This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1974 album miro sculpture (Miro Sculpture). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, this work reflects Miros lyrical fusion of abstraction, gesture, and sculptural form. In Sans titre (Untitled), Miro channels the vivid spontaneity and symbolic richness that define his mature graphic language.
Executed as a lithograph on velin paper, this work measures 11.024 x 22.28 inches, with stitch perforations and centerfold as issued. Signed in the plate and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans titre (Untitled), from the album miro sculpture (Miro Sculpture), 1974
Medium: Lithograph on velin paper
Dimensions: 11.024 x 22.28 inches (28 x 56.57 cm), with stitch perforations and centerfold as issued
Inscription: Signed in the plate and unnumbered as issued
Date: 1974
Publisher: Maeght Editeur, Paris
Printer: Arte, Adrien Maeght, Paris
Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 948–948. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 181.
Condition: Well preserved, consistent with age and medium
Provenance: From the 1974 album miro sculpture (Miro Sculpture), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris
Notes:
Excerpted from the album (translated from French), The original lithographs were drawn in the ateliers Arte, Adrien Maeght, Paris. Completed printing on April 5, 1974.
About the Publication:
Miro sculpture (Miro Sculpture) is a significant 1974 album published by Maeght Editeur, conceived to celebrate Joan Miros sculptural imagination and the expressive language he developed through three-dimensional form. Part of Maeghts ambitious program of artist-focused albums and livres dartiste, the publication presents original lithographs that echo the tactile vitality, chromatic force, and symbolic vocabulary of Miros sculptural works. Arte, Adrien Maeght—one of the most technically accomplished ateliers in postwar Europe—printed the lithographs with exceptional fidelity to Miros hand-drawn stones. As with all Maeght publications, the album was designed not merely as documentation but as a complete creative object: a carefully orchestrated union of fine art printing, poetic sensibility, and scholarly intention. Miro sculpture reflects the publishers broader mission to bring modern art to a wide and international audience through albums that combine museum-quality production with innovative artistic collaboration. Today, it stands as an essential reference within the Maeght corpus and an important testament to Miros sculptural practice within the broader context of modernist experimentation.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012.
Joan Miro Sans titre 1974, Miro sculpture 1974, Miro Sculpture album, Miro Arte Adrien Maeght, Miro Maeght Editeur, Miro velin paper, Miro collectible lithograph.