This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculptures of Miro, Ceramics of Miro, and Llorens Artigas). Published by Maeght Editeur, Paris, and printed by Arte, Adrien Maeght, Paris, 1973, this work reflects Miros imaginative synthesis of form, material, and symbolic abstraction during a period of intense sculptural and ceramic exploration.
Executed as a lithograph on velin paper, this work measures 8.5 x 8.5 inches. Unsigned and unnumbered as issued. Printed by Arte, Adrien Maeght, Paris, one of the foremost ateliers of the 20th century.
Artwork Details:
Artist: Joan Miro (1893–1983)
Title: Sans titre (Untitled), from the album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculptures of Miro, Ceramics of Miro, and Llorens Artigas), 1973
Medium: Lithograph on velin paper
Dimensions: 8.5 x 8.5 inches (21.59 x 21.59 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1973
Publisher: Maeght Editeur, Paris
Printer: Arte, Adrien Maeght, Paris
Catalogue raisonne reference: Mourlot, Fernand, and Joan Miro. Catalogue des Lithographies de Miro. Vol. V. Andre Sauret, 1984, illustrations 915–916. Cramer, Patrick. Joan Miro: The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1989, illustration 166.
Condition: Well preserved, consistent with age and medium
Provenance: From the 1973 album Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculptures of Miro, Ceramics of Miro, and Llorens Artigas), published by Maeght Editeur, Paris; printed by Arte, Adrien Maeght, Paris, 1973
About the Publication:
Sculptures de Miro, Ceramiques de Miro, et Llorens Artigas (Sculptures of Miro, Ceramics of Miro, and Llorens Artigas) is a major Maeght Editeur album dedicated to the close creative partnership between Joan Miro and the celebrated ceramist Josep Llorens Artigas. Published in 1973, the album documents one of the most significant sculptural and ceramic collaborations of the 20th century, presenting lithographic plates, photographs, critical commentary, and archival material that illuminate the evolution of Miro and Artigas collaborative process. Their partnership, which began in the early 1940s, unified Miros visionary symbolic language with Artigas profound mastery of glazes, kiln effects, and ceramic materiality. The album reflects Maeghts long-standing commitment to producing museum-quality editions that merge artistic excellence with scholarly value. Printed at Arte, Adrien Maeght, the publication stands as both a historical document and a fine art object, offering collectors, historians, and institutions an essential record of the sculptural and ceramic innovations that reshaped modern art.
About the Artist:
Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont-roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post-Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miros inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miros work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23561250 GBP (approximately 37 million USD) at Sothebys, London, on June 19, 2012.
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