret Peterson...

Signed lower right, "Ryonosuke Fukui" (Japanese, 1923-1986), a listed artist, and created circa 1965. An artist's proof, hand-colored etching compris...

Signed lower right, 'Bolin' for Gustav Bolin (Swedish, 1920-1999) and dated 1972; blind stamp lower left 'Editions du Damier - Paris' and inscribed lower left with number and limitat...

A very good impression of this screenprint on hand made, hand dyed paper. Signed, dated and numbered 7 in pencil by Gilliam.

A pristine color screenprint, acrylic and oil paint and varnish over giclée on paper. Signed and dated in white ink by the Connor Brothers. Dimensions with the frame are 32 x 22 inches.

1976 Screenprint in colors, on heavy wove paper Sheet: 30 x 42 in. Edition of 100 Signed, dated and numbered in pencil, lower margin Unframed, very good condition

"Indianapolis Museum of Art Inaugural Exhibitions", 25 October 1970, is an eye popping large bold colorful geometric abstract silk screen. It is signed on the lower right. Robert Indiana, one of the preeminent figures in American art since the 1960s, played a central role in the development of assemblage art, hard-edge painting, Pop art, Neo-Dada, American Modernism and Modern Art. A self-proclaimed “American painter of signs,” Indiana created a highly original body of work that explores American identity, personal history, and the power of abstraction and language, establishing an important legacy that resonates in the work of many contemporary artists such as Andy Warhol, Keith Haring, Roy Lectenstein, David Hockney, Romero Britto, Richard Hamilton and Robert Rauschenberg who make the written word a central element of their oeuvre. Robert Indiana was born Robert Clark in New Castle, Indiana on September 13, 1928. Adopted as an infant, he spent his childhood moving frequently throughout his namesake state. At 14 he moved to Indianapolis in order to attend Arsenal Technical High School, known for its strong arts curriculum. After graduating he spent three years in the U.S. Air Force and then studied at the Art Institute of Chicago, the Skowhegan School of Sculpture and Painting in Maine, and the Edinburgh College of Art in Scotland. In 1956, two years after moving to New York, Indiana met Ellsworth Kelly, and upon his recommendation took up residence in Coenties Slip, where a community of artists that would come to include Kelly, Agnes Martin, James Rosenquist, and Jack Youngerman had studios. Indiana, like some of his fellow artists, scavenged the area’s abandoned warehouses for materials, creating sculptural assemblages from old wooden beams, rusted metal wheels, and other remnants of the shipping trade that had thrived in Coenties Slip. The discovery of 19th century brass stencils led to the incorporation of brightly colored numbers and short emotionally charged words onto these sculptures as well as canvases, and became the basis of his new painterly vocabulary. Although acknowledged as a leader of Pop, Indiana distinguished himself from his Pop peers by addressing important social and political issues and incorporating profound historical and literary references into his works. In 1964 Indiana accepted Philip Johnson’s invitation to design a new work for the New York State Pavilion at the New York World’s Fair, creating a 20-foot EAT sign...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...