This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1953 album Miro Recent Paintings. Published by the Pierre Matisse Gallery, New York, and printed by Mourlot Freres, Paris, this work reflects Miros transition into a period of bold experimentation, marked by heightened chromatic intensity and the poetic abstraction that defined his mature style.
Executed on velin paper, this lithograph measures 12 x 18.5 inches (30.48 x 46.99 cm), with centerfold as issued. As issued, it is unsigned and unnumbered, consistent with the authorized publication format. This composition preserves Miros signature balance of spontaneity, surrealist symbolism, and rhythmic line, affirming his ability to translate imagination into visual poetry.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans titre (Untitled), from Miro Recent Paintings, 1953
Medium: Lithograph on velin paper
Dimensions: 12 x 18.5 inches (30.48 x 46.99 cm), with centerfold as issued
Inscription: Unsigned and unnumbered, as issued
Date: 1953
Publisher: Pierre Matisse Gallery, New York
Printer: Mourlot Freres, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the 1953 album Miro Recent Paintings, published by the Pierre Matisse Gallery, New York
Notes:
Excerpted from the album, This album has been printed by Mourlot Freres in Paris for Pierre Matisse at the occasion of the artists sixtieth anniversary and the presentation of his recent work at the Pierre Matisse Gallery, 41 East 57th Street, New York, 22. The edition has been limited to C examples on LXVI velin dArches a la forme " which contain an original lithograph in black signed by the artist and numbered I to C, and MCCL examples on velin numbered CI to MCCCL. A few extra examples has been printed and reserved for the artist, the publisher and their collaborators. Paris 23 October 1953.
About the Publication:
Miro Recent Paintings was published in 1953 by the Pierre Matisse Gallery in New York to coincide with an important exhibition celebrating Joan Miros sixtieth anniversary. As one of the most influential gallerists of the twentieth century and the son of Henri Matisse, Pierre Matisse played a pivotal role in introducing European modernism to American audiences. This commemorative album served both as an exhibition document and as a fine-art publication, printed by the renowned Mourlot Freres in Paris, the leading atelier for color lithography during the modernist era. Known for collaborating with major figures such as Pablo Picasso, Georges Braque, and Henri Matisse, Mourlot brought exceptional technical refinement to Miros lithographs, capturing the spontaneity, gestural movement, and chromatic vibrancy characteristic of his mature period. The albums intricate production included multiple paper types and edition distinctions, with a principal run on velin and a deluxe edition on velin dArches that featured an original signed lithograph. As a historical artifact, Miro Recent Paintings reflects both the international reach of Miros career and the essential role of transatlantic collaboration in shaping the midcentury art world. Today, this album remains an important and collectible example of postwar fine-art publishing, representing the enduring partnership between Miro, Pierre Matisse, and the master printers of Mourlot Freres.
Catalogue raisonne reference: Cramer, Patrick, and Isabelle Monod-Fontaine. Joan Miro: Catalogue Raisonne des Livres Illustres. Patrick Cramer Editeur, Geneva, 1989, no. 28; Mourlot, Fernand, and Miro, Joan, et al. Joan Miro Lithographe I : 1930-1952. A.C. Mazo, 1972., nos. 206-209.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012.
Joan Miro lithograph, Miro Recent Paintings, Miro Pierre Matisse Gallery, Miro Mourlot Freres, Miro 1953 edition, Miro surrealist print, Miro lyrical abstraction, Miro collectible lithograph, Miro modernist publication.